A Merciful End

Peeling back the lid on the controversies surrounding mercy killing in the U.S., this full history of the nation's euthanasia movement retraces the history of this recent and controversial ideology.

While it may seem that debates over euthanasia began with Jack Kervorkian, the practice of mercy killing extends back to Ancient Greece and beyond. In America, the debate has raged for well over a century. Now, in A Merciful End, Ian Dowbiggin offers the first full-scale historical account of one of the most controversial reform movements in America. Drawing on unprecedented access to the archives of the Euthanasia Society of America, interviews with important figures in the movement today, and flashpoint cases such as the tragic fate of Karen Ann Quinlan, Dowbiggin tells the dramatic story of the men and women who struggled throughout the twentieth century to change the nation's attitude--and its laws--regarding mercy killing. In tracing the history of the euthanasia movement, he documents its intersection with other progressive social causes: women's suffrage, birth control, abortion rights, as well as its uneasy pre-WWII alliance with eugenics. Such links brought euthanasia activists into fierce conflict with Judeo-Christian institutions who worried that "the right to die" might become a "duty to die." Indeed, Dowbiggin argues that by joining a sometimes overzealous quest to maximize human freedom with a desire to "improve" society, the euthanasia movement has been dogged by the fear that mercy killing could be extended to persons with disabilities, handicapped newborns, unconscious geriatric patients, lifelong criminals, and even the poor. Justified or not, such fears have stalled the movement, as more and more Americans now prefer better end-of-life care than wholesale changes in euthanasia laws. For anyone trying to decide whether euthanasia offers a humane alternative to prolonged suffering or violates the "sanctity of life," A Merciful End provides fascinating and much-needed historical context.

A Tor.com Best of 2019 Pick A 2020 YALSA Best Fiction for Young Adults Pick Debut author Margaret Owen crafts a powerful saga of vengeance, survival, and sacrifice—perfect for fans of Leigh Bardugo and Kendare Blake—in The Merciful Crow. "Packed to the teeth with fresh worldbuilding and righteous fury...It's a ride that is wildly fun."—Emily A. Duncan, New York Times-bestselling author of Wicked Saints "Rich, harrowing, and unafraid to tackle discrimination—perfect for fans of Leigh Bardugo and Tomi Adeyemi."—Kirkus, Starred Review One way or another, we always feed the crows. A future chieftain Fie abides by one rule: look after your own. Her Crow caste of undertakers and mercy-killers takes more abuse than coin, but when they’re called to collect royal dead, she’s hoping they’ll find the payout of a lifetime. A fugitive prince When Crown Prince Jasimir turns out to have faked his death, Fie’s ready to cut her losses—and perhaps his throat. But he offers a wager that she can’t refuse: protect him from a ruthless queen, and he’ll protect the Crows when he reigns. A too-cunning bodyguard Hawk warrior Tavin has always put Jas’s life before his, magically assuming the prince’s appearance and shadowing his every step. But what happens when Tavin begins to want something to call his own?

Kings become outcasts and lovers become foes in The Faithless Hawk, the thrilling sequel to Margaret Owen's The Merciful Crow. As the new chieftain of the Crows, Fie knows better than to expect a royal to keep his word. Still she’s hopeful that Prince Jasimir will fulfill his oath to protect her fellow Crows. But then black smoke fills the sky, signaling the death of King Surimir and the beginning of Queen Rhusana's merciless bid for the throne. With the witch queen using the deadly plague to unite the nation of Sabor against Crows—and add numbers to her monstrous army—Fie and her band are forced to go into hiding, leaving the country to be ravaged by the plague. However, they’re all running out of time before the Crows starve in exile and Sabor is lost forever. A desperate Fie calls on old allies to help take Rhusana down from within her own walls. But inside the royal palace, the only difference between a conqueror and a thief is an army. To survive, Fie must unravel not only Rhusana’s plot, but ancient secrets of the Crows—secrets that could save her people, or set the world ablaze.

Soon to be a TV series by Warner Brothers Television and Ellen Degeneres's A Very Good Production. FBI special agent Mercy Kilpatrick has been waiting her whole life for disaster to strike. A prepper since childhood, Mercy grew up living off the land--and off the grid--in rural Eagle's Nest, Oregon. Until a shocking tragedy tore her family apart and forced her to leave home. Now a predator known as the cave man is targeting the survivalists in her hometown, murdering them in their homes, stealing huge numbers of weapons, and creating federal suspicion of a possible domestic terrorism event. But the crime scene details are eerily familiar to an unsolved mystery from Mercy's past. Sent by the FBI to assist local law enforcement, Mercy returns to Eagle's Nest to face the family who shunned her while maintaining the facade of a law-abiding citizen. There, she meets police chief Truman Daly, whose uncle was the cave man's latest victim. He sees the survivalist side of her that she desperately tries to hide, but if she lets him get close enough to learn her secret, she might not survive the fallout...

Series information from author list in front of book; series numeration from goodreads.com.

"A poet to watch."—O Magazine "I tell the truth, but I try to be kind about it."—Camille Rankine in 12 Questions Named "a poet to watch" by O Magazine, Camille Rankine's debut collection is a series of provocations and explorations. Rankine's short, lyric poems are sharp, agonized, and exquisite, exploring themes of doubt and identity. The collection's sense of continuity and coherence comes through recurring poem types, including "still lifes," "instructions," and "symptoms." From "Symptoms of Aftermath": …When I am saved, a slim nurse leans out of the white light. I need to hear your voice, sweetheart. I see my escape. I walk into the water. The sky is blue like the ocean, which is blue like the sky. Camille Rankine is the author of the chapbook Slow Dance with Trip Wire, selected by Cornelius Eady for the Poetry Society of America's Chapbook Fellowship. The recipient of a 2010 "Discovery" / Boston Review Poetry Prize and a MacDowell fellowship, her poetry appears in Boston Review, Denver Quarterly, Tin House, and other publications. Currently, she is assistant director of the MFA program in creative writing at Manhattanville College and lives in Harlem.

The second novel from the best-selling Argentine author of The Anatomist, The Merciful Women is a brilliant retelling of the birth of the Gothic novel. In the summer of 1816, Percy and Mary Shelley, Mary's sister, and Lord Byron hid themselves away in a Swiss villa, whiling away rainy afternoons with the Gothic novel contest that would produce Frankenstein. Andahazi's reimagining focuses on the fifth competitor: John Polidori, Byron's manservant, a talentless hack resentful of the ease of his master's life. Through a Faustian pact with an unseen intercessant, Polidori obtains the most compelling vampire story ever written. But The Vampyre has striking similarities to Polidori's benefactor and to what she asks of him in return. Opium, erotica, and decadence meld into a sly and stylish novel about literary ambition, talent, and inspiration. A hoot ... a Voltaire-like skewering of the myth of genius. Andahazi can remind you of vintage Terry Southern. -- Richard Wallace, The Seattle Times Playful, satiric, erotic, sometimes savage, sometimes slapstick ... something completely different, and well worth reading. -- San Francisco Chronicle As a piece of mock-scholarly, wickedly ironic entertainment, it is an utter delight. -- Publishers Weekly This literary tour de force cum vampire tale will leave the reader gasping-from laughter and horror by turns. -- The Baltimore Sun