A Modern Judas

Judas Iscariot, known for his betrayal of Jesus, is a key figure in the Gospel narratives. As an insider become outsider, Judas demarcates Christian boundaries of good and evil. 'Three Versions of Judas' examines the role of Judas in Christian myth-making. The book draws on Jorge Luis Borges' "Three Versions of Judas" to present three Judases in the Gospels: a Judas necessary to the divine plan; a Judas who is a determined outsider, denying himself for God's glory; and a Judas who is demonic. Exploring the findings of biblical criticism and artistic responses to Judas, 'Three Versions of Judas' offers an analysis of the evil necessarily inherent in Christian narratives about Judas.

Judas Iscariot, known for his betrayal of Jesus, is a key figure in the Gospel narratives. As an insider become outsider, Judas demarcates Christian boundaries of good and evil. 'Three Versions of Judas' examines the role of Judas in Christian myth-making. The book draws on Jorge Luis Borges' "Three Versions of Judas" to present three Judases in the Gospels: a Judas necessary to the divine plan; a Judas who is a determined outsider, denying himself for God's glory; and a Judas who is demonic. Exploring the findings of biblical criticism and artistic responses to Judas, 'Three Versions of Judas' offers an analysis of the evil necessarily inherent in Christian narratives about Judas.

In this critical assessment of the modern day Church, William Harmening deconstructs many of its longest held beliefs and practices against the backdrop of our contemporary social milieu. He approaches the subject head-on, peeling away the layers of archaic dogma to rediscover the core teachings of Jesus that have been lost through the centuries in the fog of institutionalized religion and ceremonial worship. No area of the modern Church escapes his critique; the clergy, the Bible, the structure and practice of the Church, and even our popular conceptions of the Holy Trinity. He ends with a final chapter in which he offers a model for a new kind of Church; one that is socially relevant, passionately ecumenical, and empowered by the simple message of love and tolerance found in the story of the Cross. Not since the writings of the radical theologians who came to the forefront during the 1960s has such an honest and thought-provoking critique of the contemporary Church been offered.

This volume contains selected papers presented at a conference on Orthodox Christianity and its contemporary European setting. The conference was held in England, at the University of Leeds, in June 2001 and drew together historians, theologians, philosophers, specialists in theological education and political scientists. Countries with an Orthodox Christian history were well represented, as well as Orthodoxy in the diaspora and other Christian confessions by representatives from Western Europe and the United States and Canada. The coherence of Orthodox Christianity and contemporary threats to its coherence formed one main strand for reflection, but discussion also broadened out to consider the nature of religious tradition as such. Part I of the collection brings together papers on such matters as identity, nationalism, globalization, human rights discourse, ecumenical dialogue and competing interpretations of what it means to be European. Part II focuses on Orthodox Christianity in Russia and Part III on the traditionally Orthodox countries of Armenia, Bulgaria, Greece, Romania, Serbia and Ukraine. The present collection is meant as a contribution to further reflection on Orthodox identity, and relationship between Christianity and culture in Europe at the beginning of the twenty-first century.

In this fascinating historical and cultural biography, Peter Stanford deconstructs that most vilified of Bible characters: Judas Iscariot, who famously betrayed Jesus with a kiss. Beginning with the gospel accounts, Stanford explores two thousand years of cultural and theological history to investigate how the very name Judas came to be synonymous with betrayal and, ultimately, human evil. But as Stanford points out, there has long been a counter–current of thought that suggests that Judas might in fact have been victim of a terrible injustice: central to Jesus' mission was his death and resurrection, and for there to have been a death, there had to be a betrayal. This thankless role fell to Judas; should we in fact be grateful to him for his role in the divine drama of salvation? "You'll have to decide," as Bob Dylan sang in the sixties, "Whether Judas Iscariot had God on his side." An essential but doomed character in the Passion narrative, and thus the entire story of Christianity, Judas and the betrayal he symbolizes continue to play out in much larger cultural histories, speaking to our deepest fears about friendship, betrayal, and the problem of evil.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

From a #1 New York Times–bestselling author: The story of Judas Iscariot—and the stunning betrayal that changed the course of history. One of the great dramas of the biblical era is brought to thrilling new life in this epic novel told from the unique perspective of Judas Iscariot himself. This is the story of Judas the myth, condemned by Dante to the most terrifying circle of Hell; Judas the man, the son of wealth and power who fought to suppress the lusts of the flesh and the sin of pride to become one of the twelve original disciples of Jesus Christ; and Judas the apostle, victim of a diabolical lie, history’s arch traitor, who sold his Lord for thirty pieces of silver, and sealed his fate with a kiss. From Judas’s years as the young rebel of an affluent family undone by his own idealism to his victimization by Pontius Pilate to the crucifixion and Christ’s resurrection, I, Judas “read[s] like a modern novel of intrigue and thrills” (Chattanooga Times). The final entry, following Dear and Glorious Physician and Great Lion of God, in a trilogy celebrating key historical figures of the Bible, it is one of the most powerful and revelatory works of religious fiction ever published.