A Modern Myth

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.

What is the role of scientists in society? What should we think when they talk about more than just science? Mary Midgley discusses the high spiritual ambitions which tend to gather around the notion of science.

From Rivendell to Helm's Deep, readers take a visual tour of the magical world of J.R.R. Tolkien's Middle-Earth, featuring previously unpublished paintings and drawings in this full-color art collection.

This text analyzes the Japanese psyche through the Japanese language, and the myths and misconceptions that have been built around it.

In this new work Michel Serres, France's foremost philosopher of science, explores how traditional images of angels in art and legend foretell the preoccupations of modern life. Divided, as between Heaven and Hell, into First and Third Worlds, our societies search for ways to make contact, both by means of the most basic interpersonal relations and high-tech communications. The role of the messenger, Serres argues, is as important now as it was in Biblical times, perhaps more, and yet we lack a philosophy which can explain this role - a philosophy of movement, of communication. Angels: A Modern Myth offers such a philosophy, showing how angels as message-bearers are still part of our modern world, our means of bringing together and understanding science, law, and religion, and perhaps also the means of satisfying our need for reason, justice, and consolation. Abundantly illustrated with an astounding breadth of images ranging from Renaissance paintings to film stills, satellite photographs, computer microchips, and medical microscopy, this thought-provoking book addresses some of the most crucial issues of our time and will make essential reading for anyone seeking to comprehend the new phase of human development engendered by the transformation of our world by information technology.

Democracies today are in the grip of a myth: the myth of the will of the people. Populist movements use the idea to challenge elected representatives. Politicians, content to invoke the will of the people, fail in their duty to make responsible and accountable decisions. And public contest over political choices is stifled by fears that opposing the will of the people will be perceived as elitist. In this book Albert Weale dissects the idea of the will of the people, showing that it relies on a mythical view of participatory democracy. As soon as a choice between more than two simple alternatives is involved, there is often no clear answer to the question of what a majority favours. Moreover, because governments have to interpret the results of referendums, the will of the people becomes a means for strengthening executive control – the exact opposite of what appealing to the people’s will seemed to imply. Weale argues that it’s time to dispense with the myth of the will of the people. A flourishing democracy requires an open society in which choices can be challenged, parliaments strengthened and populist leaders called to account.

Written in the late 1950s at the height of popular fascination with UFO's, Flying Saucers is the great psychologist's brilliantly prescient meditation on the phenomenon that gripped the world. A self-confessed sceptic in such matters, Jung was nevertheless intrigued, not so much by their reality or unreality, but by their psychic aspect. He saw flying saucers as a modern myth in the making, to be passed down the generations just as we have received such myths from our ancestors. In this wonderful and enlightening book Jung sees UFO's as 'visionary rumours', the centre of a quasi-religious cult and carriers of our technological and salvationist fantasies. 40 years later, with entire religions based on the writings of science fiction authors, it is remarkable to see just how right he has proved to be.

This book presents an entirely new way of understanding technology, as the successor to the dominant ideologies that have underpinned the thought and practices of the Western world. Like the preceding ideologies of Deity, State and Market, technology displays the features of a modern myth, promising to deal with our existential concerns on condition of our subjection to them. Utilising robust empirical evidence, Lyria Bennett Moses and David Grant argue that the pathway out of this mythological maze is the production of means to establish a new sense of political, corporate and personal self-responsibility.