A Motif Index Of Traditional Polynesian Narratives

This reference work analyzes and classifies the story themes of Polynesian myths, tales, and legends according to an internationally employed system developed by Stith Thompson in his Motif Index of Folk-Literature ( 1955-1958). Thousands of tales, including those from almost all of the major original collections from the Polynesian area, have been examined and their thematic contents cataloged in this work. In his introduction, the author explains the concept of the motif as a basis for cataloging. He quotes from Professor Thompson's definition of a motif: “the smallest element in a tale having the power to persist in tradition,” for example, gods, marvelous creatures, magic objects, and certain kinds of incidents. The author believes “the function of an index of motifs is to cite bibliographical sources of narratives containing these viable (often irreducible) story elements, and thus to provide the investigator of specific story ideas with comparative Information.” The present work is an attempt to survey thoroughly the totality of Polynesian oral tradition and to indicate the distribution and relationships of narrative materials. Not since the publication of Roland B. Dixon's work on Oceanic mythology in 1916 has this been attempted. This index will be an invaluable reference tool for anyone doing research in Oceanic ethnology and folklore.

Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.

An imaginative and illuminating study, Finding Is the First Act places historical thinking in creative tension with literary appreciation. The structures of Jesus's parable of the hidden treasure (Matt 13:44) are examined by mapping its plot options (finding, acting, buying) in view of other Jewish treasure stories and the vast array of treasure plots in world folklore. Startling differences emerge in the plot options chosen by Jesus that point to a new understanding of the directive to give up all one has for the Kingdom of God. "Why Jesus' treasure parable? For three reasons that I am aware of. First, . . . the story has always fascinated me. . . . Second, in recent work on parables there has often been a tendency to concentrate especially on the longer parables of Jesus. I wanted deliberately to move in theopposite direction and to give full emphasis to a very short parable . . . . Third, this particular parable, in contrast, for example, to that of The Mustard Seed, does not furnish much grist for the diachronic mill of biblical studies. I was deliberately choosing an item which, in isolation from its Matthean context, could hardly sustain a monograph study along the standard lines of tradition criticism." --from the Preface

This volume presents 22 tales from the Trobriand Islands told by children (boys between the age of 5 and 9 years) and adults. The monograph is motivated not only by the anthropological linguistic aim to present a broad and quite unique collection of tales with the thematic approach to illustrate which topics and themes constitute the content of the stories, but also by the psycholinguistic and textlinguistic questions of how children acquire linearization and other narrative strategies, how they develop them and how they use them to structure these texts in an adult-like way. The tales are presented in morpheme-interlinear transcriptions with first textlinguistic analyses and cultural background information necessary to fully understand them. A summarizing comparative analysis of the texts from a psycholinguistic, anthropological linguistic and philological point of view discusses the underlying schemata of the stories, the means narrators use to structure them, their structural complexity and their cultural specificity.

This book is an introduction to library research in anthropology written primarily for the undergraduate student about to begin a research project. It contains a summary description of the type of resource being discussed and its potential use in a research project.

A two-volume collection of folktales that were published in Papua New Guinea's Wantok newspaper. The two-volume collection presents the complete set of 1047 folktales that were originally published from 1972 through 1997 in Tok Pisin.

Thousands of years ago, Polynesian voyagers discovered and settled Nanumea atoll, a tiny cluster of coral islets in the middle of the Pacific Ocean. The community prospered, first evolving into a traditional culture finely tuned to the atolls limited environment and then weathering new changes imposed by missionaries, colonial officials, and Westernization itself. Now one of eight separate island communities comprising the modern Pacific nation of Tuvalu, Nanumea faces new challenges: rising sea levels, globalization, and massive social and economic changes. Using personal stories that evoke the difficulties and excitement of fieldwork, Keith and Anne Chambers draw on more than twenty-five years of ethnographic research in Nanumea to craft an engaging account of Nanumean culture and social organization. Readers will come to appreciate how the communitys intense sharing obligations, service-oriented chieftainship, and a flexible system of extensive kinship reckoning define a lifestyle that differs fundamentally from modern Western society.