A Nation Of Women An Early Feminist Speaks Out Mi Opini N Sobre Las Libertades Derechos Y Deberes De La Mujer

The groundbreaking feminist and socialist writings of Puerto Rican author and activist Luisa Capetillo A Penguin Classic In 1915, Puerto Rican activist Luisa Capetillo was arrested and acquitted for being the first woman to wear men's trousers publicly. While this act of gender-nonconforming rebellion elevated her to feminist icon status in modern pop culture, it also overshadowed the significant contributions she made to the women's movement and anarchist labor movements of the early twentieth century--both in her native Puerto Rico and in the migrant labor belt in the eastern United States. With the volume A Nation of Women, Capetillo's socialist and feminist activism is given the spotlight it deserves with its inclusion of the first English translation of Capetillo's landmark Mi opinión sobre las libertades, derechos y deberes de la mujer. Originally published in Spanish in 1911, Mi opinión is considered by many to be the first feminist treatise in Puerto Rico and one of the first in Latin America and the Caribbean. In concise prose, Capetillo advocates a workers' revolution, forcefully demanding an end to the exploitation and subordination of workers and women. Her essays challenge big business in favor of socialism, call for legalizing divorce and the acceptance of "free love" in relationships, and cover topics such as sexuality, mental and physical health, hygiene, spirituality, and nutrition. At once a sharp critique and a celebration of the gathering fervor of world politics, A Nation of Women embraces the humanistic thinking of the early twentieth century and envisions a world in which economic and social structures can be broken down, allowing both the worker and the woman to be free.

"Capetillo evaluates the culture and working conditions in her native Puerto Rico and the world outside, while providing a sense of workers' movements and the condition of women at the turn of the century."--BOOK JACKET.

Immigration has been one of the basic realities of life for Latino communities in the United States since the nineteenth century. It is one of the most important themes in Hispanic literature, and it has given rise to a specific type of literature while also defining what it means to be Hispanic in the United States. Immigrant literature uses predominantly the language of the homeland; it serves a population united by that language, irrespective of national origin; and it solidifies and furthers national identity. The literature of immigration reflects the reasons for emigrating, records—both orally and in writing—the trials and tribulations of immigration, and facilitates adjustment to the new society while maintaining links with the old society. Based on an archive assembled over the past two decades by author Nicolás Kanellos's Recovering the U. S. Hispanic Literary Heritage project, this comprehensive study is one of the first to define this body of work. Written and recorded by people from Mexico, Cuba, Puerto Rico, the Caribbean, and Central and South America, the texts presented here reflect the dualities that have characterized the Hispanic immigrant experience in the United States since the mid-nineteenth century, set always against a longing for homeland.

In the history of the early twentieth-century Americas, visions of hemispheric unity flourished, and the notion of a transnational American identity was embraced by artists, intellectuals, and government institutions. In The Pan American Imagination, Stephen Park explores the work of several Pan American modernists who challenged the body of knowledge being produced about Latin America, crossing the disciplinary boundaries of academia as well as the formal boundaries of artistic expression—from literary texts and travel writing to photography, painting, and dance. Park invests in an interdisciplinary approach, which he frames as a politically resistant intellectual practice, using it not only to examine the historical phenomenon of Pan Americanism but also to explore the implications for current transnational scholarship.

Every 3rd issue is a quarterly cumulation.

In Luisa Capetillo's three-act play written in 1907, "Influences of Modern Ideas," Angelina, the daughter of a rich Puerto Rican businessman and landowner, educates herself by reading the works of European writers, philosophers, and anarchists. After reading Tolstoy's The Slavery of Our Times, she is convinced that "the slavery of our times is the inflexible wage law." As the workers go on strike in her home town of Arecibo, Angelina tries to convince her father to give his property--home, factories, land--to the working class. And so the stage is set for Capetillo, a militant feminist, anarchist, and labor leader, to inform the public about her passions: the fight for workers' rights; the struggle for justice and equality, for women as well as workers; and the education of all classes and sexes. The themes in this social protest play appear throughout Capetillo's writings. This volume combines long and short plays, fiction, essays, propaganda, letters, poems, philosophical reflections, and journal entries in a never-before-available English translation by Lara Walker. Also included is a facsimile of the original Spanish-language text, Influencias de las ideas modernas, which was first published in San Juan, Puerto Rico, in 1916. Most of the pieces in this collection were written between 1912 and 1916 while Capetillo was living and working as a labor leader in Tampa and Ybor City, Florida; New York City; and Havana, Cuba. Editor Lara Walker's comprehensive introduction surveys Luisa Capetillo's life and work, placing her ideologies in the appropriate social and historical context. At once a sharp critique and a celebration of the gathering fervor of world politics, Capetillo's workexamines both her native Puerto Rico and the world outside, providing a sense of the workers' movement and the condition of women at the turn of the century. Capetillo embraces the humanistic thinking of the early twentieth century and envisions a world in which economic and social structures can be broken down, allowing both the worker and the women to be free.

Covers issues and events in women's history that were previously unpublished, misplaced, or forgotten, and provides new perspectives on each event.

"Collection of articles on academic feminism, gender relations and history in the Basque Country"--Provided by publisher.