A New England Tale 1822 By

The writer of this tale has made an humble effort to add something to the scanty stock of native American literature. Any attempt to conciliate favour by apologies would be unavailing and absurd. In this free country, no person is under any obligation to write; and the public (unfortunately) is under no obligation to read. It is certainly desirable to possess some sketches of the character and manners of our own country, and if this has been done with any degree of success, it would be wrong to doubt that it will find a reception sufficiently favourable. The original design of the author was, if possible, even more limited and less ambitious than what has been accomplished. It was simply to produce a very short and simple moral tale of the most humble description; and if in the course of its production it has acquired any thing of a peculiar or local cast, this should be chiefly attributed to the habits of the writer's education, and that kind of accident which seems to control the efforts of those who have not been the subjects of strict intellectual discipline, and have not sufficiently premeditated their own designs

A New England Tale Jane Elton, orphaned as a young girl, goes to live with her aunt Mrs. Wilson, a selfish and overbearing woman who practices a repressive Calvinism. In their rural New England village, Jane grows up yearning to break free from Mrs. Wilson's tyranny and find her place as a citizen of the evolving American Republic Catharine Maria Sedgwick (December 28, 1789 - July 31, 1867), was an American novelist of what is sometimes referred to as "domestic fiction." She promoted Republican motherhood.Catharine Maria Sedgwick was born December 28, 1789 in Stockbridge, Massachusetts. Her mother was Pamela Dwight (1752-1807) of the New England Dwight family, daughter of General Joseph Dwight (1703-1765) and granddaughter of Ephraim Williams, founder of Williams College.

Jane Elton, orphaned as a young girl, goes to live with her aunt Mrs. Wilson, a selfish and overbearing woman who practices a repressive Calvinism. In their rural New England village, Jane grows up yearning to break free from Mrs. Wilson's tyranny and find her place as a citizen of the evolving American Republic. She is helped by her encounters with characters who embody various shadings of moral, religious, and civic virtue: the affectionate servant Mary Hull, a pious Methodist; Mr. Lloyd, a kind Quaker; Crazy Bet, emotional, sympathetic, but deeply unstable; and Old John, bereaved but wise. Ultimately, A New-England Tale is about the connection between parenting and governing, and the key role women play in shaping a fledgling nation........... Catharine Maria Sedgwick (December 28, 1789 - July 31, 1867) was an American novelist of what is sometimes referred to as "domestic fiction." She promoted Republican motherhood.Early life: Catharine Maria Sedgwick was born December 28, 1789 in Stockbridge, Massachusetts. Her mother was Pamela Dwight (1752-1807) of the New England Dwight family, daughter of General Joseph Dwight (1703-1765) and granddaughter of Ephraim Williams, founder of Williams College. Her father was Theodore Sedgwick (1746-1813), a prosperous lawyer and successful politician. He was later elected Speaker of the United States House of Representatives and in 1802 was appointed a justice of the Massachusetts Supreme Judicial Court. As a child, Sedgwick was cared for by Elizabeth Freeman, a former slave whose freedom Theodore Sedgwick helped gain by arguing her case in county court in 1781. After winning her freedom Freeman declined her previous owner's job offer, and instead accepted a job working for the Sedgwick family. As a young woman, Sedgwick attended a finishing school in Boston to complete her education. One of her schoolmates, Susan Anne Ridley Sedgwick (1788-1867), would become her sister-in-law and a published author. Personal life: Sedgwick was engaged at one point to Harmanus Bleecker, a friend of her father and law partner of her brother Theodore (1780-1839). They did not marry, and Sedgwick turned down several other marriage proposals, instead choosing to remain single and focus on her career. Career: As a young woman, Sedgwick took charge of a school in Lenox. She converted from Calvinism to Unitarianism, which led her to write a pamphlet denouncing religious intolerance. This further inspired her to write her first novel, A New-England Tale. With her work much in demand, from the 1820s to the 1850s, Sedgwick made a good living writing short stories for a variety of periodicals. She died in 1867, and by the end of the 19th century, she had been relegated to near obscurity. There was a rise of male critics who deprecated women's writing as they worked to create an American literature. Interest in Sedgwick's works and an appreciation of her contribution to American literature has been stimulated by the late 20th century's feminist movement. Beginning in the 1960s, feminist scholars began to re-evaluate women's contributions to literature and other arts, and created new frames of reference for considering their work. In addition, the advent of low-cost electronic reproductions, which became available at the end of the 20th century, made Sedgwick and other nineteenth-century authors' work more accessible for study and pleasure. Edgar Allan Poe described Sedgwick in his "The Literati of New York City" (1846)....

Jane Elton, orphaned as a young girl, goes to live with her aunt Mrs. Wilson, a selfish and overbearing woman who practices a repressive Calvinism. In their rural New England village, Jane grows up yearning to break free from Mrs. Wilson's tyranny and find her place as a citizen of the evolving American Republic. She is helped by her encounters with characters who embody various shadings of moral, religious, and civic virtue: the affectionate servant Mary Hull, a pious Methodist; Mr. Lloyd, a kind Quaker; Crazy Bet, emotional, sympathetic, but deeply unstable; and Old John, bereaved but wise. Ultimately, A New-England Tale is about the connection between parenting and governing, and the key role women play in shaping a fledgling nation. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Written in 1822, A New-England Tale is the first of the many novels, tales, and short magazine pieces Catharine Sedgwick published during her lifetime. The story of an orphan girl in rural New England and the moral trials she faces as she grows up, this early example of the popular nineteenth-century women's novel provides a unique look at the religious and social climate at this crucial period in America's national development. ... A New-England Tale is a classic story of a young woman's moral and material triumphs--

Jane Elton, orphaned as a young girl, goes to live with her aunt Mrs. Wilson, a selfish and overbearing woman who practices a repressive Calvinism. In their rural New England village, Jane grows up yearning to break free from Mrs. Wilson's tyranny and find her place as a citizen of the evolving American Republic. She is helped by her encounters with characters who embody various shadings of moral, religious, and civic virtue: the affectionate servant Mary Hull, a pious Methodist; Mr. Lloyd, a kind Quaker; Crazy Bet, emotional, sympathetic, but deeply unstable; and Old John, bereaved but wise. Ultimately, A New-England Tale is about the connection between parenting and governing, and the key role women play in shaping a fledgling nation. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.