A Passion For Politics

Liberalism is egalitarian in principle, but why doesn’t it do more to promote equality in practice? In this book, the distinguished political philosopher Michael Walzer offers a critique of liberal theory and demonstrates that crucial realities have been submerged in the evolution of contemporary liberal thought. In the standard versions of liberal theory, autonomous individuals deliberate about what ought to be done—but in the real world, citizens also organize, mobilize, bargain, and lobby. The real world is more contentious than deliberative. Ranging over hotly contested issues including multiculturalism, pluralism, difference, civil society, and racial and gender justice, Walzer suggests ways in which liberal theory might be revised to make it more hospitable to the claims of equality. Combining profound learning with practical wisdom, Michael Walzer offers a provocative reappraisal of the core tenets of liberal thought. Politics and Passion will be required reading for anyone interested in social justice—and the means by which we seek to achieve it.

Emotions are back. Once at the center of the study of politics, emotions have receded into the shadows during the past three decades, with no place in the rationalistic, structural, and organizational models that dominate academic political analysis. With this new collection of essays, Jeff Goodwin, James M. Jasper, and Francesca Polletta reverse this trend, reincorporating emotions such as anger, indignation, fear, disgust, joy, and love into research on politics and social protest. The tools of cultural analysis are especially useful for probing the role of emotions in politics, the editors and contributors to Passionate Politics argue. Moral outrage, the shame of spoiled collective identities, or the joy of imagining a new and better society, are not automatic responses to events. Rather, they are related to moral institutions, felt obligations and rights, and information about expected effects, all of which are culturally and historically variable. With its look at the history of emotions in social thought, examination of the internal dynamics of protest groups, and exploration of the emotional dynamics that arise from interactions and conflicts among political factions and individuals, Passionate Politics will lead the way toward an overdue reconsideration of the role of emotions in social movements and politics generally. Contributors: Rebecca Anne Allahyari Edwin Amenta Collin Barker Mabel Berezin Craig Calhoun Randall Collins Frank Dobbin Jeff Goodwin Deborah B. Gould Julian McAllister Groves James M. Jasper Anne Kane Theodore D. Kemper Sharon Erickson Nepstad Steven Pfaff Francesca Polletta Christian Smith Arlene Stein Nancy Whittier Elisabeth Jean Wood Michael P. Young

The Politics of Passion is the first comprehensive collection of the writing and art of Dr Norman Bethune. A Canadian medical pioneer and a communist, Bethune gained fame during the 1930s while serving in the Spanish Civil War and participating in China's struggle against Japanese invasion. This book sheds light on the man, the artist, and the revolutionary. It uncovers new historical material relating to several controversies surrounding Bethune. A remarkable document obtained from the Communist International Archives in Moscow, for instance, discusses why Bethune was sent home in disgrace from the Spanish Civil War. It refers to a mysterious Swedish woman, Kajsa von Rothman, who was Bethune's lover and who was believed by left-wing Spanish authorities to be politically suspect. This collection of Bethune's writings and art reveals that politics preoccupied him only during the last four years of his life. Earlier, his passionate nature found expression in medical and surgical innovation, as well as in painting, sketching, photography, writing - from poetry and short stories to letters, radio broadcasts, and plays - and public speaking. The Politics of Passion reveals the many sides of Bethune's identity, exploring not only the life of a revolutionary doctor, but of an intense and compassionate artist.

Cuban politics has long been remarkable for its passionate intensity, and yet few scholars have explored the effect of emotions on political attitudes and action in Cuba or elsewhere. This book thus offers an important new approach by bringing feelings back into the study of politics and showing how the politics of passion and affection have interacted to shape Cuban history throughout the twentieth century. Damián Fernández characterizes the politics of passion as the pursuit of a moral absolute for the nation as a whole. While such a pursuit rallied the Cuban people around charismatic leaders such as Fidel Castro, Fernández finds that it also set the stage for disaffection and disconnection when the grand goal never fully materialized. At the same time, he reveals how the politics of affection-taking care of family and friends outside the formal structures of government-has paradoxically both undermined state regimes and helped them remain in power by creating an informal survival network that provides what the state cannot or will not.

Passions matter to politics. Yet, much of the work on passions in politics focuses on such spectacular events as social movements, civil wars and revolutionary upheavals, but ignores electoral politics as banal. The contributors to this book trace the importance of passions to electoral politics with a focus on India’s landmark 2019 General Elections which saw the decisive re-election of Narendra Modi as the country’s Prime Minister. This book illustrates the economic, social and cultural processes that shaped political passions in India during the summer of 2019. The contributors compel us to take seriously the ‘structures of feeling’ in politics. Such an approach requires interdisciplinarity. Which is why the book brings together a stellar team of economists, political scientists, sociologists, historians and geographers to explain Modi’s resounding win.

In the first collection of interviews with the most prominent scholars in comparative politics since World War II, Gerardo L. Munck and Richard Snyder trace key developments in the field during the twentieth century. Organized around a broad set of themes -- intellectual formation and training; major works and ideas; the craft and tools of research; colleagues, collaborators, and students; and the past and future of comparative politics -- these in-depth interviews offer unique and candid reflections that bring the research process to life and shed light on the human dimension of scholarship. Giving voice to scholars who practice their craft in different ways yet share a passion for knowledge about global politics, Passion, Craft, and Method in Comparative Politics offers a wealth of insights into contemporary debates about the state of knowledge in comparative politics and the future of the field. -- Margaret Keck, Johns Hopkins University

Flamenco is renowned for its passion and flamboyance. Yet because it generates such visceral responses, it is often overlooked as a site for subtler discourses. This absorbing book articulates powerful and convincing arguments on such key subjects as ethnicity, irony, authenticity, the body and resistance. Franco's 'politics of original sin' had left its mark on every aspect of Spanish life between 1936 and 1975, and flamenco music was no exception. Although widely portrayed as an apolitical, even frivolous form of entertainment, flamenco is shown here to have played a role in both the strategies of Franco's supporters and of those who opposed him. The author explores how the meaning of flamenco shifts according to the social, cultural and historical contexts within which it appears. In so doing, he demonstrates that flamenco is an ideal subject for analyzing the construction and appropriation of popular culture, given the way in which it was developed for middle-class audiences, converted into grand spectacle, and conscripted to serve political ends.

What is tango? Dance, music, and lyrics of course, but also a philosophy, a strategy, a commodity, even a disease. This book explores the politics of tango, tracing tango's travels from the brothels of Buenos Aires to the cabarets of Paris and the shako dansu clubs of Tokyo. The author is an Argentinean political theorist and a dance professor at the University of California at Riverside. She uses her ?tango tongue? to tell interwoven tales of sexuality, gender, race, class, and national identity. Along the way she unravels relations between machismo and colonialism, postmodernism and patriarchy, exoticism and commodification. In the end she arrives at a discourse on decolonization as intellectual ?unlearning.?Marta Savigliano's voice is highly personal and political. Her account is at once about the exoticization of tango and about her own fate as a Third World woman intellectual. A few sentences from the preface are indicative: ?Tango is my womb and my tongue, a trench where I can shelter and resist the colonial invitations to '`'universalism,'? a stubborn fatalist mood when technocrats and theorists offer optimistic and seriously revised versions of '`'alternatives' for the Third World, an opportunistic metaphor to talk about myself and my stories as a success' of the civilization-development-colonization of Am ca Latina, and a strategy to figure out through the history of the tango a hooked-up story of people like myself. Tango is my changing, resourceful source of identity. And because I am where I am?outside?tango hurts and comforts me: '`'Tango is a sad thought that can be danced.'?Savigliano employs the tools of ethnography, history, body-movement analysis, and political economy. Well illustrated with drawings and photos dating back to the 1880s, this book is highly readable, entertaining, and provocative. It is sure to be recognized as an important contribution in the fields of cultural studies, performance studies, decolonization, and women-of-color feminism.