A Peasant In Paris

Paris Peasant (1926) is one of the central works of Surrealism. Unconventional in form and fiercely modern, Aragon uses the city of Paris as a framework interlacing text with the city's ephemera: cafe menus, maps, monument inscriptions, newspaper cuttings and the lives of its citizens. No one could have been a more astute detector of the unwanted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city...' Andre Breton'

Presenting the regional, social and economic variety of pre-modern France, this survey of rural life examines the crucial external relationships between peasant/priest and peasant/seigneur as well as the not less important ones that existed within the peasant life lived from cradle to grave.

Jan Grevstads second collection of nine short stories has, above all, the ambition to amuse its reader. Amid a dash of satire, his stories reflect British type of humour at its best. Mostly stories of fiction, they have strong roots in real life with compassion for the human condition and human fate. The Edelweiss Saga is based on an old tale and has an ecological touch, while The New Shooting Range is a fantasy developed from a real experience of cultural clashes in the Alps. Dont Queue is based on the true story of a Royal Norwegian visit to Geneva, and A Peasant in Paris is entirely autobiographical.

France achieved national unity much later than is commonly supposed. For a hundred years and more after the Revolution, millions of peasants lived on as if in a timeless world, their existence little different from that of the generations before them. The author of this lively, often witty, and always provocative work traces how France underwent a veritable crisis of civilization in the early years of the French Republic as traditional attitudes and practices crumbled under the forces of modernization. Local roads and railways were the decisive factors, bringing hitherto remote and inaccessible regions into easy contact with markets and major centers of the modern world. The products of industry rendered many peasant skills useless, and the expanding school system taught not only the language of the dominant culture but its values as well, among them patriotism. By 1914, France had finally become La Patrie in fact as it had so long been in name.