A People Divided

In this book Jacob Jervell challenges two widely held theories about Luke: that he was a representative of the institutional church, and that his writing was directed primarily at Gentile readers. He also presents much valuable insight into the growing pains of the early church, especially the relationship of the Jews to the Jewish Christians, and the relationship of both these groups to the Gentiles.

Nazmul Sultan explores Indian contributions to democratic theory, as anticolonial thinkers developed principles of peoplehood and self-rule. Indians contested British claims that the "backwardness" of the Indian people offered a democratic justification for imperial domination.

This is a very different book about the French Revolution of 1789-94. The concern is less with a change in society than a change in the relation that a society establishes with itself. Here the focus is on society's presentation (and representation) considered not simply from the perspective of a few privileged intellectuals, but as a social and historical process inseparable from the institution of society's political dimension. Through a close reading of the revolutionary texts of the period, the author is able to trace behind the surface of events and conflict themes of a more abstract, fundamental character - themes relative to the 'discovery' of society, the construction of the nation-state, and what for the revolutionaries was the scandal of their separation. While retaining a fidelity to the eighteenth century, this book opens up new theoretical perspectives that illuminate the character of both a certain revolutionary heritage and a more general political modernity.

This book of poetic expressions broad in scope and focus is written out of my own life experiences, the struggles, trials, oppression, and devastation that my people suff er. We have suff ered at the hands of the world and have endured hardships, inequalities, and injustices like no other race of people, and we yet are not free!!!! This book is intended to be a platform for discussion and discovery. The author believes that this work is inspired by God himself with very little personal input. Its purpose is to give people of color a way to esteem themselves and that society may see the long term eff ects of inequality past and present. It is my hope that this work will serve as a bridge for open dialogue among people of all races. For when good people do nothing evil triumphs and prevails.

This study offers a literary history of the war novel in Africa. Coundouriotis argues that this genre, aimed more specifically at African readers than the continent’s better-known bildungsroman tradition, nevertheless makes an important intervention in global understandings of human rights. The African war novel lies at the convergence of two sensibilities it encounters in European traditions: the naturalist aesthetic and the discourse of humanitarianism, whether in the form of sentimentalism or of human rights law. Both these sensibilities are present in culturally hybrid forms in the African war novel, reflecting its syncretism as a narrative practice engaged with the colonial and postcolonial history of the continent. The war novel, Coundouriotis argues, stakes claims to collective rights that contrast with the individualism of the bildungsroman tradition. The genre is a form of people’s history that participates in a political struggle for the rights of the dispossessed.