A Place More Void

A Place More Void takes its name from a scene in William Shakespeare’s The Tragedy of Julius Caesar, wherein an elderly soothsayer has a final chance to warn Caesar about the Ides of March. Worried that he won’t be able to deliver his message because of the crowded alleyways, the soothsayer devises a plan to find and intercept Caesar in “a place more void.” It is precisely such an elusive place that this volume makes space for by theorizing and empirically exploring the many yet widely neglected ways in which the void permeates geographical thinking. This collection presents geography’s most in-depth and sustained engagements with the void to date, demonstrating the extent to which related themes such as gaps, cracks, lacks, and emptiness perforate geography’s fundamental concepts, practices, and passions. Arranged in four parts around the themes of Holes, Absences, Edges, and Voids, the contributions demonstrate the fecundity of the void for thinking across a wide range of phenomena: from archives to alien abductions, caves to cryptids, and vortexes to vanishing points. A Place More Void gathers established and emerging scholars who engage a wide range of geographical issues and who express themselves not only through archival, literary, and socio-scientific investigations, but also through social and spatial theory, political manifesto, poetry, and performance art.

This collection presents geography’s most in-depth and sustained engagements with the void to date, demonstrating the extent to which related themes such as gaps, cracks, lacks, and emptiness perforate geography’s fundamental concepts, practices, and passions.

As much a masterpiece of translation as a novel, 'A Void' contains not one single letter e anywhere in the main body of the text. This clever and unusual novel is full of plots and sub-plots, of trails in pursuit of trails and linguistic conjuring tricks

Have you come to the realisation that your everyday actions, emotions, or feelings are causing you difficulties? If you are willing to discover underlying causes of your emotions, thoughts, and actions, then you can find the way to true healing. The Void presents a new way for you to consider your lifes journeythe good and the bad, the joyful and the hurtful. With professional guidance, you can set out on a voyage of discovery to trace possible life events that may have caused inner scars. Once you have uncovered the scar or scarsyour place of hurt, your voidyou can then learn how best to seek an informed way forward. If you are searching for answers regarding why your life may feel blocked or uncomfortable, then the perspective and assistance provided here can point you in the right direction. Intended for laypeople, counsellors, therapists, and those in pastoral care, this self-help guide explores why you may be hurting inside and offers methods for healing that pain.

In the Corollaries on Place and Void, Philoponus attacks Aristotle's conception of place as two-dimensional, adopting instead the view more familiar to us that it is three-dimensional, inert and conceivable as void. Philoponus' denial that velocity in the void would be infinite anticipated Galileo, as did his denial that speed of fall is proportionate to weight, which Galileo greatly developed. In the second document Simplicius attacks a lost treatise of Philoponus which argued for the Christians against the eternity of the world. He exploits Aristotle's concession that the world contains only finite power. Simplicius' presentation of Philoponus' arguments (which may well be tendentious), together with his replies, tell us a good deal about both Philosophers.

Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood—all through wry social commentary and music/pop culture critique How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author’s playlist while you read! Access the playlist here: https://sptfy.com/a18b