A Plethora Of Dead Ends

A Plethora of Dead Ends is a collection of short stories based in Trinidad and Tobago. The book draws its name from Samson Street which is a street with two dead ends. The main character on the street is Ethelbert G Sandiford who navigates through his dead-end life with a mixture of luck and ingenuity. His family also displays similar traits making for several comical scenarios.

Look at this picture. Tell me what you see… The American South is rife with stories of a haunted past—especially its houses. In this eclectic and impressive collection, thirteen novelists were asked to build their tales around the photo of a dilapidated mansion. They were given two requirements—the house must appear in the story, and it should be a Southern Gothic tale. And they delivered. From childish demons to a mad novelist, from the Mississippi delta to the Appalachians, this collection from emerging voices and New York Times bestselling authors explores what happens when secrets that lie beneath the dust are disturbed—and our worst nightmares begin. Darkness lurks behind every corner, especially dead ends.

Deleuzo-Guattarian philosophy provides crucial insights for assessing the post-neoliberal era in this cutting-edge volume of anti-capitalist scholarship. It maps the critical new assemblages emerging out of decades of neoliberalism to diagnose contemporary and future discontent. Working alongside other forms of inquiry into the post-neoliberal era, the volume proposes a novel combination of ethics and Deleuzo-Guattarian philosophy to understand the post-neoliberal era. Contributors argue that current critiques of neoliberalism ignore the determining role of colonialism and the accelerated threat of climate breakdown. They highlight the precariousness of our planetary existence and propose new forms of inquiry into Deleuzo-Guattarian becoming. Deleuze, Guattari and the Schizoanalysis of Post-Neoliberalism considers new modes of capitalism, societies built on exhaustion, digital power, education, agroforestry, as well as literary texts that characterise the post-neoliberal era. Alongside these critical positions, the volume uses an ethical framework to challenge dialectical divisions in neoliberal critique. In the process, the essays remap the antagonisms, discontents and tensions of current post-neoliberal becoming.

This book is a comprehensive exploration of 90 years of film and television adaptations of the world’s best-selling novelist’s work. Drawing on extensive archival material, it offers new information regarding both the well-known and forgotten screen adaptations of Agatha Christie’s stories, including unmade and rare adaptations, some of which have been unseen for more than half a century. This history offers intriguing insights into the discussions and debates that surrounded many of these screen projects – something that is brought to life through previously unpublished correspondence from Christie herself and a new wide-ranging interview with her grandson, Mathew Prichard. Agatha Christie on Screen takes the reader on a journey from little known silent film adaptations, through to famous screen productions including 1974’s Murder on the Orient Express, as well as the television series of the Poirot and Miss Marple stories and, most recently, the BBC’s acclaimed version of And Then There Were None.

After her rescue of nearly fifty kidnapped children made international headlines, Amara Alvarez gets what she's worked for: a transfer to San Antonio's Homicide Division. Reality sets in quickly, though, as her first case, the suspicious death of a teenager at a crowded local water park, brings chaos to her personal life. As the investigation moves forward and she increases the pressure on the suspects, Amara finds herself under attack by cybercriminals. Her every move is being potentially watched online, and she's forced to resort to unconventional methods to find the killer. With few leads, she fights to keep her first murder investigation from ending up in the cold case files. Tom Threadgill is back with another riveting page-turner featuring the detective who is willing to put everything on the line to see that justice is served and lives are protected.

The image of a tortured genius working in near isolation has long dominated our conceptions of the artist’s studio. Examples abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a “factory,” artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. The Studio Reader pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist’s practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually—at the center of an art world that careens across institutions, markets, and disciplines. A companion for anyone engaged with the spectacular sites of art at its making, The Studio Reader reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

It takes a cat to write the purr-fect mystery. Things have been pretty exciting lately in Crozet, Virginia—a little too exciting if you ask resident feline investigator Mrs. Murphy. Just as the town starts to buzz over its Civil War reenactment, a popular local man disappears. No one's seen Tommy Van Allen's single-engine plane, either—except for Mrs. Murphy, who spotted it during a foggy evening's mousing. Even Mrs. Murphy's favorite human, postmistress Mary Minor "Harry" Haristeen, can sense that something is amiss. But things really take an ugly turn when the town reenacts the battle of Oak Ridge—and a participant ends up with three very real bullets in his back. While the clever tiger cat and her friends sift through clues that just don't fit together, more than a few locals fear that the scandal will force well-hidden town secrets into the harsh light of day. And when Mrs. Murphy's relentless tracking places loved ones in danger, it takes more than a canny kitty and her team of animal sleuths to set things right again....