A Primer Of The Novel

In Volume One of the Authors' Snarkopaedia, sentences have been painstakingly crafted together using nouns, verbs and other words, bringing you paragraphs of text. These paragraphs flow into pages of expert tips, advice and insight for authors at all levels of the publication food chain. Any book can claim to offer this type of information, but they can't give you what sets the Indies Unlimited Authors' Snarkopaedia above the rest: the "je ne sais squat" of the high decorated staff of the Snarkology Department at the Indies Unlimited Online Academy. Their groundbreaking and empirical research over the years sheds new and snarkified light on subjects ranging from book publishing and marketing to the nuts and bolts of writing and technology. If you like information to grab you by the throat and smack you in the face, the Indies Unlimited Authors' Snarkopaedia is the reference book for you.

Primer introduces a brand-new superhero with a colorful array of superpowers. Ashley Rayburn is an upbeat girl with a decidedly downbeat past. Her father is a known criminal who now sits in federal prison, but still casts a shadow over Ashley's life. Ashley has bounced from foster home to foster home and represents a real challenge to the social workers who try to help her-not because she's inherently bad, but because trouble always seems to find her. Ashley's latest set of (presumably short-term) foster parents are Kitch and Yuka Nolan. Like Ashley, Kitch is an artist, while Yuka is a geneticist working for a very high-level tech company that's contracted out to work for the government and the military. And it's Yuka's latest top-secret project that has her concerned. Developed for the military, it's a set of body paints that, when applied to the wearer, grant them a wide range of special powers. Fearful that this invention will be misused, Yuka sneaks the set of paints home. Ashley comes home from school one day with her new friend Luke and, thinking that the Nolans have purchased a surprise gift for her upcoming birthday, finds the set of paints. It isn't long before she realizes that she's stumbled upon something much bigger...and a lot more dangerous. Although she uses her newly discovered powers for good, it's not long before the military becomes wise to what happened to their secret weapon. And this spells big trouble not only for Ashley, but for her newfound family and friends, as well.

When the first edition of David Madden's A Primer of the Novel: For Readers and Writers was published more than twenty-five years ago, there were no other books of its kind available. Since then, many authors and editors have produced works that attempt the same comprehensive coverage of the genre. However, these works tend to be either written solely for writers or solely for readers. More often than not, those written for readers tend to be aimed at advanced students or critics of the novel. In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre. This unique handbook provides a definition and history of the novel, a description of early narratives, and a discussion of critical approaches to this literary form. A Primer of the Novel also identifies terms, definitions, commentary, and examples in the form of quotations for almost 50 types of novels and 15 artistic techniques. A chronology of narrative in general and of the novel in particular—from 850 B. C. to the present—is also included, along with indexes to authors, titles, novel types and techniques, as well as a selective bibliography of criticism. Although all novel types present in the first edition are still represented, many have become more clearly defined. This revised edition also cites several types of novels that did not appear in the first edition, such as the graphic novel and the novel of Magical Realism. As well as keeping all of the original examples from representative texts, the authors have added new examples of more recent works. While this book was conceived for a general audience, it will be a valuable resource for students, teachers, and libraries. It may be used in any English literature courses at any level, including graduate, and is suited for creative writing courses as well. With its clear and immediately accessible features, this handbo

Introduces different animals using characters from Rudyard Kipling's "The jungle book."

Writing is omnipresent in our lives, yet we rarely stop and consider its history and material culture. This volume introduces student readers to the development of writing across time and societies. The book incorporates autoethnography and asks readers to consider writing histories, influences, processes, and tools in their own lives. Short readings are included for each chapter. Designed for composition courses with a Writing About Writing focus or courses in Writing Studies, A Writing Studies Primer is a distinctive, visually engaging introduction to writing through its material culture.

A treasure-trove of scene-writing wisdom from award-winning author and teacher Sandra Scofield To write a good scene, you have to know the following: • Every scene has an EVENT • Every scene has a FUNCTION in the narrative • Every scene has a STRUCTURE: a beginning, middle, and end • Every scene has a PULSE The Scene Book is a fundamental guide to crafting more effective scenes in fiction. In clear, simple language, Sandra Scofield shows both the beginner and the seasoned writer how to build better scenes, the underpinning of any good narrative.

In this revised edition, David Madden, Charles Bane and Sean Flory have produced an updated work that is intended for a general readership including writers, teachers, and students who are just being introduced to the genre.