A Princely Impostor

In 1921 a traveling religious man appeared in eastern British Bengal. Soon residents began to identify this half-naked and ash-smeared sannyasi as none other than the Second Kumar of Bhawal--a man believed to have died twelve years earlier, at the age of twenty-six. So began one of the most extraordinary legal cases in Indian history. The case would rivet popular attention for several decades as it unwound in courts from Dhaka and Calcutta to London. This narrative history tells an incredible story replete with courtroom drama, sexual debauchery, family intrigue, and squandered wealth. With a novelist's eye for interesting detail, Partha Chatterjee sifts through evidence found in official archives, popular songs, and backstreet Bangladeshi bookshops. He evaluates the case of the man claiming, with the support of legions of tenants and relatives, to be the long-lost Kumar. And he considers the position of the sannyasi's detractors, including the colonial government and the Kumar's young widow, who resolutely refused to meet the man she denounced as an impostor. Along the way, Chatterjee introduces us to a fascinating range of human character, gleans insights into the nature of human identity, and examines the relation between scientific evidence, legal truth, and cultural practice. The story he tells unfolds alongside decades of Indian history. Its plot is shaped by changing gender and class relations and punctuated by critical historical events, including the onset of World War II, the Bengal famine of 1943, and the Great Calcutta Killings. And by identifying the earliest erosion of colonialism and the growth of nationalist thinking within the organs of colonial power, Chatterjee also gives us a secret history of Indian nationalism.

In 1921 a traveling religious man appeared in eastern British Bengal. Soon residents began to identify this half-naked and ash-smeared sannyasi as none other than the Second Kumar of Bhawal--a man believed to have died twelve years earlier, at the age of twenty-six. So began one of the most extraordinary legal cases in Indian history. The case would rivet popular attention for several decades as it unwound in courts from Dhaka and Calcutta to London. This narrative history tells an incredible story replete with courtroom drama, sexual debauchery, family intrigue, and squandered wealth. With a novelist's eye for interesting detail, Partha Chatterjee sifts through evidence found in official archives, popular songs, and backstreet Bangladeshi bookshops. He evaluates the case of the man claiming, with the support of legions of tenants and relatives, to be the long-lost Kumar. And he considers the position of the sannyasi's detractors, including the colonial government and the Kumar's young widow, who resolutely refused to meet the man she denounced as an impostor. Along the way, Chatterjee introduces us to a fascinating range of human character, gleans insights into the nature of human identity, and examines the relation between scientific evidence, legal truth, and cultural practice. The story he tells unfolds alongside decades of Indian history. Its plot is shaped by changing gender and class relations and punctuated by critical historical events, including the onset of World War II, the Bengal famine of 1943, and the Great Calcutta Killings. And by identifying the earliest erosion of colonialism and the growth of nationalist thinking within the organs of colonial power, Chatterjee also gives us a secret history of Indian nationalism.

This Book Tells The Incredible Story Of The Prince As Pauper, Of Pauper As Resurrected Prince. Parth Chatterjee`S Retelling Of The Notoriously Famous `Bhawal Sannyasi Case` - One Of India`S Best-Known And Most Historic Legal Battles - Is Narrative History Of The Finest Kind. It Is Replete With Dramatic Incident, Sexual Debauchery, Family Violence, And Political Intrigue. It Is An Epic Story Of War Within A Household Which Spills Out Into The Social Life Of Colonial Bengal; And Beyond, Into The Administrative And Legal Fabricof India During The Heyday Of Nationalism; And Then Beyond That Again, Into Spirituality And Philosophy, Legend And Folklore, Theatre And The Cinema.

What role does, and should, legal, political, and constitutional norms play in constraining emergency powers, in Asia and beyond.

Written in the voice of the mythical atheist, naysayer, and general all-purpose heretic of Indian philosophy, The Truths and Lies of Nationalism as Narrated by Charvak presents a completely new way of telling the history of Indian nationalism. Severely criticizing the doctrines of both Hindu nationalism and pluralist secularism, it examines the ongoing debates over Indian civilization and recounts in detail how the present borders of India were defined by British colonial policy, the partition of 1947, and the integration of the princely states and the French and Portuguese territories. The emphasis is not so much on the state machinery inherited from colonial times but on the moral foundation of a new republic based on the solidarity of different but equal formations of the people. After a trenchant critique of the present-day conflicts over religion, caste, class, gender, language, and region in India, the book proposes a new politics of revitalized federalism. Intended for a general readership, and eschewing academic jargon, this book will be of interest to anyone concerned about the future of India.

Hugely controversial upon its publication in India, this book has already been banned by the Hyderabad Civil Court and the author's life has been threatened. Jha argues against the historical sanctity of the cow in India, in an illuminating response to the prevailing attitudes about beef that have been fiercely supported by the current Hindu right-wing government and the fundamentalist groups backing it.

Partha Chatterjee, a pioneering theorist known for his disciplinary range, builds on his theory of "political society" and reinforces its salience to contemporary political debate. Dexterously incorporating the concerns of South Asian studies, postcolonialism, the social sciences, and the humanities, Chatterjee broadly critiques the past three hundred years of western political theory to ask, Can democracy be brought into being, or even fought for, in the image of Western democracy as it exists today? Using the example of postcolonial societies and their political evolution, particularly communities within India, Chatterjee undermines the certainty of liberal democratic theory in favor of a realist view of its achievements and limitations. Rather than push an alternative theory, Chatterjee works solely within the realm of critique, proving political difference is not always evidence of philosophical and cultural backwardness outside of the West. Resisting all prejudices and preformed judgments, he deploys his trademark, genre-bending, provocative analysis to upend the assumptions of postcolonial studies, comparative history, and the common claims of contemporary politics.