A Ransomed Dissident

In 1939, a ten-year-old Igor Golomstock accompanied his mother, a medical doctor, to the vast network of labour camps in the Russian Far East. While she tended patients, he was minded by assorted 'trusty' prisoners – hardened criminals – and returned to Moscow an almost feral adolescent, fluent in obscene prison jargon but intellectually ignorant. Despite this dubious start he became a leading art historian and co-author (with his close friend Andrey Sinyavsky) of the first, deeply controversial, monograph on Picasso published in the Soviet Union. His writings on his 43 years in the Soviet Union offer a rare insight into life as a quietly subversive art historian and the post-Stalin dissident community. In vivid prose Golomstock shows the difficulties of publishing, curating and talking about Western art in Soviet Russia and, with self-deprecating humour, the absurd tragicomedy of life for the Moscow intelligentsia during Khruschev's thaw and Brezhnev's stagnation. He also offers a unique personal perspective on the 1966 trial of Sinyavsky and Yuri Daniel, widely considered the end of Khruschev's liberalism and the spark that ignited the Soviet dissident movement. In 1972 he was given 'permission' to leave the Soviet Union, but only after paying a 'ransom' of more than 25 years' salary, nominally intended to reimburse the state for his education. A remarkable collection of artists, scholars and intellectuals in Russia and the West, including Roland Penrose, came together to help him pay this astronomical sum. His memoirs of life once in the UK offer an insider's view of the BBC Russian Service and a penetrating analysis of the notorious feud between Sinyavsky and Aleksandr Solzhenitsyn. Nominated for the Russian Booker Prize on its publication in Russian in 2014, The Ransomed Dissident opens a window onto the life of a remarkable man: a dissident of uncompromising moral integrity and with an outstanding gift for friendship.

In 1939, a ten-year-old Igor Golomstock accompanied his mother, a medical doctor, to the vast network of labour camps in the Russian Far East. While she tended patients, he was minded by assorted 'trusty' prisoners – hardened criminals – and returned to Moscow an almost feral adolescent, fluent in obscene prison jargon but intellectually ignorant. Despite this dubious start he became a leading art historian and co-author (with his close friend Andrey Sinyavsky) of the first, deeply controversial, monograph on Picasso published in the Soviet Union. His writings on his 43 years in the Soviet Union offer a rare insight into life as a quietly subversive art historian and the post-Stalin dissident community. In vivid prose Golomstock shows the difficulties of publishing, curating and talking about Western art in Soviet Russia and, with self-deprecating humour, the absurd tragicomedy of life for the Moscow intelligentsia during Khruschev's thaw and Brezhnev's stagnation. He also offers a unique personal perspective on the 1966 trial of Sinyavsky and Yuri Daniel, widely considered the end of Khruschev's liberalism and the spark that ignited the Soviet dissident movement. In 1972 he was given 'permission' to leave the Soviet Union, but only after paying a 'ransom' of more than 25 years' salary, nominally intended to reimburse the state for his education. A remarkable collection of artists, scholars and intellectuals in Russia and the West, including Roland Penrose, came together to help him pay this astronomical sum. His memoirs of life once in the UK offer an insider's view of the BBC Russian Service and a penetrating analysis of the notorious feud between Sinyavsky and Aleksandr Solzhenitsyn. Nominated for the Russian Booker Prize on its publication in Russian in 2014, The Ransomed Dissident opens a window onto the life of a remarkable man: a dissident of uncompromising moral integrity and with an outstanding gift for friendship.

Drawing on documents from archives in St Petersburg and Moscow, the analysis portrays film production "in the round" and shows that the term "censorship" is less appropriate than the description preferred in the Soviet film industry itself, "control," which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced. The two opening chapters trace the various crises that beset film production between 1961 and 1970 (Chapter 1) and 1970 and 1985 (Chapter 2). These are followed by a chapter on the working life of the studio and particularly the technical aspects of production (Chapter 3), and a chapter on the studio aesthetic (Chapter 4). The second part of the book comprises close analyses of fifteen films that are particularly typical of the studio's production and which had especial impact within the studio and beyond. .

The story of a remarkable era of reform, controversy, optimism, and Cold War confrontation in the Soviet Union Beginning with the death of Stalin in 1953, the “sixties” era in the Soviet Union was just as vibrant and transformative as in the West. The ideological romanticism of the revolutionary years was revived, with renewed emphasis on egalitarianism, equality, and the building of a communist utopia. Mass terror was reined in, great victories were won in the space race, Stalinist cultural dogmas were challenged, and young people danced to jazz and rock and roll. Robert Hornsby examines this remarkable and surprising period, showing that, even as living standards rose, aspects of earlier days endured. Censorship and policing remained tight, and massacres during protests in Tbilisi and Novocherkassk, alongside invasions of Hungary and Czechoslovakia, showed the limits of reform. The rivalry with the United States reached perhaps its most volatile point, friendship with China turned to bitter enmity, and global decolonization opened up new horizons for the USSR in the developing world. These tumultuous years transformed the lives of Soviet citizens and helped reshape the wider world.

In The Will to Predict, Eglė Rindzevičiūtė demonstrates how the logic of scientific expertise cannot be properly understood without knowing the conceptual and institutional history of scientific prediction. She notes that predictions of future population, economic growth, environmental change, and scientific and technological innovation have shaped much of twentieth and twenty-first-century politics and social life, as well as government policies. Today, such predictions are more necessary than ever as the world undergoes dramatic environmental, political, and technological change. But, she asks, what does it mean to predict scientifically? What are the limits of scientific prediction and what are its effects on governance, institutions, and society? Her intellectual and political history of scientific prediction takes as its example twentieth-century USSR. By outlining the role of prediction in a range of governmental contexts, from economic and social planning to military strategy, she shows that the history of scientific prediction is a transnational one, part of the history of modern science and technology as well as governance. Going beyond the Soviet case, Rindzevičiūtė argues that scientific predictions are central for organizing uncertainty through the orchestration of knowledge and action. Bridging the fields of political sociology, organization studies, and history, The Will to Predict considers what makes knowledge scientific and how such knowledge has impacted late modern governance.

Of the many Cold War radio DJs who broadcast to the USSR, Seva Novgorodsev must be near the top of the list. A masterful BBC presenter, Seva was considered a sage of rock ‘n’ roll. His programs introduced forbidden western popular music and culture into the USSR, rendering him an “enemy voice” and ideological saboteur to the Central Committee of the Communist Party. Despite KGB threats and constant media pillorying, Seva remained on the air for 38 years, acquiring millions of listeners all across the breadth of the USSR and beyond. He became a cult phenomenon, dismantling the Soviet way of life in the hearts and minds of youth. This is the story of Russia’s first and best-known DJ.

See how the Book of Revelation can be read as a book of discipleship, challenging Christ-followers everywhere to live as hopeful agents of resistance and transformation. The last book of the Bible frustrates and frightens many people with its imagery and apocalyptic tone. Popular interpretations rely on fear and politicization and often lead to pride and alienation of others. Is this really how we were intended to read John’s Revelation? In Revelation for the Rest of Us, Scot McKnight with Cody Matchett explore the key message of Revelation and how it: Calls us to be faithful and hopeful witnesses to Jesus. Stimulates our imagination to see the world through the eyes of God and excite our faith. Challenges us to stand against the militarism, economic exploitation, oppression, and injustice of worldly authorities. McKnight addresses the popular misconceptions about the book, explaining what John means in his use of the images of dragons, lambs, and beasts; and how the symbolism of Revelation spoke in the days of Rome and still speaks powerfully to the present day—though not in the way most people think. You’ll learn to see the Book of Revelation in a fresh and hopeful new way. Drawing from the latest scholarship, the authors present an understanding of Revelation for anyone interested in deepening their personal study of the Bible and strengthening their faith as dissident disciples who can discern the presence of "Babylon" in our world and learn to speak up, speak out, and walk in the way of the Lamb.

Enslaved on an uninhabited planet by the alien Eosi, Kristin Bjornsen and her fellow humans not only survived against all odds to colonize the world now known as Botany, but liberated themselves from their captors and claimed it as their home… The colonists could not have achieved victory without the help of the exiled Catteni alien, Zainal, who helped Kris contact other races subjugated by the Eosi, and inspired the rebellion that freed them all. To ensure Botany’s future, its people must build alliances. In the wake of alien devastation, Earth has been looted of its technology—technology Botany desperately needs. If Kris and Zainal can reclaim the stolen goods, they can assist Earth while setting a foundation for Botany’s place in the universe…