A Reunion Of Ghosts

How do three sisters write a single suicide note? This is the riddle the Alter sisters--Lady, Vee and Delph--pose at the outset of this darkly funny novel as they finalize their plans to collectively end their lives on New Year’s Eve, 1999. Their reasons are not theirs alone, and they prove that the sins of the father are indeed visited upon the children, even to the third and fourth generations. The Jewish Alter family has been haunted by suicide ever since the sisters’ great-grandfather, the Nobel Prize–winning chemist Lenz Alter, developed the first poison gas used in warfare and also the lethal agent used in the gas chambers of the Third Reich. Lenz and his wife, Iris, their son Richard and his children, Rose, Violet and Dahlie, all took their own lives. Now Dahlie’s children are the only ones remaining. Lady, Vee and Delph love one another fiercely and protect one another from the shadows of the past through a shared sense of dark, deeply brilliant humour. As they gather in the Upper West Side apartment in which they were raised to close the circle of the Alter curse, an epic and achingly human tale--inspired in part by the true story of Fritz Haber, Nobel Prize winner and inventor of mustard gas--unfolds. Part wry memoir, part unflinching eulogy for those who have gone before, this is an intensely personal but profound commentary on the events of the 20th century. As one of the characters remarks, “Too bad Lenz Alter didn’t invent Prozac instead of chlorine gas; that probably would have saved them all.” Judith Claire Mitchell’s epic narrative captures three unforgettable characters--and their haunted family--within one brutally witty, achingly human voice.

A NATIONAL JEWISH BOOK AWARD FINALIST “The Alter sisters are mordant, wry, and crystalline in wit and vision; it is a tremendous pleasure to rocket through generations of their family histories with them.” —Lauren Groff, New York Timesbestselling author of Fates and Furies, The Monsters of Templeton, and Arcadia In the waning days of 1999, the last of the Alters—three damaged but wisecracking sisters who share an apartment on Manhattan’s Upper West Side—decide it’s time to close the circle of the family curse by taking their own lives. But first, Lady, Vee, and Delph must explain the origins of that curse and how it has manifested throughout the preceding generations. Unspooling threads of history, personal memory, and family lore, they weave a mesmerizing account that stretches back a century to their great-grandfather, a brilliant scientist whose professional triumph became the terrible legacy that defines them. A suicide note crafted by three bright, funny women, A Reunion of Ghosts is the final chapter of a saga lifetimes in the making—one that is inexorably intertwined with the story of the twentieth century itself. “Mitchell explores the mixed-blessing bonds of family with wry wit. This original tale is black comedy at its best.”—People Book of the Week “A rich portrait of a complicated family, at turns violent and hilarious.”—Emma Straub, New York Timesbestselling author

Yael Weiss, eighteen years old and looking for adventure, finds it in the library one day when she discovers a packet of guns meant for Erinyes, an Armenian organization set on avenging their people’s massacre by the Turks in 1915. While the weapons make her nervous, Dub Hagopian, the young Armenian-American soldier sent to retrieve them, excites her in a completely different way.Smitten, Yael impulsively follows Dub to France by volunteering with the YMCA, reinventing herself along the way as twenty-five-year-old Methodist Yale White. When she and Dub cross paths again, Yael gets caught up in a crowd bursting with both the passionate ideals and the devil-may-care energy of youth–with consequences neither of them could ever foresee.

How do three sisters write a single suicide note? This is the riddle the Alter sisters—Lady, Vee and Delph—pose at the outset of this darkly funny novel as they finalize their plans to collectively end their lives on New Year’s Eve, 1999. Their reasons are not theirs alone, and they prove that the sins of the father are indeed visited upon the children, even to the third and fourth generations. The Jewish Alter family has been haunted by suicide ever since the sisters’ great-grandfather, the Nobel Prize–winning chemist Lenz Alter, developed the first poison gas used in warfare and also the lethal agent used in the gas chambers of the Third Reich. Lenz and his wife, Iris, their son Richard and his children, Rose, Violet and Dahlie, all took their own lives. Now Dahlie’s children are the only ones remaining. Lady, Vee and Delph love one another fiercely and protect one another from the shadows of the past through a shared sense of dark, deeply brilliant humour. As they gather in the Upper West Side apartment in which they were raised to close the circle of the Alter curse, an epic and achingly human tale—inspired in part by the true story of Fritz Haber, Nobel Prize winner and inventor of mustard gas—unfolds. Part wry memoir, part unflinching eulogy for those who have gone before, this is an intensely personal but profound commentary on the events of the twentieth century. As one of the characters remarks, “Too bad Lenz Alter didn’t invent Prozac instead of chlorine gas; that probably would have saved them all.” Judith Claire Mitchell’s epic narrative captures three unforgettable characters—and their haunted family—within one brutally witty, achingly human voice.

The strangest things happen when friends are reunited after twenty years apart—a major new novel by the best-selling author of the Sacred Diary series.

A superb storyteller who keeps his readers in thrall’—Statesman It is said that if the smell of the Himalayas creeps into a man’s blood, he will return to the hills again and again. Master storyteller Ruskin Bond shows how this love may persist to death and beyond. The agents of the supernatural may be gentle like the fairy folk in ‘On Fairy Hill’, or malevolent like the well-dressed diners of ‘The Prize’; humorous like the very proper witch, Miss Bellows, in ‘The Black Cat’, or tragic like the haunting Gulabi in ‘Wilson’s Bridge’. Bond aficionados will meet familiar faces in other stories and be thrilled by the gripping mystery, ‘Who Killed the Rani?’ This exciting collection, animated by the brooding presence of the Himalayas, establishes Bond as a connoisseur of the mysterious and macabre.

The Screech Owls have come to Ottawa to play in the Little Stanley Cup peewee tournament. This relaxed summer event honours Lord Stanley himself - the man who donated the Stanley Cup to hockey - and gives young players a chance to see the wonders of Canada's capital city, travel into the wilds of Algonquin Park, and even go river rafting. Mr. Dillinger is also taking them to visit some of the region's famous ghosts: the ghost of a dead prime minister; the ghost of a man hanged for murder; the ghost of the famous painter Tom Thomson. At first the Owls think this is Mr. Dillinger's best idea ever, until Travis and his friends begin to suspect that one of these ghosts could be for real. Who is this phantom? Why has he come to haunt the Screech Owls? And what is his connection to the mysterious young stranger who offers to coach the team?

INTERNATIONAL BESTSELLER • From the author of Everything I Know About Love comes a smart, sexy, laugh-out-loud romantic comedy about ex-boyfriends, imperfect parents, friends with kids, and a man who disappears the moment he says "I love you." “An absolute knock-out. Wickedly funny and, at turns, both cynical and sincere… feels like your very favorite friend.” —Taylor Jenkins Reid, author of Malibu Rising ONE OF THE BEST BOOKS OF THE YEAR: NPR, VOGUE, PEOPLE Nina Dean is not especially bothered that she's single. She owns her own apartment, she's about to publish her second book, she has a great relationship with her ex-boyfriend, and enough friends to keep her social calendar full and her hangovers plentiful. And when she downloads a dating app, she does the seemingly impossible: She meets a great guy on her first date. Max is handsome and built like a lumberjack; he has floppy blond hair and a stable job. But more surprising than anything else, Nina and Max have chemistry. Their conversations are witty and ironic, they both hate sports, they dance together like fools, they happily dig deep into the nuances of crappy music, and they create an entire universe of private jokes and chemical bliss. But when Max ghosts her, Nina is forced to deal with everything she's been trying so hard to ignore: her father's dementia is getting worse, and so is her mother's denial of it; her editor hates her new book idea; and her best friend from childhood is icing her out. Funny, tender, and eminently, movingly relatable, Ghosts is a whip-smart tale of relationships and modern life.