A Scent Of Sandalwood

The Ginans are religious lyrics which have long been a central part of the religious life of the Indian Mizari Ismaili community (known as Khojas), and continue to form their living poetic tradition. Aziz Esmail's translation is suggestive of the depth of religious thought, feeling and imagination out of which this poetry was born, and the lyrical beauty of the form in which this experience found a voice. The poetry of the Ginans illustrates an historically and culturally specific conception of the world, and of the norms peculiar to that culture, as well as a religious perception that forms a significant part of the religious experience of mankind. This volume will appeal both to specialists and more general readers, including Indologists, scholars of Islam in the Subcontinent, students of Comparative Religion, Comparative Literature, and those with an interest in mystical or devotional poetry.

The Ginans are religious lyrics which have long been a central part of the religious life of the Indian Mizari Ismaili community (known as Khojas), and continue to form their living poetic tradition. Aziz Esmail's translation is suggestive of the depth of religious thought, feeling and imagination out of which this poetry was born, and the lyrical beauty of the form in which this experience found a voice. The poetry of the Ginans illustrates an historically and culturally specific conception of the world, and of the norms peculiar to that culture, as well as a religious perception that forms a significant part of the religious experience of mankind. This volume will appeal both to specialists and more general readers, including Indologists, scholars of Islam in the Subcontinent, students of Comparative Religion, Comparative Literature, and those with an interest in mystical or devotional poetry.

James McHugh offers the first comprehensive examination of the concepts and practices related to smell in pre-modern India. Drawing on a wide range of textual sources, from poetry to medical texts, he shows the significant religious and cultural role of smell in India throughout the first millennium CE. McHugh describes the arts of perfumery developed in royal courts, temples, and monasteries, which were connected to a trade in exotic aromatics. Through their transformative nature, perfumes played an important part in every aspect of Indian life from seduction to diplomacy and religion. The aesthetics of smell dictated many of the materials, practices, and ceremonies associated with India's religious culture. McHugh shows how religious discourses on the purpose of life emphasized the pleasures of the senses, including olfactory experience, as valid ends in themselves. Fragrances and stenches were analogous to certain values, aesthetic or ethical, and in a system where karmic results often had a sensory impact-where evil literally stank-the ethical and aesthetic became difficult to distinguish. Through the study of smell, McHugh strengthens our understanding of the vital connection between the theological and the physical world. Sandalwood and Carrion explores smell in pre-modern India from many perspectives, covering such topics as philosophical accounts of smell perception, odors in literature, the history of perfumery in India, the significance of sandalwood in Buddhism, and the divine offering of perfume to the gods.

Why spend so much on perfume when you can easily make your own sweet-smelling fragrance for cheap? Why expose yourself to carcinogenic or toxin chemicals contained in store-bought perfumes when you can pull together natural and chemical-free ingredients to keep you attractive and healthy? Aroma is something that appeals to all of us, whether it is the aroma coming from the kitchen or from a person. A good smell does make a lot of thing easy, and it puts our mind at ease as well. Yes! Fragrances from perfume revive memories but you can start to create new and exciting ones and begin your journey into new memory lanes. Pull yourself from the crowd and make your own unique blend. Dare to be refreshingly different! These recipes are very easy to follow. While some of these recipes can be created in a few hours, some may take several weeks to get perfected. However, the result for them at the end of the day will be worth it. They include: • Floral perfume recipes • Earthy and Herbal perfume recipes • Sandalwood perfume recipes • Scented water There are over 40 perfume recipes to try your hands on. Be sure to follow each step carefully. Relax! The procedure is simple so you won’t be disappointed.

James McHugh offers the first comprehensive examination of the concepts and practices related to smell in pre-modern India. Drawing on a wide range of textual sources, from poetry to medical texts, he shows the deeply significant religious and cultural role of smell in India throughout the first millennium CE. McHugh describes sophisticated arts of perfumery, developed in temples, monasteries, and courts, which resulted in worldwide ocean trade. He shows that various religious discourses on the purpose of life emphasized the pleasures of the senses, including olfactory experience, as a valid end in themselves. Fragrances and stenches were analogous to certain values, aesthetic or ethical, and in a system where karmic results often had a sensory impact-where evil literally stank-the ethical and aesthetic became difficult to distinguish. Sandalwood and Carrion explores smell in pre-modern India from many perspectives, covering such topics as philosophical accounts of smell perception, odors in literature, the history of perfumery in India, the significance of sandalwood in Buddhism, and the divine offering of perfume to the gods.

DISAPPEAR INTO THE WORLD OF THE SUNDAY TIMES BESTSELLING CHOCOLAT . . . 'So wise, so atmospheric, so beautifully written' Marian Keyes 'The most magical, stunningly beautiful novel' Joanna Cannon 'It will intrigue and charm readers every bit as much as Chocolat' Monica Ali --------------------------- Faith. Secret. Magic. Murder...? Vianne Rocher has settled down. Lansquenet-sous-Tannes, the place that once rejected her, has finally become her home. With Rosette, her youngest child, she runs her chocolate shop in the square, talks to her friends on the river, is part of the community. Even Reynaud, the priest, has become a friend. But when old Narcisse, the florist, dies, leaving a parcel of land to Rosette and a written confession to Reynaud, the life of the sleepy village is once more thrown into disarray. Then the opening of a mysterious new shop in the place of the florist's across the square - one that mirrors the chocolaterie, and has a strange appeal of its own - seems to herald a change: a confrontation, a turbulence - even, perhaps, a murder . . . What will the wind blow in today? --------------------------- Return to the world of the multi-million-copy bestselling Chocolat.... 'A writer whose wit and sharp observation enhances her engaging story-telling' Salley Vickers 'The most magical, stunningly beautiful novel . . . I sobbed at the end because I couldn't bear to leave. Joanne is truly one of the world's finest storytellers' Joanna Cannon 'A place of magic and mysteries, and Harris excels in this delicate balance of realism and enchantment . . . It will intrigue and charm readers every bit as much as Chocolat' Monica Ali 'Sheer pleasure from start to finish. The Strawberry Thief is a delight' James Runcie 'I devoured it in one go' Christopher Fowler 'Compelling, captivating, incredibly moving, The Strawberry Thief whirls you into a thrilling world you will never forget . . . A perfect novel that shimmers with brilliance and truth' Kate Williams