A Short Guide To Modern British Drama
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A Short Guide to Modern British Drama
Author | : John Russell Brown |
Publsiher | : Totowa, N.J. : Barnes & Noble Books ; London : Heinemann Educational Books |
Total Pages | : 116 |
Release | : 1983 |
Genre | : Drama |
ISBN | : UOM:39015005523843 |
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A Reader s Guide to Modern British Drama
Author | : Sanford Sternlicht |
Publsiher | : Syracuse University Press |
Total Pages | : 276 |
Release | : 2004-12-01 |
Genre | : Literary Criticism |
ISBN | : 081563076X |
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This book reveals the influences of modern history and psychology on British drama; the all-important influence of Irish dramatists like Wilde, Shaw, O’Casey, and Beckett; the significance of the Independent Theatre of J. T. Grein and the early Royal Court Theatre; the gay community’s contribution to the British theater; the powerful new feminist drama; and the British festival theater. Auseful tool for readers wishing to know more about Britain’s great dramatic tradition and vital contemporary theater, for students pursuing drama studies, and for libraries in need of an accessible reference work.
Contemporary British Drama 1970 90
Author | : Hersh Zeifman,Cynthia Zimmerman |
Publsiher | : Springer |
Total Pages | : 361 |
Release | : 1993-04-27 |
Genre | : Literary Criticism |
ISBN | : 9781349108190 |
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This book focuses exclusively on the exciting and provocative plays produced in England in the last two decades. The primary aim of the collection is to celebrate the truly remarkable range of British drama since 1970, by examining the work of fourteen important and representative playwrights. This emphasis on range applies not only to the dramatists chosen for inclusion but to the critics as well - specifically to the diversity of critical methodology demonstrated in their essays.
The Methuen Drama Guide to Contemporary British Playwrights
Author | : Martin Middeke,Peter Paul Schnierer,Aleks Sierz |
Publsiher | : A&C Black |
Total Pages | : 546 |
Release | : 2011-10-17 |
Genre | : Literary Criticism |
ISBN | : 9781408122785 |
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This is an authoritative single-volume guide to the work of twenty-five British playwrights from the 1980s to the present written by an international team of twenty-five eminent scholars. It is the perfect companion for students of Theatre Studies and English Literature.
British Sources of Information
Author | : P. Jackson |
Publsiher | : Routledge |
Total Pages | : 772 |
Release | : 2003-09-02 |
Genre | : History |
ISBN | : 9781135794934 |
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This comprehensive and versatile reference source will be a most important tool for anyone wishing to seek out information on virtually any aspect of British affairs, life and culture. The resources of a detailed bibliography, directory and journals listing are combined in this single volume, forming a unique guide to a multitude of diverse topics - British politics, government, society, literature, thought, arts, economics, history and geography. Academic subjects as taught in British colleges and universities are covered, with extensive reading lists of books and journals and sources of information for each discipline, making this an invaluable manual.
A Politic Theatre The Drama of David Hare
Author | : Scott Fraser |
Publsiher | : BRILL |
Total Pages | : 210 |
Release | : 2022-06-08 |
Genre | : Literary Criticism |
ISBN | : 9789004484979 |
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This analysis of twenty published texts by David Hare employs definitions from contemporary semiotic literary theory as a means of describing typologies of political drama. By tracing the incorporation of stylistic devices from agitational propaganda (caricature, self-referentiality, the frisson between oral and visual signification) throughout the typologies, the study illustrates how each text subverts audience expectation based on established dramatic genres. The collection of texts is seen as inherently self-referential and politically subversive. At the centre of each typology is a protagonist who functions as a martyr to or parodic emblem of contemporary society. Consistently, the hermeticism of public institutions which represent the political status quo makes them immune from any form of individual protest from the Left or Right. In the satirical anatomy, the emblem of political dissent is coopted by involvement within the institution, or the stage is dominated by a conservative who controls the action. In the demythology, private individuals are seen as incapable of altering the public frame of history; but here private suffering subverts the collective mythology of the historical construct. In the martyrology, the emblem of dissent is associated with a moral virtue which is inimical to contemporary society, the audience's expectation of the triumph of the individual being subverted when he/she is expelled from the onstage world on the grounds of political ideology. It is only in the final typology, the conversion, that a conservative emblem is seen as directly influenced by such martyrdom, and the audience is provided with an actual example of political change. Thus, the study describes how each typology builds on the construction of the previous, and all generate from agitational propaganda.
The Private Garden
Author | : B. Chandrika |
Publsiher | : Academic Foundation |
Total Pages | : 202 |
Release | : 1993 |
Genre | : Domestic drama, English |
ISBN | : 8171880436 |
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The Making of Theatrical Reputations
Author | : Yael Zarhy-Levo |
Publsiher | : University of Iowa Press |
Total Pages | : 305 |
Release | : 2008-04-21 |
Genre | : Drama |
ISBN | : 9781587297793 |
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Today's successful plays and playwrights achieve their prominence not simply because of their intrinsic merit but because of the work of mediators, who influence the whole trajectory of a playwright's or a theatre company's career. Critics and academic writers are primarily considered the makers of reputations, but funding organizations and various media agents as well as artistic directors, producers, and directors also pursue separate agendas in shaping the reputations of theatrical works. In The Making of Theatrical Reputations Yael Zarhy-Levo demonstrates the processes through which these mediatory practices by key authority figures situate theatrical companies and playwrights within cultural and historical memory. To reveal how these authorizing powers-that-be promote theatrical events, companies, and playwrights, Zarhy-Levo presents four detailed case studies that reflect various angles of the modern London theatre. In the case of the English Stage Company's production of John Osborne's Look Back in Anger, she centers on a specific event. She then focuses on the trajectory of a single company, the Theatre Workshop, particularly through its first decade at the Theatre Royal, Stratford East, London. Next, she explores the career of the dramatist John Arden, especially its first ten years, in part drawing upon an interview with Arden and his wife, actress and playwright Margaretta D'Arcy, before turning to her fourth study: the playwright Harold Pinter's shifting reputation throughout the different phases of his career. Zarhy-Levo's accounts of these theatrical events, companies, and playwrights through the prism of mediation bring fresh insights to these landmark productions and their creators.