A Silent Stabbing

As England recovers from its costly involvement in the Great War, Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, find the steady comforts of their lives unsettled by a local case of murder . . . Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police—including Eva's beau, Constable Miles Brannock—suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder—and Eva fears her sister was with him. If Alice were to provide Keenan with an alibi, her reputation and marriage would be ruined. She denies being there but is clearly withholding secrets, much to Eva's consternation. Now, to protect her sister, Eva and Phoebe set off to expose the gardener's real killer, putting their own lives at risk . . .

Eva is excited for a visit from her sister Alice, who lives in Suffolk with her husband and three children. But when Alice arrives alone, desiring a break from her family, Eva becomes concerned. Her dismay deepens as Alice starts spending time with a former beau, Keenan Ripley, who owns the nearby pear orchard. At the same time, Phoebe's sister Julia, now a widow and pregnant, is in a fretful state, and Phoebe struggles to be helpful to her. When Keenan's brother Stephen, the new head gardener at the Renshaw estate, Foxwood Hall, is found impaled by a pair of hedge clippers, the police - including Eva's beau, Constable Miles Brannock - suspect his closest kin. Stephen had been eager to sell their orchard to an American developer, but Keenan had fiercely resisted. A table set with two teacups and scones suggests Keenan had company the morning of the murder - and Eva fears her sister was with him.

A trip to Staffordshire for Lady Phoebe Renshaw and her lady’s maid, Eva Huntford, leads to murder in a famed pottery works . . . Following the devastation of the Great War, England's noble class takes comfort in honoring tradition. To celebrate their grandparents' wedding anniversary, Lady Phoebe Renshaw and her siblings travel to Staffordshire to commission a china service bearing the Wroxly coat of arms from the venerated Crown Lily Potteries, a favorite of Queen Mary. The two leading designers at the illustrious china manufacturer offer competing patterns. But when one of them is found dead—his body crushed in a grinding pan and his design pattern book missing—his rival is immediately suspected. The police are also suspicious of the dead designer's resentful young son, a schoolmate of Phoebe's fifteen-year-old brother Fox. When Fox gets involved to help his friend, Phoebe begins to investigate the rival artist. At the same time, Eva is enlisted to go undercover at the works so she can gain the confidence of the female employees, who are only allowed to paint, not design, which may have led to a grudge against the victim. Pursuing a killer who has no compunction about using a kiln as a coffin, Phoebe and Eva take their lives into their hands to discover the shattering truth . . .

Paul Knox, secret agent for the U.S. Government, had been around. But never had he seen anything as vicious as this new twist in the blackmail racket. Wealthy and prominent people were being exposed to international scandal, the kind that could give not merely themselves but their nation a black eye, and it had to be stopped. Further, it was known that the criminal ring was about to expand. But when Paul found his only contact had been stabbed through the eye with an icepick, he realized several things: first, his own life was in immediate peril; second, he could trust no one on either side of the law; and third, with no more leads to follow, his only hope was a Stab in the Dark.

Two years have passed since Stab 6: Ghostface Returns and survivor Shannon Nightingale is back on her feet in a new town. When reports of a new Ghostface murder in New Hampshire reach Shannon, she decides to return home to stop the new killer. Executive Producer Rachel Arnold, has her work cut out for her... planning the latest string of murders! Luckily for her, her former boss and known serial killer, Joshua Dudley, has returned from the grave and is aiding her in the process of training a new Ghostface! Their latest targets? A group of fresh faces, including a new Sarah Campbell, who can reboot the Stab series after Rachel and reporter Kylie Scott's epic box office fails with Stab 5 and Stab 6. Can Shannon save the teens? Will Joshua and Rachel complete the ultimate Stab film? All that's for sure is... this is gonna hurt!

A desperate mother. A dubious escort. And a deranged author who won’t leave them alone. Caroline Lindley is determined that her new romance novel will be her best one yet. Fantasy! Formal gowns! Fencing! And, of course, a twentysomething heroine to star in an enemies-to-lovers plot with all of Caroline’s favourite tropes. But Lady Rosamund Hawkhurst is a thirty-six-year-old widow with two children, her sole focus is facilitating a peace treaty between her adopted nation and her homeland, and she flatly refuses to take the correct approach to there being Only One Bed. What’s an author to do? Based on her popular Fantasy Heroine YouTube shorts series, Jill Bearup’s debut novel brings us the best of worlds both meta and medieval-inspired. Leigh Bardugo and Terry Pratchett aficionados will enjoy the political intrigue paired with convivial, tongue-in-cheek satire, and romance fans will savour plenty of slow-burn, fade-to-black romance. If you loved Stranger Than Fiction and The Princess Bride, you will soon find yourself cheering on enemies-to-BFFs Rosamund and Caroline as together they learn what it means to be the hero of your own story.

Psychoanalysis on the Move: The Work of Joseph Sandler provides a comprehensive and accessible overview of Sandler's contribution to the development of psychoanalysis. The contributors trace the development of the main themes and achievements of Sandler's work, in particular his focus on combining psychoanalytic theory and clinical practice.