A South London Borstal Boys Tales

This book is a true life account of my past to present life. Spending time in prison amongst the criminal underworld for most of my life.

Masculine assertions, whether of verbal command, political power or physical violence, have formed the traditional subject matter of history. This volume combines current discussions in sexual politics with historical analysis to demonstrate that, far from being natural and monolithic, masculinity is an historical and cultural construct, with varied, competing and above all changing forms.

1979. The dawn of Thatcher’s Britain. It’s a country crippled by strikes, joblessness and economic gloom, divided by race and class - and skanking to a new beat: 2-Tone. The unruly offspring of white boy punk and rude boy ska, the new music’s undeniable leaders were The Specials. Bursting out of Coventry’s concrete jungle, their lyrics spoke of failed marriages, petty violence, crowded dance floors, gangsters and race hate - but with a wit that outshone their angry punk forebears. On stage they were electric, and at the heart of this energy was the vocal chemistry of the ethereal Terry Hall and Jamaican rude boy Neville Staple. In 1961, aged only five, Neville was sent to England to live with his father – a man for whom discipline bordered on child abuse. Growing up black in the Midlands of the Sixties and Seventies wasn’t easy, but then Nev was hardly an angel. His youth was marked by scuffles with skins, compulsive womanising, and a life of crime that led from shoplifting to burglary and eventually borstal and Wormwood Scrubs. But throughout there was music, and now Nev tells how a very bad boy became part of the most important band of the Eighties. He remembers sound system battles; the legendary 2-Tone tour with The Selecter, Madness and Dexy’s – and their clashes with NF thugs. He recalls the band’s increasing tensions and eventual split; his subsequent foray into bubblegum pop with Fun Boy Three; and a new found fame in America, as godfather to bands like Gwen Stefani’s No Doubt. Finally he reflects on The Specials’ reunion and how even now, thirty years on, they can’t help tearing themselves apart.Raucous and charming Original Rude Boy is the story of a man who done too much, much too young. Neville Staple was a frontman with The Specials, a member of the hugely successful pop trio Fun Boy Three and now tours the world with own his own ska act The Neville Staple Band. Visit him at: www.nevillestaple.co.uk Tony McMahon is a journalist and TV producer living in south London.

Vols. 1897-1916 published in 1920, which included obituaries of those who died up to Sept. 15, 1915, was reissued in 1929 with title-page 1897-1915 and included addenda giving details of additional death 1897 to the end of 1915 which had no previously come to the attention of the editor.

'I have him bitched, balloxed and bewildered, for there's a system and a science in taking the piss out of a screw and I'm a well-trained man at it.' So writes Brendan Behan, poet, writer and literary legend, of the episode that coloured his life. Arrested in Liverpool as an agitator for the IRA, he was tried and sent to reform school. He was sixteen years old. The world he entered was brutal and coldly indifferent. Conditions were primitive, and violence simmered just below the surface. Yet Brendan Behan found something more positive than hate in Borstal: friendship, solidarity and healing flashes of kindness. Extraordinarily vivid, fluent, and moving, this is a superb and unforgettable piece of writing. Borstal Boy was adapted into a film in 2000.

An annual biographical dictionary, with which is incorporated "Men and women of the time."