A Specially Tender Piece Of Eternity

A Specially Tender Piece of Eternity examines Virginia Woolf's treatment of time both as a theme of her works and as an essential element in her experimental narrative techniques. By drawing on both stylistic analysis and philosophy, Teresa Prudente investigates Paul Riceour's concept of a-linear time within Woolf's work, as both the possibility for the subject to enter a timeless temporal dimension (in Orlando and To the Lighthouse) and as a tragic alteration and separation from reality (in Mrs. Dalloway). Through the examination of the meta-narrative elements in Woolf's novels, and of her original employment of interior monologue and free indirect speech, Prudente redefines and reassesses Woolf's experiments in narrative that challenged ineffability while recreating moments of ecstasy. Book jacket.

To the Lighthouse, considered by many to be Virginia Woolf's finest novel, is a remarkably original work, showing the thoughts and actions of the members of a family and their guests on two separate occasions, ten years apart. The setting is Mr and Mrs Ramsay's house on a Scottish island, where they traditionally take their summer holidays, overlooking a bay with a lighthouse. An experimental work that pushes the limits of what we know about the world and ourselves, Virginia Woolf's To the Lighthouse is one of the most beautifully crafted of all novels written in the English language. This Macmillan Collector’s Library edition features an afterword by Sam Gilpin. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

An important discussion of Moltmann's work on eschatology, to which Moltmann himself has contributed responses and new e

The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.

During The Last Few Centuries Women Writers Have Considerably Widened And Deepened The Areas Of Human Experience With Their Sharp, Feminine Perception Of Life Successfully Transmuted Into Verbal Artifact. The World Body Of Literature In English Would Have Been Much Poorer Today But For The Contribution Of Women Writers. The New Series Studies In Women Writers In English Is A Grateful Acknowledgment Of That Contribution And Public Recognition Of Their Voice.The Twenty-Three Essays Included In This Fourth Volume Of The Series Cover A Wide Spectrum Of Women Writers Across Space And Time. The Women Writers Discussed In This Volume Include Five From Britain: Mary Shelley, Charlotte Brontë, George Eliot, Doris Lessing, And Of Course Virginia Woolf, The Twentieth Century Stalwart Of British Novel, Who Has Left Her Indelible Mark On The Art Of Fiction As Well As On Women Writers And Feminist Thinkers Of The Subsequent Decades. We Also Get A Glimpse Of The Entire Corpus Of Writers Engaged With The Feminist Theatre Of America Today, In Addition To Two African-American Talents, I.E. Toni Morrison, The Nobel Laureate For Literature In 1993, And Alice Walker, The Eminent Black American Woman Writer, And A Host Of Contemporary Indian Writers, Particularly With Reference To Their Recent Work, Including Shashi Deshpande, Anita Desai, Shobhaa De, Manju Kapur, Nayantara Sahgal, As Well As Two Émigré Indian Writers Bharati Mukherjee And Jhumpa Lahiri.Since Most Of The Authors Discussed In These Articles Are Prescribed In The English Syllabus In The Universities Of India, Both The Teachers And The Students Will Find Them Extremely Useful, And The General Readers Who Are Interested In Literature In English And/Or Women Writers Will Also Find Them Intellectually Stimulating.

Taste, perhaps the most intimate of the five senses, has traditionally been considered beneath the concern of philosophy, too bound to the body, too personal and idiosyncratic. Yet, in addition to providing physical pleasure, eating and drinking bear symbolic and aesthetic value in human experience, and they continually inspire writers and artists. Carolyn Korsmeyer explains how taste came to occupy so low a place in the hierarchy of senses and why it is deserving of greater philosophical respect and attention. Korsmeyer begins with the Greek thinkers who classified taste as an inferior, bodily sense; she then traces the parallels between notions of aesthetic and gustatory taste that were explored in the formation of modern aesthetic theories. She presents scientific views of how taste actually works and identifies multiple components of taste experiences. Turning to taste's objects—food and drink—she looks at the different meanings they convey in art and literature as well as in ordinary human life and proposes an approach to the aesthetic value of taste that recognizes the representational and expressive roles of food. Korsmeyer's consideration of art encompasses works that employ food in contexts sacred and profane, that seek to whet the appetite and to keep it at bay; her selection of literary vignettes ranges from narratives of macabre devouring to stories of communities forged by shared eating.

“Great art discovers for us who we are,” writes eminent literature professor and critic Arnold Weinstein in this magisterial new book about how we can better uncover and understand our own stories by reading five major modern writers. Professor Weinstein, author of the highly acclaimed A Scream Goes Through the House, has spent a lifetime guiding students through the work of great writers, and in a volume that crowns his career, Weinstein invites us to discover ourselves–our perceptions, our dreams, our own elusive, deepest stories–in the masterpieces of modernist fiction. Marcel Proust, James Joyce, Virginia Woolf, William Faulkner: the very names sound intimidating. Yet as Weinstein argues with wit and passion, the works of these authors, and of their contemporary heir Toni Morrison, are in fact shimmering mirrors of our own inner world and most intimate thoughts. Novels such as Remembrance of Things Past, Ulysses, Mrs. Dalloway, To the Lighthouse, The Sound and the Fury, Absalom, Absalom!, and Beloved allow us to explore the inner worlds of human feeling and bring us face-to-face with our own deepest selves and desires. Weinstein decodes these great novels, and he shows how to read them to understand human beings–the way our minds and hearts actually work. This is what Weinstein means by “recovering your story.” Weinstein illuminates the complex pleasures woven into these peerless narratives. Beneath the slow, sensual cadences of Proust he finds an edgy erotic tension as well as a remarkably crisp depiction of the timeless world inside the self. Joyce’s Ulysses, in Weinstein’s brilliantly original reading, is a protean linguistic experiment that forces us to view both our bodies and our minds in a radically new–and hilariously funny–light. His analysis of Virginia Woolf’s Mrs. Dalloway and To the Lighthouse circles back again and again on Woolf’s depiction of the importance of relationships in knowing the self. Faulkner, argues Weinstein, is at once our greatest tragedian and our darkest comedian, a novelist who captures both the agony and absurdity of consciousness in a time of social and moral disintegration. Finally, in Toni Morrison’s Beloved, Weinstein explores the legacy of modernism in a contemporary novel, as Morrison brings the body into the literary picture, confronting how the body affects not only our fundamental concept of self, but also consciousness itself. In this magnificent work of literary appreciation and exploration, Weinstein makes the astonishing discovery of the self as a part of the joy of reading great modernist fiction, even as he makes these powerful works understandable, accessible, indeed imperative for all adventurous readers.

The essays in this collection examine philosophical, religious, and literary or artistic texts using methodologies and insights that have grown out of reflection on literature and art. In them, them phrase “material spirit” becomes a point of departure for considering the continuing spectral effects of religious texts and concerns in ways that do not simply call for, or assume, new orrenewed forms of religiosity. The writers in this collection seek to examine religion beyond traditional notions of transcendence: Their topics range from early Christian religious practices to global climate change. Some of the essays explore religious themes or tones in literary texts, for example, works by Wordsworth, Hopkins, Proust, Woolf, and Teresa of Avila. Others approach—in a literarycritical mood—philosophical or para-philosophical writers such as Bataille, Husserl, Derrida, and Benjamin. Still others treat writers of a more explicitly religious orientation, such as Augustine, Rosenzweig, or Bernard of Clairvaux.