A Study In Death

Dr Roger Harvey, a high-flyer headed for the academic first division, has pursued his career and women with equal passion. But now he's just another murder statistic; his body has been lying in his flat for four days when a small-time burglar literally stumbles over it on his way out with the stereo. DS Ian Kerr and DCI Jacobson of Crowby CID can discern no obvious motive. Harvey didn't do serious drugs or have a criminal record. Not even Harvey's closest friends, John Kent and his beautiful wife, Annie, seem able to throw any light on the situation. Despite Jacobson's dependence on booze and fags, and the fact that Kerr's marriage is disintegrating faster than his boss's liver, the two men are experienced policemen. But to solve the case they have to untangle the dark threads of a mystery which threatens to unravel in seemingly every direction . . .

Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying.

From the national bestselling author of A Brush with Shadows comes a riveting historical mystery featuring a most “unusual and romantic”* female sleuth—Lady Kiera Darby. Scotland, 1831. Lady Kiera Darby is thrilled to have found both an investigative partner and a fiancé in Sebastian Gage. But with her well-meaning sister planning on making their wedding the event of the season, Kiera could use a respite from the impending madness. After she’s commissioned to paint the portrait of Lady Drummond, Kiera is shocked to find her client prostrate on the floor. Both a physician and Lord Drummond appear satisfied to rule her death natural, but Kiera is convinced that poison is the real culprit. Now, armed only with her knowledge of the macabre and her convictions, Kiera intends to discover the truth—no matter what, or who, stands in her way… *Judith Rock

The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.

What is death? Do people survive death? What do we mean when we say that someone is "dying"? Presenting a clear and engaging discussion of the classic philosophical questions surrounding death, this book studies the great metaphysical and moral problems of death. In the first part, Feldman shows that a definition of life is necessary before death can be defined. After exploring several of the most plausible accounts of the nature of life and demonstrating their failure, he goes on to propose his own conceptual scheme for death and related concepts. In the second part, Feldman turns to ethical and value-theoretical questions about death. Addressing the ancient Epicurean ethical problem about the evil of death, he argues that death can be a great evil for those who die, even if they do not exist after death, because it may deprive them of the goods they would have enjoyed if they had continued to live. Confrontations with the Reaper concludes with a novel consequentialist theory about the morality of killing, applying it to such thorny practical issues as abortion, suicide, and euthanasia.

Examines conceptions of death as manifested in German literature and philosophy expanding on thanatological theories that distinguish between a metaphysical and an ontological view of human finitude. This book addresses the French philosophical treatment of death by Blanchot, Kojeve, and others in the wake of their German predecessors.

Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the "International Library of Psychology" series is available upon request.