A Tropical Place Like That

More information to be announced soon on this forthcoming title from Penguin USA.

Curtis Robinson and Tina Robinson are keen explorers and embark on an adventure cruise to Barbados.They decide to explore the rainforests of Barbados but when Curtis discovers he has lost his map and compass, how will they find their way back?There are many things to discover in Barbados, their cuisine and sports from yachting, to snorkeling and touring the beautiful paradise island. Curtis and Tina are going to have a classic adventure.

Come join the journey as a child of the 1960s sails from the mainland to the tropical island to the Amazon River and beyond in search of her purpose and identity. Connecting with wonderful people, and some peculiar ones, beautiful lands, deep waters, and even deeper spiritual struggles, she finally finds what she is looking for. Come along on this crazy, true adventure to discover the treasure she finally found that changed her life.

In Tropical Renditions Christine Bacareza Balance examines how the performance and reception of post-World War II Filipino and Filipino American popular music provide crucial tools for composing Filipino identities, publics, and politics. To understand this dynamic, Balance advocates for a "disobedient listening" that reveals how Filipino musicians challenge dominant racialized U.S. imperialist tropes of Filipinos as primitive, childlike, derivative, and mimetic. Balance disobediently listens to how the Bay Area turntablist DJ group the Invisibl Skratch Piklz bear the burden of racialized performers in the United States and defy conventions on musical ownership; to karaoke as affective labor, aesthetic expression, and pedagogical instrument; to how writer and performer Jessica Hagedorn's collaborative and improvisational authorial voice signals the importance of migration and place; and how Pinoy indie rock scenes challenge the relationship between race and musical genre by tracing the alternative routes that popular music takes. In each instance Filipino musicians, writers, visual artists, and filmmakers work within and against the legacies of the U.S./Philippine imperial encounter, and in so doing, move beyond preoccupations with authenticity and offer new ways to reimagine tropical places.

Attempts to halt the destruction of rain forests and other natural habitats in the tropics have met with little success. In particular, national parks, like those found in wealthy nations, have proven difficult to establish in Africa, Asia, and South and Central America. More often than not, people inhabiting areas designated for protection resist being told by outsiders that they must change how and where they live. Alternative approaches, frequently embodied in integrated conservation and development projects (ICDPs), are now being pursued. The goal is to address local communities' desires for improved standards of living while simultaneously meeting conservation objectives. Nature-based tourism and sustainable harvesting of forest products are the centerpieces of ICDPs and related initiatives. This book assesses the viability of conservation strategies predicated on the adoption of environmentally sound enterprises in and around threatened habitats. Drawing on research in Brazil, Costa Rica, Ecuador and Peru and on his extensive experience working in South and Central America and the Caribbean, the author demonstrates that it is rare for forest dwellers to derive much benefit from ecotourism, the extraction of timber and other commodities, or the collection of samples used in pharmaceutical research. Often these activities are simply unprofitable. Even when they are profitable, the benefits tend not to accrue locally, but instead are captured by outside firms and individuals who can provide important services like safe and reliable transportation. The author contends that human capital formation and related productivity-enhancing investment is the only sure path to economic progress and habitat conservation.