A Very Dangerous Woman

Moura Budberg: spy, adventurer, charismatic seductress and mistress of two of the century’s greatest writers, the Russian aristocrat Baroness Moura Budberg was born in 1892 to indulgence, pleasure and selfishness. But after she met the British diplomat and secret agent Robert Bruce Lockhart, she sacrificed everything for love, only to be betrayed. When Lockhart arrived in Revolutionary Russia in 1918, his official mission was Britain’s envoy to the new Bolshevik government, yet his real assignment was to create a network of agents and plot the downfall of Lenin. Lockhart soon got to know Moura and they began a passionate affair, even though Moura was spying on him for the Bolsheviks. But when Lockhart’s plot unravelled, she would forsake everything in an attempt to protect him from Lenin’s secret police. Fleeing to a life of exile in England and taking a string of new lovers, including Maxim Gorky and H. G. Wells, Moura later spied for Stalin and for Britain amidst the web of scandal surrounding the Cambridge spies. Through all this she clung to the hope that Lockhart would finally return to her. Grippingly narrated, this is the first biography of Moura Budberg to use the full range of previously unexamined letters, diaries and documents. An incredible true story of passion, espionage and double crossing that encircled the globe, A Very Dangerous Woman brings her extraordinary world vividly to life with dramatic resonances to rival the most sensational novel.

The first biography of a pioneering women's rights activist; A very dangerous woman is what Martha Coffin Wright's conservative neighbors considered her, because of her work in the women's rights and abolition movements. In 1848, Wright and her older sister Lucretia Mott were among the five brave women who organized the historic Seneca Falls Women's Rights Convention. Wright remained a prominent figure in the women's movement until her death in 1875 at age sixty-eight, when she was president of the National Woman Suffrage Association. At age twenty-six, she attended the 1833 founding of the American Anti-Slavery Society and later presided over numerous antislavery meetings, including two in 1861 that were disrupted by angry antiabolitionist mobs. Active in the Underground Railroad, she sheltered fugitive slaves and was a close friend and supporter of Harriet Tubman. In telling Wright's story, the authors make good use of her lively letters to her family, friends, and colleagues, including Susan B. Anthony and Elizabeth Cady Stanton. nineteenth-century reform and family life. Her correspondence with slaveholding relatives in the South grew increasingly contentious with the approach of the Civil War. One nephew became a hero of the Confederacy with his exploits at the Battle of Fredericksburg, and her son in the Union artillery was seriously wounded at Gettysburg while repelling Pickett's Charge. Wright's life never lacked for drama. She survived a shipwreck, spent time at a frontier fort, experienced the trauma of the deaths of a fiance, her first husband, and three of her seven children, and navigated intense conflicts within the women's rights and abolition movements. Throughout her tumultuous career, she drew on a reservoir of humor to promote her ideas and overcome the many challenges she faced. This accessible biography, written with the general reader in mind, does justice to her remarkable life.

An intimate and inspiring memoir and call to action from Pat Mitchell -- groundbreaking media icon, global advocate for women's rights, and co-founder and curator of TEDWomen Pat Mitchell is a serial ceiling smasher. The first woman to own and host a nationally syndicated daily talk show, and the first female president of CNN productions and PBS, Mitchell has been lauded as a powerful changemaker and a relentless advocate for women and girls. In Becoming a Dangerous Woman, Mitchell shares her own path to power, from a childhood spent on a cotton farm in the South to her unprecedented rise in media and global affairs. Full of intimate, fascinating stories, such as an encounter with Fidel Castro while wearing a swimsuit, and traveling to war zones with Eve Ensler and Glenn, Becoming a Dangerous Woman is an inspiring call to arms for women who are ready to dismantle the barriers they see in their own lives.

The “compelling, suspenseful” novel of a vulnerable misfit in a small town by the New York Times–bestselling author of Light from a Distant Star (Publishers Weekly). Named one of the five best novels of the year by Time magazine, A Dangerous Woman is the story of the damaged and emotionally unstable Martha Horgan, an outcast in her small Vermont town. She stares; she has violent crushes on people; and, perhaps most unsettling of all, she cannot stop telling the truth. After a traumatic experience during her teenage years, the thirty-two-year-old now craves love and companionship, but her relentless honesty makes her painfully vulnerable to those around her: Frances, her wealthy aunt and begrudging guardian; Birdy Dusser, who befriends her and then cruelly rejects her; and Colin Mackey, the seductive man who preys on her desires. Confused and bitter, distrusting even those with her best interests at heart, Martha is slowly propelled into a desperate attempt to gain control over her own life. The National Book Award–nominated author of Songs in Ordinary Time tells a tale of unnerving suspense and terrifying psychological insight that is “at once thrilling and deeply affecting” (The New York Times).

The World Fantasy Award-winning collection of stories featuring the best and the bravest females across genre fiction. All new and original to this volume, the 21 stories in Dangerous Women include work by twelve New York Times bestsellers, and seven stories set in the authors' bestselling continuities-including a new Outlander story by Diana Gabaldon, a tale of Harry Dresden's world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and a 35,000-word novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones. Also included are original stories of dangerous women--heroines and villains alike--by Brandon Sanderson, Joe Abercrombie, Sherrilyn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others. Writes Gardner Dozois in his Introduction, "Here you'll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you'll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors, intrepid women fighter pilots and far-ranging spacewomen, deadly female serial killers, formidable female superheroes, sly and seductive femmes fatale, female wizards, hard-living Bad Girls, female bandits and rebels, embattled survivors in Post-Apocalyptic futures, female Private Investigators, stern female hanging judges, haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths, daring dragonriders, and many more." At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

It was said that she had the good manners of a respectable upper servant but was far too young to have been pensioned; that she spoke as if she had received and education, but knew the costers' slang as if she were born-and-bred to it; and that she not only had no husband - which was a commonplace on Leather Lane - but seemed never to have possessed one...' When the mysterious Sarah Tanner opens her Dining and Coffee Rooms on the corner of Leather Lane and Liquorpond Street, her arrival amongst the poor market-traders causes something of a stir. Few doubt that she has 'a past'; no-one could have predicted how it will return to haunt her... When an old friend is brutally murdered, Sarah Tanner is the only witness. Unable to turn to the police, she finds herself drawn back into the dark underworld of the Victorian metropolis... Relying on her wits, and trading on her past, Sarah Tanner risks her own life on a desperate quest for justice and vengeance.

Named one of 2021’s Most Anticipated Historical Novels by Oprah Magazine ∙ Cosmopolitan ∙ and more! Nearly two hundred condemned women board a transport ship bound for Australia. One of them is a murderer. From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive. London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. They're daughters, sisters, mothers—and convicts. Transported for petty crimes. Except one of them has a deadly secret, and will do anything to flee justice. As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again. Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? Because far from land, there is nowhere to flee, and how can you prove innocence when you’ve already been found guilty?

What does it mean for the Sun to call Shami Chakrabarti ‘the most dangerous woman in Britain’ or the Daily Mail to label Nicola Sturgeon ‘the most dangerous wee woman in the world’? What, really, does it mean to be a dangerous woman? This powerful anthology presents fifty answers to that question, reaching past media hyperbole to explore serious considerations about the conflicts and power dynamics with which women live today. In Dangerous Women, writers, artists, politicians, journalists, performers and opinion-formers from a variety of backgrounds – including Irenosen Okojie, Jo Clifford, Bidisha, Nada Awar Jarrar, Nicola Sturgeon and many more – reflect on the long-standing idea that women, individually or collectively, constitute a threat. In doing so, they celebrate and give agency to the women who have been dismissed or trivialised for their power, talent and success – the women who have been condemned for challenging the status quo. They reclaim the right to be dangerous.