A Vision Of The Orient

Best known as the story from the 1904 Puccini opera, the compelling modern myth of Madame Butterfly has been read, watched, and re-interpreted for many years. This volume examines the Madame Butterfly narrative in a variety of cultural contexts - literary, musical, theatrical, cinematic, historical, and political.

Inspired by the growing interest in oriental countries and cultures, Hasan Baktir examines the representation of the "Ottoman Orient" in 18th century English literature, taking a new perspective to achieve a comprehensive understanding and investigating different aspects of the interaction between the Ottoman Orient and 18th century Europe.A number of questions continue to arise in the wake of Said's 1978 landmark study, "Orientalism". How monodirectional was the flow of power in such representations? To what extent did the travelling observer also participate and become influenced by the phenomena he tried to depict without attachment? What variety of motivations lay behind the desire to know and represent the Oriental other -- was it simply a question of political control? Or were there deeper, more enigmatic factors at play -- sexuality, existential affirmation, even utter idiosyncrasy? How various and diverse was the Western response to the East -- can we discern degrees of sympathy, knowledge, and difference in the various Orients offered to us by the canonical and non-canonical figures of 18th century English letters? Baktir's study provides answers to many aspects of these questions, through a detailed examination of very different texts.Baktir does not completely reject Said's argument that European writers created a separate discourse to represent the Orient; rather, he shows us that there was also a dialogic and negotiating tendency which did not make a radical distinction between the East and the West. Relying his argument on 18th century pseudo-oriental letters, oriental tales, and oriental travelogues, Baktir demonstrates that the representation of the Ottoman Orient in 18th century English literature differs essentially from earlier centuries because a developing critical and liberal spirit established a negotiation between the two worlds. In this book, he indicates how the critical and inquisitive spirit of the age of Enlightenment interanimated Oriental and European cultures.

In the decades before the establishment of the State of Israel, striking images of Palestine circulated widely among Jewish Americans. These images visualized "the Orient" for American viewers, creating the possibility for Jewish Americans to understand themselves through imagining "Oriental" counterparts. In The Hebrew Orient, Jessica L. Carr shows how images of the Holy Land made Jewish Americans feel at home in the United States by imagining "the Orient" as heritage. Carr's analyses of periodicals from Hadassah and the Zionist Organization of America, art calendars from the National Federation of Temple Sisterhoods, the Jewish Encyclopedia, and the Jewish exhibit at the 1933 World's Fair are richly illustrated. What emerges is a new understanding of the place of Orientalism in American Zionism. Creating a narrative about their origins, Jewish Americans looked east to understand themselves as Westerners.

The Islamic Orient studies the travel accounts of four British travelers during the nineteenth century. Through a critical analysis of these works, the author examines and questions Edward Said’s concept of "Orientalism" and "Orientalist" discourse: his argument that the orientalist view had such a strong influence on westerners that they invariably perceived the orient through the lens of orientalism. On the contrary, the author argues, no single factor had an overwhelming influence on them. She shows that westerners often struggled with their own conceptions of the orient, and being away for long periods from their homelands, were in fact able to stand between cultures and view them both as insiders and outsiders. The literary devices used to examine these writings are structure, characterization, satire, landscape description, and word choice, as also the social and political milieu of the writers. The major influences in the author’s analysis are Said, Foucault, Abdel-Malek and Marie Louise Pratt.

What is Sufism? Contemporary views vary tremendously, even among Sufis themselves. Contemporary Sufism: Piety, Politics, and Popular Culture brings to light the religious frameworks that shape the views of Sufism’s friends, adversaries, admirers, and detractors and, in the process, helps readers better understand the diversity of contemporary Sufism, the pressures and cultural openings to which it responds, and the many divergent opinions about contemporary Sufism’s relationship to Islam. The three main themes: piety, politics, and popular culture are explored in relation to the Islamic and Western contexts that shape them, as well as to the historical conditions that frame contemporary debates. This book is split into three parts: • Sufism and anti-Sufism in contemporary contexts; • Contemporary Sufism in the West: Poetic influences and popular manifestations; • Gendering Sufism: Tradition and transformation. This book will fascinate anyone interested in the challenges of contemporary Sufism as well as its relationship to Islam, gender, and the West. It offers an ideal starting point from which undergraduate and postgraduate students, teachers and lecturers can explore Sufism today.

This book explores how the Romantic poetry of Byron, Shelley, and Keats engages with tales and themes of the Orient.

Salafism is a fundamentalist Sunni vision of Islam that is growing in popularity in many countries. In this book, Mohamed-Ali Adraoui focuses on quietist Salafism, which he calls a study in contradictions. Strongly opposed to political action, terrorism, and the overthrow of established regimes, quietist Salafism insists on restructuring Islamic norms with the fervor of a revivalist and fundamentalist ethic. Quietist Salafis seek the purification of culture and religious renewal through a "de-militantization" of the Islamic corpus. Adraoui explores the Salafis' individual trajectories, their relationship with politics, and their vision of the world and of modernity, in order to understand how quietist Salafis negotiate their social identities and religious obligations in the Western context. What does the increasing presence of Islamic movements in the global space mean? Adraoui draws parallels between the French case and that of Muslim countries, and argues that the spread of quietist Salafism is partially a result of the foreign policy of Saudi Arabia. Quietist Salafism, he argues, is resonant of Saudi Arabia's efforts to promote a legitimist, anti-anarchist, and counter-revolutionary conception of Islam, after having long legitimized and reinforced the Islamist forces and Jihadist movements when it was in its geopolitical interests to do so. Salafism Goes Global sheds light on a dynamic of globalization that is taking place in the margins.