A Volunteer Nurse On The Western Front

Starring Oona Chaplin as a V.A.D. (Voluntary Aid Detachment), and Suranne Jones and Hermione Norris as trained nurses, The Crimson Field is a gripping drama set in a tented hospital on the coast of France, where plucky real-life V.A.D. Olive Dent served two years of the Great War, and kept this extraordinarily vivid diary of day-to-day life – ever cheerful through the bitter cold, the chilblains, hunger and exhaustion. Resilient, courageous and resourceful, nurses, doctors and patients alike do their best to support each other. A Christmas fancy-dress ball, a concert performed by a stoic orchestra covered in bandages, church services held in a marquee and letters from Blighty all keep spirits up in camp, as wounded soldiers suffer terribly with quiet dignity on the makeshift wards, and nurses rush round tirelessly to make them as comfortable as possible. With original illustrations throughout by fellow V.A.D.s, Olive’s memoir is a fascinating period piece, a rare first-hand account of this little-known story, which will resonate very strongly with viewers of The Crimson Field.

World War I is regarded as the first modern war, driven by fearful new technologies of mechanized combat. The unprecedented carnage rapidly advanced military medicine, transforming the nature of wartime caregiving and paving the way for modern nursing practice. Drawing on firsthand accounts of American nurses, as well as their Canadian and British counterparts, historian Paul E. Stepansky describes nurses' encounters with devastating new forms of injury--wounds from high-explosive artillery shells, poison gas burns, "shell shock," the Spanish Flu. Comparing nursing practice on the western front with nursing care during the American Civil War, the Spanish-American War, and the Anglo-Boer War, the author is especially attentive to the emergent technologies employed by nurses of the Great War.

By 1915, the Western Front was a 450-mile line of trenches, barbed wire and concrete bunkers, stretching across Europe. Attempts to break the stalemate were murderous and futile. Censorship of the press was extreme--no one wanted the carnage reported. Remakably, the Allied command gave two intrepid American women, Edith Wharton and Mary Roberts Rinehart, permission to visit the front and report on what they saw. Their travels are reconstructed from their own published accounts, Rinehart's unpublished day-by-day notes, and the writings of other journalists who toured the front in 1915. The present authors' explorations of the places Wharton and Rinehart visited serves as a travel guide to the Western Front.

This book provides an overview of the history of allied medicine in the Great War. Based on both primary research and secondary literature, it offers a clear and concise account of medical treatment during the Great War, exploring the advancements of the period and the human experience of the medical war.As well as covering European medical work, the book draws on a range of American primary sources and texts in order to address the American medical experience of the First World War, an area that has been neglected by the existing literature. This is an accessible exploration of the medical war, the people involved, and its impact. It is an essential text for undergraduate and postgraduate students of history taking courses on medicine in war, the history of medicine or the Great War.

They stare back at us from the pages of books and photographs; their stories are known to historians, but to many they represent a relative who, to quote one old Veteran, ‘saw the Great War in colour.’ While the photographs of male relatives, staring out from history in the uniforms of their country's armed forces, are well known and rightly treasured, there are fewer photographs, and much less known, about the women who also donned uniforms and work clothes and also ‘saw the Great War in colour.’ An equal number of women answered the call and volunteered to serve both at home and abroad. The women of Great Britain and her Empire served in organisations such as The First Aid Nursing Yeomanry (FANY), Dr Munro’s Flying Ambulance Corps, Queen Mary’s Army Auxiliary Corps (QMAAC), and the Voluntary Aid Detachment (VAD). All provided ambulance drivers, nurses, clerical staff, and Imperial War Graves Commission gardeners and all served with distinction on the Western Front, Mesopotamia and Gallipoli,. On the home front women proved they were more than capable of carrying out work once thought only suitable for men. These jobs varied from bus conducting, policing, mining, construction, and farming. One occupation stands out, that of the munition worker, or munitionette. Without women filling hand grenades, sea mines, and artillery shells with explosives it is likely Britain would have found itself on the losing side of the Armistice in 1918. This book will only follow a few characters and stories, but will provide names of places to help those looking to follow the exploits of these and other women, and pinpoint some of the munition factories that have now disappeared under Tesco car parks or business centres.

An examination of private narratives of loss in wartime and publicly legitimized forms of grieving. Drawing on sources such as diaries, poetry and weblogs and using gender as an analytic category, the book looks at men's and women's experiences of war 'at home' and 'at the front' and spans the two World Wars, the Vietnam War and the war in Iraq.

A man investigates the deaths of his fellow veterans in this “haunting and beautifully written” novel of post–World War I England (C. S. Harris, author of the Sebastian St. Cyr Mysteries). London, 1920. In the aftermath of the Great War and a devastating family tragedy, Laurence Bartram has turned his back on the world. But with a well-timed letter, an old flame manages to draw him back in. Mary Emmett’s brother, John—like Laurence, an officer during the war—has apparently killed himself while in the care of a remote veterans’ hospital, and Mary needs to know why. Aided by his friend—a dauntless gentleman with detective skills cadged from mystery novels—Laurence begins asking difficult questions. What connects a group of war poets, a bitter feud within John’s regiment, and a hidden love affair? Was his friend’s death really a suicide, or the missing piece in a puzzling series of murders? As veterans tied to John continue to turn up dead, and Laurence is forced to face the darkest corners of his own war experiences, his own survival may depend on uncovering the truth. At once a compelling mystery and an elegant literary debut, The Return of Captain John Emmett blends psychological depth with suspenseful storytelling that calls to mind the golden age of British crime fiction, “full of jolting revelations and quiet insights” (The Wall Street Journal). “A captivating wartime whodunit.” —The Boston Globe