A War Guest In Canada

During the Second World War, hundreds of children were sent from the UK to stay with family and friends in Canada as “war guests.” This book collects the letters of one such war guest, young W.A.B (Alec) Douglas, who wrote from his wartime home in Toronto to his mother back home in London. Alec wrote home every week, although sometimes he forgot to post his letters, and they were delayed, and some letters did not get through. Occasionally his godmother and host, Mavis Fry, would add comments and write her own more detailed letters. Also included are letters from Lillian Kingston, who brought Alec to North America in 1940. This is a story of exposure, at an impressionable age, to ocean passage in wartime, the sights and sounds of New York, the totally new and unfamiliar world of Canada, the wonderful excitement of passage home in a Woolworth Aircraft Carrier as a "Guest of the Admiralty," and his eventful return to a world he had left behind three years before. A War Guest in Canada includes a foreword by Cynthia Comacchio and an introduction by Roger Sarty.

It is the summer of 1940, and all of England fears an invasion by Hitler’s army. Norah lies in bed listening to the anxious voices of her parents downstairs. Then Norah is told that she and her brother, Gavin, are being sent to Canada. The voyage across the ocean is exciting, but at the end of it Norah is miserable. The rich woman who takes them in prefers Gavin to her, the children at school taunt her, and as the news from England becomes worse, she longs for home. As Norah begins to make friends, she discovers a surprising responsibility that helps her to accept her new country.

Sky Is Falling It is the summer of 1940, and all of England fears an invasion by Hitler’s army. Still, ten-year-old Norah Stoakes is shocked when her parents decide to send her and her younger brother Gavin to Canada as war guests. Travelling across the ocean is an adventure, but Norah’s new life in Canada is a bigger challenge than she ever expected. Until, that is, Norah discovers a surprising responsibility that helps her accept her new country and her new home. Looking at the Moon Norah has lived in Canada with the Ogilvies for three years when an Ogilvie cousin comes to spend the summer. Andrew is nineteen, handsome and intelligent, and Norah thinks she may be falling in love for the first time. But even now the war threatens to ruin her happiness... The Lights Go on Again It has been five years since Norah and Gavin arrived in Canada and now that the war is ending, they will soon be going back to England. Norah is eager to see her parents again, but ten-year-old Gavin barely remembers them. He doesn’t want to leave his Canadian family, his two best friends and his dog. Then something happens that forces Gavin to make the most difficult decision of his life.

When a frightened girl and boy arrive on the Twiss family's doorstep to escape the Blitz, Charlotte wonders how she will keep her war guests from missing their parents back home, or from cowering every time a plane flies overhead. Though the war is being waged across the Atlantic, Charlotte begins to feel its danger, as her brother George defies their parents and enlists in the Navy. After months of receiving letters from overseas, suddenly there is no word from him -- has the unthinkable happened and George's ship been sunk by a German submarine? Charlotte Twiss's diary shows her innermost feelings about her life on the Canadian homefront, as she helps her war guests "settle in" and wonders whether her brother is safe from harm.

Norah, an English "war guest" living with the wealthy Ogilvie family in Toronto, can hardly wait for August. She'll spend it at the Ogilvie's lavish cottage in Muskoka—a whole month of freedom, swimming, adventures with her "cousins"... But this isn't an ordinary summer. It's 1943, and the war is still going on. Sometimes Norah can't even remember what her parents look like—she hasn't seen them in three years. And she has turned thirteen, which means life seems to be getting more complicated. Then a distant Ogilvie cousin, Andrew, arrives. He is nineteen, handsome, intelligent, and Norah thinks she may be falling in love for the first time. But Andrew has his own problems: he doesn't want to fight in the war, and yet he knows it's what his family and friends expect of him. What the two of them learn from each other makes for a gentle, moving story, the second book in a trilogy that began with the award-winning The Sky Is Falling.

A Nation at War brings together a collection of sixty-two essays covering all aspects of the Canadian experience in the Second World War. It is a readable and authoritative introduction to both the historical narrative and the interpretive debates by the best selling author of Fields of Fire and Cinderella Army. Published by the Laurier Centre for Military, Strategic and Disarmament Studies and distributed by Wilfrid Laurier University Press.

Terry Copp’s tireless teaching, research, and writing has challenged generations of Canadian veterans, teachers, and students to discover an informed memory of their country’s role in the Second World War. This collection, drawn from the work of Terry’s colleagues and former students, considers Canada and the Second World War from a wealth of perspectives. Social, cultural, and military historians address topics under five headings: The Home Front, The War of the Scientists, The Mediterranean Theatre, Normandy/Northwest Europe, and The Aftermath. The questions considered are varied and provocative: How did Canadian youth and First Nations peoples understand their wartime role? What position did a Canadian scientist play in the Allied victory and in the peace? Were veterans of the Mediterranean justified in thinking theirs was the neglected theatre? How did the Canadians in Normandy overcome their opponents but not their historians? Why was a Cambridge scholar attached to First Canadian Army to protect monuments? And why did Canadians come to commemorate the Second World War in much the same way they commemorated the First? The study of Canada in the Second World War continues to challenge, confound, and surprise. In the questions it poses, the evidence it considers, and the conclusions it draws, this important collection says much about the lasting influence of the work of Terry Copp. Foreword by John Cleghorn.