A Weasel In The Works

Once again deep upon-a-time in a cold Alaskan semi-wilderness winter, a lonely light breaks a window ... It is the humble author, Ken S Green, up late with inspired fingertips fluttering quietly upon the keyboard ... For posterity and a brighter tomorrow, he plonks out adventurous words documenting the antics of our previously known Mr. Weasel. The cauldron bubbles another pot of tea and under the watchful eyes of household mousy critters, he puts another log on the fire ... Outside, the wind howls with the owls as branches snap, crackle and pop with catchy little tunes ...It is a very squirrelly time of year when Weasels yawn and dream dreams of snacks and nibbles ... There are many of these nibbles to be had and alluring possibilities beckon ... For instance, he wonders, “Is this a truly a house I see before me full of creaks and cracks and trails of crumbs?” There is only one way to find out and so, he must delve into new adventures ... He wonders if he is Weaselly enough for the job ahead ... Apparently so, for with a special card in paw, he makes a run and his activities continue to continue in this latest tail, Book Six of The Weasel Chronicles. Although our hero, Mr. Weasel, is well versed in his own species’ aversion to what has been quietly referred to as “work”, his instinct tells him there should be a Weasel in the Works somewhere, anyway. “It just stands to reason,” he thinks to himself. It is obvious to the casual observer, of course, that this must be so, and so in this All-New Tail, Mr. Weasel races off to find his rightful place in the cosmos. After winning the Winning Card the door is open and off, he goes ... To where? Nobody knows ... Only reading will tell ... So, do not fail, just read this latest enthralling Tail of our magnificent Mr. Weasel, who was brilliantly introduced in Book One ... and memorably re-introduced in Books Two and Three and Four and Five ... is once more superbly re-re-introduced again in Book Six, A Weasel in the Works.

In the world of organized crime the bosses grab the headlines, as the names Capone, Gotti, Bonnano, Cotroni and Rizzuto attest. But a crime family has many working parts and the young mobster known as The Weasel was the epitome of a crucial, invisible cog-the soldier, the muscle, the driver, the gopher. By a quirk of fate, Marvin Elkind-later The Weasel-was placed in the foster home of a tough gangster family, immersing him from the age of nine in a daring world of con men, cheats, bootleggers, loan sharks, bank robbers, leg breakers and Mafia bosses. During a Golden Age of underworld life in New York, Detroit and across Canada, The Weasel found himself working with a surprising cast of colourful characters. He befriended powerful gangsters by smuggling bottles of Scotch to their tables as a waiter at New York's famed Copacabana; he was pushed to be Jimmy Hoffa's chauffeur. But his disenchantment with the broken promises of mob life brought him into another fraternity, one offering the same adrenaline rush, danger and dark comedy he craved. After a startling confrontation, he was embraced by law enforcement, and a cop with a reputation for results. Now a career informant, The Weasel learned he was a far better fink than he ever was a crook. With his impeccable gangland pedigree, enormous girth, cold stare and sausage-like fingers adorned with chunky rings, no one questioned The Weasel's loyalty. The backroom doors were flung open and The Weasel slipped in, bringing undercover cops with him. For case after case over two decades, he worked for the FBI, U.S. Customs, Scotland Yard, RCMP, Ontario Provincial Police and other law enforcement agencies on three continents, trapping and betraying mobsters, mercenaries, spies, drug traffickers, pornographers, union fat cats and corrupt politicians. With unflinching honesty, The Weasel and many of the undercover officers he worked with revealed their successes and failures to award-winning crime reporter and best-selling author Adrian Humphreys. The Weasel is the riveting chronicle of a unique and engaging figure who lived a most dangerous and rare experience. It is a story that was never supposed to be told.

"The quintessential Jack London is in the on-rushing compulsive-ness of his northern stories," noted James Dickey. "Few men have more convincingly examined the connection between the creative powers of the individual writer and the unconscious drive to breed and to survive, found in the natural world. . . London is in and committed to his creations to a degree very nearly unparalleled in the composition of fiction." His story of the dog Buck (“The Call of the Wild”), who learns to survive in the bleak Yukon wilderness, is viewed by many as his symbolic autobiography. “White Fang” (1906), which London conceived as a "complete antithesis and companion piece to The Call of the Wild," is the tale of an abused wolf-dog tamed by exposure to civilization. “To Build a Fire”, a marvelously desolate short story set in the Klondike. Content: The Call of the Wild White Fang Love of Life To Build a Fire Illustrated by Valery Gogina and Lysa Caliostra.

If you told a woman her sex had a shared, long-lived history with weasels, she might deck you. But those familiar with mythology know better: that the connection between women and weasels is an ancient and favorable one, based in the Greek myth of a midwife who tricked the gods to ease Heracles’s birth—and was turned into a weasel by Hera as punishment. Following this story as it is retold over centuries in literature and art, Women and Weasels takes us on a journey through mythology and ancient belief, revising our understanding of myth, heroism, and the status of women and animals in Western culture. Maurizio Bettini recounts and analyzes a variety of key literary and visual moments that highlight the weasel’s many attributes. We learn of its legendary sexual and childbearing habits and symbolic association with witchcraft and midwifery, its role as a domestic pet favored by women, and its ability to slip in and out of tight spaces. The weasel, Bettini reveals, is present at many unexpected moments in human history, assisting women in labor and thwarting enemies who might plot their ruin. With a parade of symbolic associations between weasels and women—witches, prostitutes, midwives, sisters-in-law, brides, mothers, and heroes—Bettini brings to life one of the most venerable and enduring myths of Western culture.

John Buchan, 1st Baron Tweedsmuir was a Scottish novelist, historian, and Unionist politician who served as Governor General of Canada, the 15th since Canadian Confederation. John Buchan combined a successful career as an author of thrillers, historical novels, histories and biographies with a parallel career in public life. Buchan wrote superb action novels, including the spy-catching adventures of Richard Hannay. Buchan wrote superb action novels, including the spy-catching adventures of Richard Hannay, whose exploits are described in The Thirty-Nine Steps, Greenmantle, Mr. Standfast, The Three Hostages, and The Island of Sheep. Apart from Hannay, Buchan created two other leading characters in Dickson McCunn, the shrewd retired grocer who appears in Huntingtower, Castle Gay, and The House of the Four Winds; and the lawyer Sir Edward Leithen, who features in the The Power-House, John Macnab, The Dancing Floor, The Gap in the Curtain and Sick Heart River. During Buchan’s last years he was still productive as a writer, and published notable historical biographies, such as Montrose, Sir Walter Scott, and Cromwell. RICHARD HANNAY STORIES THE THIRTY-NINE STEPS GREENMANTLE MR. STANDFAST THE THREE HOSTAGES THE COURTS OF THE MORNING THE ISLAND OF SHEEP LEITHEN STORIES THE POWER-HOUSE JOHN MACNAB THE DANCING FLOOR THE GAP IN THE CURTAIN SICK HEART RIVER DICKSON MCCUNN AND THE 'GORBALS DIE-HARDS' HUNTINGTOWER CASTLE GAY THE HOUSE OF THE FOUR WINDS NOVELS SIR QUIXOTE OF THE MOORS JOHN BURNET OF BARNS WITCH WOOD THE BLANKET OF THE DARK THE FREE FISHERS THE HALF-HEARTED A LODGE IN THE WILDERNESS A LOST LADY OF OLD YEARS THE PATH OF THE KING PRESTER JOHN SALUTE TO ADVENTURERS