A Wet Thursday Afternoon Sequel To The Cannibal Mouse

sequel to Teds memoir of growing up in Botcherby, boyhood to manhood, good and bad, happy and sad. life is here in all its forms, tall tales, home truths, you name it, its all in there.

Botcherby boyhood days and the growing to manhood, in the forties, fifties and sixties. Carnival days, local hero's, Norman Street School, Harraby Sec Mod, dancing in the Market hall, County Ballroom, Cameo, etc. adventure, scrumping orchards, poaching, teenage battles. its all here. heartache and pain, Joy and love, Happy days, not so happy. tragedy and pain. friends and love ones lost. dedicated to our lovely son Philip who we miss as much now as the day he left us. see you in heaven son.( If I am so luck

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

Having just endured the death of his son during the First World War, Delapore moves from the US to his ancestral property, Exham Priory, in England, seeking space and peace to mourn his loss. He begins to restore the estate - despite dire warnings from locals - and hears rats scurrying behind the walls. Joined by academics, he investigates - and discovers a truly spine-chilling family secret. His ancestors had an underground city populated by prisoners, some walking on all fours, who were kept to feed their desire for human flesh! As the sound of the scurrying rats grows to a cacophony in his ears, Delapore is seized by madness and the uncontrollable urge to feast on flesh. Fans of James Herbert's 'Rats' trilogy, 'The Rats', 'Lair', and 'Domain', will get a similar shiver from 'The Rats in the Walls'. There is also a taste of Bram Stoker's 'Dracula'. Howard Phillips (H.P.) Lovecraft (1890-1937) was an American author famed for his horror and fantasy fiction. Born in Rhode Island, he became a pioneer of ‘cosmic horror’, conjuring up the lore of supernatural creatures who exist beyond our understanding. His best-known stories include "The Call of Cthulhu", "At the Mountains of Madness" and "The Colour Out of Space". While he was a mainstay of pulp magazines, Lovecraft never achieved wider literary recognition in his lifetime. But his posthumous influence has been profound. It can be found in everything from the fiction of Stephen King and Neil Gaiman to the HBO series "Lovecraft Country".

»The Garden Party« is a short story by Katherine Mansfield, first published in 1922. KATHERINE MANSFIELD, actually Kathleen Mansfield Beauchamp (later Murry), was born in 1888 in Wellington, New Zealand, and died in 1923 as a result of her pulmonary tuberculosis at a hospital near Fontainebleau, France. Mansfield left her homeland at the age of 19 and moved to Europe. In London, she established herself as a writer and became friends with Virginia Woolf and D.H. Lawrence. Rumour has it that the latter infected her with the lung disease that became her demise, at the young age of 35.

Southern intellectual George Fitzhugh provides a passionate defense of slavery in this nearly 400-page volume published in 1857. Further developing ideas in his previous work Sociology for the South, Fitzhugh not only defends slavery but attacks the entire liberal tradition. Attacking Adam Smith, John Locke, Thomas Jefferson and others, Fitzhugh argues that free markets are harmful to society by forcing the lower classes into crushing labor and poverty. The answer, Fitzhugh argues, is slavery--not only for blacks, but for whites as well. "Slavery," he writes, "is a form, and the very best form, of socialism."