A White Heron

This beloved short story - a classic coming-of-age tale by the author of The Country of the Pointed Firs is gloriously illustrated with pencil drawings by Maine artist Douglas Alvord. Sylvia, a city girl more at home with animals than with people, has come to the Maine Woods to live with her grandmother. One summer afternoon in the late 1800s, her life is changed forever when she meets an attractive young ornithologist searching for birds to snare, stuff, preserve, and display.

Better Birding reveals the techniques expert birders use to identify a wide array of bird species in the field—quickly and easily. Featuring hundreds of stunning photos and composite plates throughout, this book simplifies identification by organizing the birds you see into groupings and offering strategies specifically tailored to each group. Skill building focuses not just on traditional elements such as plumage, but also on creating a context around each bird, including habitat, behavior, and taxonomy—parts so integral to every bird's identity but often glossed over by typical field guides. Critical background information is provided for each group, enabling you to approach bird identification with a wide-angle view, using your eyes, brain, and binoculars more strategically, resulting in a more organized approach to learning birds. Better Birding puts the thrill of expert bird identification within your reach. Reveals the techniques used by expert birders for quick and easy identification Simplifies identification with strategies tailored to different groupings of birds Features hundreds of photos and composite plates that illustrate the different techniques Fosters a wide-angle approach to field birding Provides a foundation for building stronger birding skills

Choice collection of 13 stories includes "Life in the Iron Mills" by Rebecca Harding Davis, Zora Neale Hurston's "Sweat," plus superb fiction by Kate Chopin, Willa Cather, Edith Wharton, many others.

Tell Me Again... offers a wide variety of poems written in Hayden Carruth's inimitably eloquent and precise style.

"This is not only a brilliant book but a lovable one, a joy to read not only for its insights but for its modesty, its playfulness, its wholesomeness of outlook on literature and the critical activity. This is not primarily a book for Sarah Orne Jewett scholars, nor it is just for Americanists or even academics. It is a book for anyone who has been deeply touched by literature and has thought about the relation between the 'moving' and the 'great.' --Leslie Brisman, Yale University

In Desire for Development: Whiteness, Gender, and the Helping Imperative, Barbara Heron draws on poststructuralist notions of subjectivity, critical race and space theory, feminism, colonial and postcolonial studies, and travel writing to trace colonial continuities in the post-development recollections of white Canadian women who have worked in Africa. Following the narrative arc of the development worker story from the decision to go overseas, through the experiences abroad, the return home, and final reflections, the book interweaves theory with the words of the participants to bring theory to life and to generate new understandings of whiteness and development work. Heron reveals how the desire for development is about the making of self in terms that are highly raced, classed, and gendered, and she exposes the moral core of this self and its seemingly paradoxical necessity to the Other. The construction of white female subjectivity is thereby revealed as contingent on notions of goodness and Othering, played out against, and constituted by, the backdrop of the NorthSouth binary, in which Canada’s national narrative situates us as the “good guys” of the world.