A Wild Country Out In The Garden

"In Madre Maria's prose, a down-to-earth treatment of daily life both on a provincial hacienda and in a cloistered convent moves into passages rendering deep mystical absorption. As a charismatic woman living according to Counter Reformation guidelines in the New World, Maria de San Jose, through her writings, illuminates how class, race, gender - even birth order and convent prestige - helped shape the roles people played in society and the ways in which they contributed to community belief and identity." --Book Jacket.

Brides of Christ invites the modern reader to follow the histories of colonial Mexican nuns inside the cloisters where they pursued a religious vocation or sought shelter from the world. Lavrin provides a complete overview of conventual life, including the early signs of vocation, the decision to enter a convent, profession, spiritual guidelines and devotional practices, governance, ceremonials, relations with male authorities and confessors, living arrangements, servants, sickness, and death rituals. Individual chapters deal with issues such as sexuality and the challenges to chastity in the cloisters and the little-known subject of the nuns' own writings as expressions of their spirituality. The foundation of convents for indigenous women receives special attention, because such religious communities existed nowhere else in the Spanish empire.

"Diaz has done a very good job of acknowledging precursive and pioneering works in history, literature, and ethnic studies while establishing her own critical originality. Her occupation of a cultural studies viewpoint is in contrast to previous studies by both historians and literary critics, supporting her conclusions and opening new lines of dialogue."--Jennifer L. Eich, author of The Other Mexican Muse: Sor Maria Anna Agueda de San Ignacio (1695-1756).

Women’s life writing in general has too often been ignored, dismissed, or relegated to a separate category in those few studies of the genre that include it. The present work addresses these issues and offers a countervailing argument that focuses on the contributions of women writers to the study of autobiography in Spanish during the early modern period. There are, indeed, examples of autobiographical writing by women in Spain and its New World empire, evident as early as the fourteenth-century Memorias penned by Doña Leonor López de Cordóba and continuing through the seventeenth-century Cartas of Sor Juana Inés de la Cruz. What sets these accounts apart, the author shows, are the variety of forms adopted by each woman to tell her life and the circumstances in which she adapts her narrative to satisfy the presence of male critics-whether ecclesiastic or political, actual or imagined-who would dismiss or even alter her life story. Analyzing how each of these women viewed her life and, conversely, how their contemporaries-both male and female-received and sometimes edited her account, Howe reveals the tension in the texts between telling a ’life’ and telling a ’lie’.

“WHO SHOULD READ THIS BOOK?” “Why did God tell Adam to not only tend the Garden of Eden but to protect it?! Why would Adam need to protect sinless perfection, and from what? The Gatekeeper unfolds the clear and specific reason the creator God put the male species on plant Earth. The mystery of a man’s eternal purpose in this life is explained – from the Scriptures, not the author’s opinion. The “Why am I here” question is answered for every husband, father, fiancé, grandfather in a blend of biblical analysis and personal humor. What a man does is driven by why he was born – to function as the “Gatekeeper” of his family. This read will paint a clear picture and challenge men at their core. Once challenged, dear reader, you will take a unique journey into the portrait of a real Gatekeeper, his worldview, his assets, and his greatest enemies. So, who benefits from such a quest? The husband, the wife, who longs for covering and peace. The young man, who wants to know who he really is. The young woman who wants to find the “right one.” The grandparents, who want to know how to effectively support and pray for their son, or son-in-law. Nobody raises the bar like Jesus. And nobody inspires and empowers us to reach it like Jesus! Think about it – would God create a man to be something that he didn’t equip him to be? Everything is in a man’s spiritual “DNA”. This unusual book will unlock it, it’s a journey like no other.”

"It was mid-December 1610 in Mexico City. The Church was in its preparatory season of Advent, leading up to the celebration of Christ's birth at Christmas. The nuns of the Encarnacion convent had just celebrated the feast of the Immaculate Conception of the Virgin Mary, on 8 December. But now, in this time usually filled with joy, some of the nuns were nervous. Their choirbooks were missing. Without them, the nuns would not be able to celebrate the anniversary of Christ's birth adequately. A musician priest of the metropolitan cathedral, located just three blocks from the convent, had caused the nuns' alarm: Antonio Rodríguez Mata (d. 1643) had all five of the missing books. He had borrowed them from Sister Flor de Santa Clara, the convent "vicaria de coro" (choir vicar) but had failed to return them despite the convent's repeated requests. The diocesan vicar general and the attorney general were summoned. The nuns of the Encarnación demanded that Mata be imprisoned if he failed to return the books immediately following the denunciation. The threat of jail time was serious, but so too was the alleged offense: Mata was impeding the nuns from performing their liturgical music for Christmas"--

Explores some of Australia's major ethical challenges. Written in the midst of rapid social and environmental change and in a time of uncertainty and division, it offers powerful stories and arguments for ethical choice and commitment. The focus is on reconciliation between Indigenous and 'Settler' peoples, and with nature.

Shortlisted: 2016 Boardman Tasker Prize for Mountain Literature '[Wild Country] chronicles not just the mountains [Mark] has climbed, but the part he played in bringing to market a little piece of sporting equipment that revolutionised mountaineering and saved countless lives.' – Sarah Freeman, Yorkshire Post In early 1978, an extraordinary new invention for rock climbers was featured on the BBC television science show Tomorrow's World. It was called the 'Friend', and it not only made the sport safer, it helped push the limits of the possible. The company that made them was called Wild Country, the brainchild of Mark Vallance. Within six months, Vallance was selling Friends in sixteen countries. Wild Country would go on to develop much of the gear that transformed climbing in the 1980s. Mark Vallance's influence on the outdoor world extends far beyond the company he founded. He owned and opened the influential retailer Outside in the Peak District and was part of the team that built The Foundry, Sheffield's premier climbing wall – the first modern climbing gym in Britain. He worked for the Peak District National Park and served on its board. He even found time to climb 8,000-metre peaks and the Nose on El Capitan. Diagnosed with Parkinson's disease in his mid fifties and robbed of his plans for retirement, Vallance found a new sense of purpose as a reforming president of the British Mountaineering Council. In Wild Country, Vallance traces his story, from childhood influences like Robin Hodgkin and Sir Jack Longland, to two years in Antarctica, where he was base commander of the UK's largest and most southerly scientific station at Halley Bay, before his fateful meeting with Ray Jardine, the man who invented Friends, in Yosemite. Trenchant, provocative and challenging, Wild Country is a remarkable personal story and a fresh perspective on the role of the outdoors in British life and the development of climbing in its most revolutionary phase.