A Wolf In The City

The problem of tyranny preoccupied Plato, and its discussion both begins and ends his famous Republic. Though philosophers have mined the Republic for millennia, Cinzia Arruzza is the first to devote a full book to the study of tyranny and of the tyrant's soul in Plato's Republic. In A Wolf in the City, Arruzza argues that Plato's critique of tyranny intervenes in an ancient debate concerning the sources of the crisis of Athenian democracy and the relation between political leaders and demos in the last decades of the fifth century BCE. Arruzza shows that Plato's critique of tyranny should not be taken as veiled criticism of the Syracusan tyrannical regime, but rather of Athenian democracy. In parsing Plato's discussion of the soul of the tyrant, Arruzza will also offer new and innovative insights into his moral psychology, addressing much-debated problems such as the nature of eros and of the spirited part of the soul, the unity or disunity of the soul, and the relation between the non-rational parts of the soul and reason.

Describes different types of trucks and what they are used for in the city, such as garbage trucks, delivery trucks, and street sweepers.

Sulema Ja'Akari is an elite warrior, one of the desert people known as the Zeeranim. She is also the daughter of the Dragon King of Atualon, whose magic is the only thing that prevents the earth dragon from waking. Should the dragon end her sleep, their world will be destroyed. The Dragon King is dying. As heir to his throne Sulema must be trained to take his place, yet the more she learns, the less she trusts the sinister agendas that surround her. Knowing that her life hangs in the balance, Sulema seeks to return to the Zeera. Salvation may lie with her mother, Hafsa Azeina, who walks the dark and deadly pathways of the Dreaming Lands. To save her daughter, the dreamshifter will be forced to strike a pact with her greatest enemy, a huntress who would rather kill her than assist her. Upheaval stretches far beyond Atualon--to the forbidden city of Khanbul where the emperor rules with an iron hand. An elite cadre of rebel conspirators chafes beneath his rule and plots to overthrow him. Among them is Jian de Allyr, the half-dae prince born of a human mother and a twilight lord. If they are to challenge the emperor in his stronghold, however, Jian and his co-conspirators must secretly raise an army...

A Wolf Called Romeo is the remarkable story of a wolf who returned again and again to interact with the people and dogs of Juneau, living on the edges of their community, engaging in an improbable, awe-inspiring interspecies dance and bringing the wild into sharp focus. At first the people of Juneau were guarded, torn between shoot first, ask questions later instincts and curiosity. But as Romeo began to tag along with cross-country skiers on their daily jaunts, play fetch with local dogs, or simply lie near Nick and nap under the sun, they came to accept Romeo, and he them. For Nick it was about trying to understand Romeo, then it was about winning his trust, and ultimately it was about watching over him, for as long as he or anyone could.

A memoir from the land planning and urban policy management authority, and sixth-generation member of an influential New Orleans family.

ALA Youth Media Awards: 2018 Batchelder Honor Award Winner A darkly humorous tale with a twist ending Edmond Bigsnout, lone wolf that he is, loves his solitary cabin in the woods. But lately he's been craving urban rabbit for dinner, so he travels into the city to catch one. Unfortunately, the rabbit has a lot of neighbors—who mistake Edmond for a kind and helpful resident! Perhaps Edmond can become a good neighbor, despite his bad intentions. Readers of all ages will devour this story about a wolf who decides that if you can't eat them, join them. Kirkus Best Picture Books of 2017 Cooperative Children's Book Center’s "CCBC Choices 2018”

Sally Rosen Kindred’s third book, Where the Wolf, is a wood where a girl-turned-woman, a daughter-turned-mother, goes walking, searching for the warm fur, the hackles and hurts—past and future—inside her. These poems explore how stories—fairy tales, family memories, myths, and dreams—tell us, and let us tell each other, who we are, and what’s wild and sacred in our connections. From “the beast your mother made/ who scans hood and bed,” to the ghost-guard summoned by a child on the night her family fractures, to the teenage son who transforms into “beauty, his dread-body,” the beings in these poems are themselves stories, spells: alchemized through language, always becoming, bearing hope and loss. They fragment in anxiety, and form into new wilderness. They open themselves to reconstruction, redemption. Through it all, “Wolf is the ghost of a hurt remembering itself. Is She. You can hear Her between trees.” These poems are a calling out—through meadows, emptied houses, dark skies—to wolf and self, parent and child, girl and woman, love and grief.