A Woman Rice Planter

A Woman Rice Planter offers insights into a broad spectrum of Southern life after the Civil War. As an account of a woman's struggle for survival and dignity in a distinctly male-dominated society, it contributes significantly to women's history. It presents a rich portrait of a distinctive place—the South Carolina Low Country—in a troubled and generally undocumented time, a portrait made all the more vivid by the fine pen-and-ink sketches of Charleston artist Alice R. Huger Smith. Elizabeth Alston Pringle was the daughter of Robert Francis Withers Allston, a state legislator and governor, who was at one time owner of seven plantations but bankrupt at the time of his death. Left to struggle for income to regain the property and position the family held prior to the war, Pringle turned to writing and eventually published a column on Southern culture in the New York Sun under the pseudeonym Patience Pennington. In 1913 she collected and reshaped these newspaper columns and compiled them into one volume, A Woman Rice Planter, a best-selling book that reduced her financial worries. Her descriptions of the vagaries of rice planting, of her relationships with former slaves and the first generation of free-born African Americans, and of her life in the early Reconstruciton period are important to our understanding of the prevailing attitudes and persistence of the Old South in the New. The volume was illustrated by Alice R. Huger Smith (1876–1958), an American painter and printmaker. This edition features an introduction by Charles Joyner (1935–2016), distinguished professor emeritus of southern history and culture at Coastal Carolina University and author of several books, including Down by the Riverside: A South Carolina Slave Community.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 edition. Excerpt: ... news, which she would not bring out until I had had my dinner. While I was away I had several letters from Chloe, in one of which she announced with great joy that sixtythree fine healthy chicks had hatched from the 'cubator. So when I had finished the simple but delicious meal which she had prepared for me I asked her to go out with me and show me the chickens. Then she poured out her woes. The night before she moved from the plantation some one had climbed the six-foot fence and stolen twenty-five of the precious last-hatched chicks. She said when she found it out the next morning she sat down and cried, she had been so proud to have hatched them out and they were doing so well and growing so fast. I sympathized with her. Of course it was a great blow to me, but she was in such deep distress over it that I had to act the part of consoler, though I was the victim. She went on to say: "En I do' kno' who carry de news out say I cry 'bout de chicken, but I s'pose 'twas dat wicket boy Rab, fu' ebeybody I meet say 'Eh, eh! I yere say yu cry 'bout chicken, I'se shock to yere sech a ting! A pusson cry fu' loss 'e mudder or some of 'e fambly, but cry fu' chicken! No; en wusser wen 'tain't yo' chicken.'" This taunt and ridicule seemed to have sunk deep and to rankle still. She went on to say that the person who took the chickens must have been well known to the dogs, as they made no outcry, and moreover that Rab had not slept at home that night, saying he had stayed with Willing, which all looks very bad for both of these boys. I will not attempt to investigate, for it would be perfectly useless. It is a principle firmly maintained that one negro will not give testimony against another unless he has a quarrel with him, and then he will say...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.