A World Without Jews

A groundbreaking reexamination of the Holocaust and how Germans understood their genocidal project: “Insightful [and] chilling.” —Kirkus Reviews Why exactly did the Nazis burn the Hebrew Bible everywhere in Germany on November 9, 1938? The perplexing event has not been adequately accounted for by historians in their large-scale assessments of how and why the Holocaust occurred. In this gripping new analysis, Alon Confino draws on an array of archives across three continents to propose a penetrating new assessment of one of the central moral problems of the twentieth century. To a surprising extent, Confino demonstrates, the mass murder of Jews during the war years was powerfully anticipated in the culture of the prewar years. The author shifts his focus away from the debates over what the Germans did or did not know about the Holocaust and explores instead how Germans came to conceive of the idea of a Germany without Jews. He traces the stories the Nazis told themselves—where they came from and where they were heading—and how those stories led to the conclusion that Jews must be eradicated in order for the new Nazi civilization to arise. The creation of this new empire required that Jews and Judaism be erased from Christian history, and this was the inspiration—and justification—for Kristallnacht. As Germans entertained the idea of a future world without Jews, the unimaginable became imaginable, and the unthinkable became real. “At once so disturbing and so hypnotic to read . . . Deserves the widest possible audience.” —Open Letters Monthly

This penetrating new assessment of the burning of the Hebrew Bible by the Nazis on November 9, 1938 explores how the Germans came to conceive of the idea of Germany without the Jews, which required that both Jews and Judaism be erased from Christian history.

The first English translation of Karl Marx’s anti-Semitic writings, with critical analysis by the founder of the Philosophical Library. Long available to the readers of Soviet Russia, here are the unexpurgated papers of Karl Marx on the so-called Jewish question, translated into English by philosopher Dagobert D. Runes. While most of Marx’s anti-Semitic diatribes were carefully eliminated by the translators and editors of his books, journalistic writings, and correspondence, their influence was still considerable. Readers unfamiliar with this aspect of Marx’s thought will be startled to discover how well it has served the purposes of the totalitarian regimes of our time. Runes presents this accurate and unflinching translation with the conviction that any student of Marx should be aware of this aspect of his thought. Extensive comments and critical annotations related to the material appear throughout the book.

One of the most common assumptions about World War II is that the Jews did not actively or effectively resist their own extermination at the hands of the Nazis. In this powerful book, Benjamin Ginsberg convincingly argues that the Jews not only resisted the Germans but actually played a major role in the defeat of Nazi Germany. The question, he contends, is not whether the Jews fought but where and by what means. True, many Jews were poorly armed, outnumbered, and without resources, but Ginsberg shows persuasively that this myth of passivity is solely that--a myth. Instead, the Jews resisted strongly in four key ways: through their leadership role in organizing the defense of the Soviet Union, their influence and scientific research in the United States, their contribution to allied espionage and cryptanalysis, and their importance in European resistance movements. In this compelling, cogent history, we discover that Jews contributed powerfully to Hitler's defeat.

Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.

Roberto Benigni's romantic comedy Life is Beautiful enjoyed tremendous success everywhere it was shown. In addition to winning almost every possible film award, including three Oscars, lavish praise and film reviews, it grossed over a quarter of a billion dollars—the most profitable Italian movie ever. Very few have questioned the movie—until now. With sharp, uncompromising logic and eye-opening insight, Niv analyzes the film and its script scene-by-scene to show why Life is Beautiful is very far from being the innocent, charming, and heartwarming film it appears to be. The author argues that the film not only lends support to the central arguments of Holocaust deniers, but is actually a quasi-theological, Christian parable which seeks to justify the extermination of Jews in the 20th century as divine punishment for the sin of the crucifixion of Jesus two thousand years ago. Life is Beautiful, But Not for Jews is a riveting book that simply and concisely raises some important and complex ideas about film and psychology in post-Holocaust civilization. It also serves as an elementary course in the appreciation of films and artistic texts in general and in deciphering their deeper meanings, teaching the reader to more clearly grasp the hidden significance of cultural processes. This is the first English translation of the Hebrew text.

Through words and more than 300 exquisite photographs, Synagogues Without Jews tells the engaging histories of over thirty Jewish communities across Europe that thrived before WWII. Beautiful full colour photographs and architectural drawings bring back the past splendor of these synagogues and once again we can see why they were the pride and joy of their congregations.