Abba Amma

"[I]t is extremely salubrious to see the ways Islam works in the lives of ordinary people who are not politicized in their religious lives. . . . No other book on South Asia has material like this." —Ann Grodzins Gold In Amma's Healing Room is a compelling study of the life and thought of a female Muslim spiritual healer in Hyderabad, South India. Joyce Burkhalter Flueckiger describes Amma's practice as a form of vernacular Islam arising in a particular locality, one in which the boundaries between Islam, Hinduism, and Christianity are fluid. In the "healing room," Amma meets a diverse clientele that includes men and women, Muslim, Hindu, and Christian, of varied social backgrounds, who bring a wide range of physical, social, and psychological afflictions. Flueckiger collaborated closely with Amma and relates to her at different moments as daughter, disciple, and researcher. The result is a work of insight and compassion that challenges widely held views of religion and gender in India and reveals the creativity of a tradition often portrayed by Muslims and non-Muslims alike as singular and monolithic.

It may well become a classic in this important area of spirituality. It is the reader's opinion that if you read only one book on this subject this year, The Way of Spiritual Direction should be the one." John G. Durbin, STL.

Being a Christian means learning to love with God's love. But God's love is not a warm feeling in the pit of the stomach. It has definite characteristics we learn in the course of our life, in the behavior and teaching of the early monastics, as we ponder over what we can say about God as God deals with us, and finally, as we model our own lives on what we have learned.

"Introduces readers to the wisdom of the desert elders in the context of their daily lives, presenting their background (historical, cultural, and religious) and describing the environment of solitude, ascetic disciplines, labor, and interactions with other people that was the source of their wisdom"--Provided by publisher.

A Life in Words, the first complete translation of Ismat Chughtais celebrated memoir Kaghazi hai Pairahan, provides a delightful account of several crucial years of her life. Alongside vivid descriptions of her childhood years are the conflicted experiences of growing up in a large Muslim family during the early decades of the twentieth century. Chughtai is searingly honest about her fight to get an education and the struggle to find her own voice as a writer. The result is a compellingly readable memoir by one of the most significant Urdu writers of all time.

When asked to distinguish between different faiths, Mughal prince Dara Shikoh is said to have replied, “How do you draw a line in water?” Inspired by this question, the essays in this volume illustrate how ordinary people in South Asia and the diaspora negotiate their religious identities and encounters in creative, complex, and diverse ways. Taking the approach that narratives “from below” provide the richest insight into the dynamics of religious pluralism, the authors examine life histories, oral traditions, cartographic practices, pilgrimage rites, and devotional music and songs. Drawing on both ethnographic and historical data, they illuminate how, like lines in water, religious boundaries are dynamic, fluid, flexible, and permeable rather than permanently fixed, frozen, and inviolable. A distinct feature of the volume is its proposition of a fresh and innovative typology of boundary dynamics. Boundaries may be attractive or porous, firmly drawn or transcended. Attractive boundaries invite confluence while affirming the differences between self and other, whereas permeable boundaries facilitate exchanges that create new identities and in turn form new lines. Although people may recognize the significance of religious borders, they can choose to transcend them. Throughout this volume, the authors highlight the fascinating range of South Asian religious and cultural traditions.

Despite protests and warnings from friends and family, author Madeleine L’Engle, at the age of seventy-four, embarked on a rafting trip to Antarctica. Her journey through the startling beauty of the continent led her to write Penguins and Golden Calves, a captivating discussion of how opening oneself up to icons, or everyday “windows to God,” leads to the development of a rich and deeply spiritual faith. Here, L’Engle explains how ordinary things such as family, words, the Bible, heaven, and even penguins can become such windows. She also shows how such a window becomes an idol–a penguin becomes a “golden calf”–when we see it as a reflection of itself instead of God. With delightful language, insightful metaphor, and personal stories, L’Engle brings readers to a deeper understanding of themselves, their faith, and the presence of God in their daily lives.

Claims of the miraculous are foundational to faith and skepticism, making and breaking religious careers and movements in their wake. Drawing on a variety of South Asian religious traditions-Hinduism, Buddhism, Islam, Christianity-this book revolves around the theme of conundrum, demonstrating how miracles offer divine proof, tenacious embarrassment, and, in many cases, both. The contributors explore not only how modern miracles are conundrums themselves but also how they make conundrums out of assumed divides between scientific and supernatural realms, modernity and tradition, the West and the rest, and ethnographer and native. Book jacket.