Abraham Lincoln On Screen

"Following a general history of Lincoln film and television portrayals, each work has an individual entry detailing cast, production and release information and discussing the work's historical accuracy and artistic merits. The book is illustrated with photographs of Lincoln actors, dating from the earliest days"--Provided by publisher.

President Lincoln is so deeply ingrained in our national consciousness that his image can be found practically everywhere (not least on those ubiquitous American pennies). He is the most frequently portrayed American historical figure in the history of the film and television arts, having been featured in well over 150 productions since the birth of the motion picture medium. He has delivered the Gettysburg Address, and on one occasion solemnly urged the title teenagers of Bill and Ted's Excellent Adventure (1989) to party on, dudes. Lincoln has been portrayed by such diverse actors as Raymond Massey, Walter Huston, Gregory Peck, Jason Robards, Hal Holbrook, and Henry Fonda. The author provides a brief overview of the history of Lincoln film and television portrayals, including documentaries. Then, each Lincoln-related work has an individual entry detailing essential cast, production and release information, as well as a discussion of each work's historical accuracy and artistic merits. The book is fully illustrated with photographs of Lincoln portrayers, dating from the earliest days.

Remembered as the Savior of the Union, Abraham Lincoln is one of America's most revered presidents. There have been tens of thousands of books published about him since his death, but he has proved to be a surprisingly daunting subject for filmmakers. Despite a wealth of biographical material, relatively few full-length motion pictures have taken the man and his life as a primary subject. In this detailed study, Brian J. Snee provides a sweeping overview of the cinematic representations of the sixteenth president from the silent era up to Steven Spielberg's Lincoln (2012) -- a film which, he argues, marks a seismic shift in the way Hollywood presents the Great Emancipator on-screen. Snee focuses on six of the most popular and influential movies and TV miniseries of the twentieth century to address the life of Abraham Lincoln -- The Birth of a Nation (1915), Abraham Lincoln (1930), Young Mr. Lincoln (1939), Abe Lincoln in Illinois (1940), Sandburg's Lincoln (1974--1976), and Gore Vidal's Lincoln (1988). Snee examines how each work has contributed to public memory of the president, addressing issues of production, textual construction, and audience reception, as well as their contemporary historical contexts and underlying cultural theory. The absence of video and other recording technology during Lincoln's lifetime forever shrouds his mannerisms, thought processes, and interactions with his peers and advisers. That man, Snee argues, is lost to history. This fascinating book offers a revealing and groundbreaking assessment of how Hollywood has imagined and reimagined America's greatest president on-screen, contributing to the popular image and myth of the legendary man.

Remembered as the Savior of the Union, Abraham Lincoln is one of America's most revered presidents. There have been tens of thousands of books published about him since his death, but he has proved to be a surprisingly daunting subject for filmmakers. Despite a wealth of biographical material, relatively few full-length motion pictures have taken the man and his life as a primary subject. In this detailed study, Brian J. Snee provides a sweeping overview of the cinematic representations of the sixteenth president from the silent era up to Steven Spielberg's Lincoln (2012) -- a film which, he argues, marks a seismic shift in the way Hollywood presents the Great Emancipator on-screen. Snee focuses on six of the most popular and influential movies and TV miniseries of the twentieth century to address the life of Abraham Lincoln -- The Birth of a Nation (1915), Abraham Lincoln (1930), Young Mr. Lincoln (1939), Abe Lincoln in Illinois (1940), Sandburg's Lincoln (1974--1976), and Gore Vidal's Lincoln (1988). Snee examines how each work has contributed to public memory of the president, addressing issues of production, textual construction, and audience reception, as well as their contemporary historical contexts and underlying cultural theory. The absence of video and other recording technology during Lincoln's lifetime forever shrouds his mannerisms, thought processes, and interactions with his peers and advisers. That man, Snee argues, is lost to history. This fascinating book offers a revealing and groundbreaking assessment of how Hollywood has imagined and reimagined America's greatest president on-screen, contributing to the popular image and myth of the legendary man.

Honest Abe. The rail-splitter. The Great Emancipator. Old Abe. These are familiar monikers of Abraham Lincoln. They describe a man who has influenced the lives of everyday people as well as notables like Leo Tolstoy, Marilyn Monroe, and Winston Churchill. But there is also a multitude of fictional Lincolns almost as familiar as the original: time traveler, android, monster hunter. This book explores Lincoln's evolution from martyred president to cultural icon and the struggle between the Lincoln of history and his fictional progeny. He has been Simpsonized by Matt Groening, charmed by Shirley Temple, and emulated by the Lone Ranger. Devotees have attempted to clone him or to raise him from the dead. Lincoln's image and memory have been invoked to fight communism, mock a sitting president, and sell products. Lincoln has even been portrayed as the greatest example of goodness humanity has to offer. In short, Lincoln is the essential American myth.

American History through Hollywood Film offers a new perspective on major issues in American history from the 1770s to the end of the twentieth century and explores how they have been represented in film. Melvyn Stokes examines how and why representation has changed over time, looking at the origins, underlying assumptions, production, and reception of an important cross-section of historical films. Chapters deal with key events in American history including the American Revolution, the Civil War and its legacy, the Great Depression, and the anti-communism of the Cold War era. Major themes such as ethnicity, slavery, Native Americans and Jewish immigrants are covered and a final chapter looks at the way the 1960s and 70s have been dealt with by Hollywood. This book is essential reading for anyone studying American history and the relationship between history and film.

In this sweeping analytical bibliography, Jason Emerson goes beyond the few sources usually employed to contextualize Mary Lincoln's life and thoroughly reexamines nearly every word ever written about her. In doing so, this book becomes the prime authority on Mary Lincoln, points researchers to key underused sources, reveals how views about her have evolved over the years, and sets the stage for new questions and debates about the themes and controversies that have defined her legacy. Mary Lincoln for the Ages first articulates how reliance on limited sources has greatly restricted our understanding of the subject, evaluating their flaws and benefits and pointing out the shallowness of using the same texts to study her life. Emerson then presents more than four hundred bibliographical entries of nonfiction books and pamphlets, scholarly and popular articles, journalism, literature, and juvenilia. More than just listings of titles and publication dates, each entry includes Emerson's deft analysis of these additional works on Mary Lincoln that should be used--but rarely have been--to better understand who she was during her life and why we see her as we do. The volume also includes rarely used illustrations, including some that have never before appeared in print. A roadmap for a firmer, more complete grasp of Mary Lincoln's place in the historical record, this is the first and only extensive, analytical bibliography of the subject. In highlighting hundreds of overlooked sources, Emerson changes the paradigm of Mary Lincoln's legacy.