Acadian Cajun Family Trees Computer File

Melanson-Melançon: The Genealogy of an Acadian and Cajun Family documents the Melanson, Melançon and Melancon descendants of brothers Pierre and Charles Mellanson from their arrival in Acadia (today, Nova Scotia) in 1657 through the nineteenth and into the early twentieth centuries.

Genealogists can sometimes require obscure resources when in search of information about ancestors. Tracking down records to complete a family tree can become laborious when the researcher doesn't know where to begin looking. Many of the best resources are maintained regionally or even locally, and aren’t widely known. This reference work serves as a guide to both beginning and experienced genealogy researchers. The sourcebook is easily accessible and usable, featuring approximately 270 entries on all aspects of genealogical research and family history compilation. The entries are listed alphabetically and cross-referenced so any researcher can quickly find the information he or she is seeking. Each state and each of the provinces of Canada has its own entry; other countries are listed under appropriate headings. The author also provides more than 700 addresses from all over the world so that the genealogist or general researcher may contact any one of these organizations to obtain specific information about particular births, deaths, marriages, or other life events in order to complete a family tree.

Here's how to start your own ancestry-television business online on a shoestring budget. Learn how to launch family history/genealogy television shows globally on your Web site, produce videos, and publish hobby materials, publications, books, multimedia, or life stories as a pay-per-view or sponsored free entertainment. Create social history documentaries. Customize vintage maps and family atlases. Give visibility to family history educational entertainment businesses. Supply genealogy tools and videos to followers of the second most popular hobby in the country with more than 113 million people interested in genealogy and related family history topics. Provide or market content and tools to those that want to know more about their ancestor's roots, migrations, and social history. What news did the papers print in your ancestor's lifetime? You'll learn practical, specific steps on how to adapt real life stories into romance novels, skits, plays, monologues, biographies, documentaries, or newsletters. Produce genealogy/family history television programs on Web sites or specialty/niche television stations. Follow steps to start genealogy journalism and personal history television, Web-based businesses. Interview individuals tactfully with these sample questions. Record life experiences using oral historian's techniques. Avoid pitfalls. Learn to write and/or collect and showcase personal history videos. Produce your own documentaries. Showcase other people's genealogy tools.

A two volume set which provides researchers with more than 70,000 links to every conceivable genealogical resource on the Internet.

Here's how to write salable plays, skits, monologues, or docu-dramas from life experiences, social issues, or current events. Write plays/skits using the technique of ethno-playography which incorporates traditions, folklore, and ethnography into dramatizing real events. The sample play and monologues portray events as social issues. One true life example for a skit is the scene in the sample play written from first-person point-of-view about a 1964 five-minute train interlude when a male passenger commands the protagonist not to cross between cars while the train is in motion. The passenger stands between the cars next to his wife who says timorously, "Let her go, dear," after the wife notices the young protagonist wears a wedding ring. The protagonist tells him she's pregnant, returning from the john, and needs to get back to her family. Instead, he squeezes her head in a vise-like grip, crushing her between his knee and the wall of the train. He kicks at the base of her spine, yelling stereotypical ethnic epithets while passengers ignore events. After the sample play and three monologues for performance, you will have learned how to write ethnographic dialogue and select appropriate scene settings. Also included are e-interviews with popular fiction writers.