Access For All

As one of the worlds megacities, São Paulo has for decades seen an investment in architectural infrastructures that attempt to mitigate its open space shortages as well as fulfill the constant need for recreational, cultural, and sports programs. These buildings and open spaces - which can be public, semi-public, or privately-owned - arguably attempt to create inclusive places for urban society. This exhibition catalogue presents projects at different scales, focusing on their programmatic characteristics rather than the formal qualities usually emphasized in scholarship on Brazilian architecture. While many cities around the world are still chasing the so-called "Bilbao Effect" - the creation of a monofunctional "signature" architectural work by a famous architect that can attract tourism - this exhibition catalogue advocates for architectural infrastructure that adds programs of different natures, and that are aimed at social sustainability for local citizens. This aspect of urban growth in São Paulo - quite a vertical and densely-populated city; a city of great resources and also tremendous poverty; a city with high crime rates; a city with severe traffic issues; a city with public-health problems - illustrates how architecture and infrastructure can contribute to a city's urban development in multiple ways.

A comprehensive guidebook to urban exploration, a thrilling, mind-expanding hobby that encourages our natural instincts to explore and play in our own environment. Includes everything you need to begin exploring little-known urban spaces like abandoned buildings, rooftops, construction sites, drains, transit and utility tunnels and more. Features chapters on * training * recruiting * preparation * equipping * social engineering and other subjects important to the successful urban explorer.

From the paperwork to the practical aspects, 'Access All Areas' offers an insight into the live music and touring industry. Drawing on a vast range of real-world experiences, the author provides the key technical aspects of gigging and touring in an easily understood manner.

Adventures in going forth and staying put from one of our greatest travel writers In vivid, urgent books such as Terra Incognita and The Magnetic North, Sara Wheeler reckoned with the allure and brutality of life on the fringes, exploring distant lands with an extraordinary sensitivity to history, to place, and to the people who inhabit them. Access All Areas collects the best essays and journalism by a writer who has used extreme travel as a means to explore an inner landscape. Ranging from Albania to the Arctic, Wheeler attends a religion seminar aboard the Queen Elizabeth 2 and defrosts her underwear inside an igloo. She treks to distant Tierra del Fuego—"a place where nothing ever happened"—and to the swamps of Malawi, a place so hot that toads explode. She crosses dubious borders with nothing but a kidney donor card for ID and learns to wing walk and belly dance, though not at the same time. Charming, scathing, restless, and eternally amused, the writer we meet in Access All Areas has spent a lifetime investigating roots and rootlessness. Seeking only to satisfy her own curiosity, Wheeler shows us the world.

It’s what you’d want if you were attending an important event: a front row seat. That way you’d be guaranteed a great view, and up close and personal look at the performance. No wonder the best seats are sold at a massive premium. Jesus made the decision to allow his three closest friends, Peter, James and John, access to a number of episodes that nobody else - the rest of the disciples included - enjoyed. These were not VIP passes. It isn’t that Jesus considered the three to be more important or significant than the others, but there were strategic reasons for their inclusion. Over the next couple of months, we’ll take a seat alongside them, and see what we can glean from the unique vantage point they enjoyed. As they watched a young girl being raised from the dead, were stunned on the Mount of Transfiguration, and then fought sleep in Garden of Gethsemane, we’ll ask: how did these episodes shape their faith, and prepare them for the joy and pains that they would face as they moved toward apostolic responsibility? And what can we learn from their journey?

Musician Scott Ian shares zany, bizarre, funny, and captivating stories from his more than thirty years in the hard rock scene. -- Adapted from book jacket.

“All too often,” wrote disabled architect Ronald Mace, “designers don’t take the needs of disabled and elderly people into account.” Building Access investigates twentieth-century strategies for designing the world with disability in mind. Commonly understood in terms of curb cuts, automatic doors, Braille signs, and flexible kitchens, Universal Design purported to create a built environment for everyone, not only the average citizen. But who counts as “everyone,” Aimi Hamraie asks, and how can designers know? Blending technoscience studies and design history with critical disability, race, and feminist theories, Building Access interrogates the historical, cultural, and theoretical contexts for these questions, offering a groundbreaking critical history of Universal Design. Hamraie reveals that the twentieth-century shift from “design for the average” to “design for all” took place through liberal political, economic, and scientific structures concerned with defining the disabled user and designing in its name. Tracing the co-evolution of accessible design for disabled veterans, a radical disability maker movement, disability rights law, and strategies for diversifying the architecture profession, Hamraie shows that Universal Design was not just an approach to creating new products or spaces, but also a sustained, understated activist movement challenging dominant understandings of disability in architecture, medicine, and society. Illustrated with a wealth of rare archival materials, Building Access brings together scientific, social, and political histories in what is not only the pioneering critical account of Universal Design but also a deep engagement with the politics of knowing, making, and belonging in twentieth-century United States.