Actas Del Xviio Congreso Internacional De Americanistas
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Actas del XVII Congreso internacional de americanistas
Author | : Robert Lehmann-Nitsche |
Publsiher | : Unknown |
Total Pages | : 794 |
Release | : 1912 |
Genre | : America |
ISBN | : OSU:32435023125784 |
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Actas Del XVII Congreso Internacional De Americanistas Sesion De Buenos Aires 17 23 De Mayo De 1910
Author | : Robert Lehmann-Nitsche |
Publsiher | : Unknown |
Total Pages | : 784 |
Release | : 2020-07-21 |
Genre | : History |
ISBN | : 9354040497 |
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Actas Del XVIIo Congreso Internacional de Americanistas Sesi n de Buenos Aires 17 23 de Mayo 1910
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Author | : Robert Lehmann-Nitsche |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 1910 |
Genre | : Electronic Book |
ISBN | : OCLC:468294397 |
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Actas del XLI i e Cuarenta y un Congreso Internacional de Americanistas
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 736 |
Release | : 1975 |
Genre | : America |
ISBN | : UGA:32108046075357 |
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Brides of Christ
Author | : Asunción Lavrin |
Publsiher | : Stanford University Press |
Total Pages | : 529 |
Release | : 2008-05-13 |
Genre | : History |
ISBN | : 9780804752831 |
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Brides of Christ is a study of professed nuns and life in the convents of colonial Mexico.
A Social History of Black Slaves and Freedmen in Portugal 1441 1555
Author | : A. Saunders |
Publsiher | : Cambridge University Press |
Total Pages | : 310 |
Release | : 1982-02-11 |
Genre | : Literary Criticism |
ISBN | : 9780521231503 |
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This book is a detailed study of black slavery in Portugal during the fifteenth and sixteenth centuries.
Actas del XLI Congreso Internacional de Americanistas M xico 2 al 7 de septiembre de 1974
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 730 |
Release | : 1975 |
Genre | : Indians |
ISBN | : UCSD:31822011757002 |
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Cosmopolitanism in Mexican Visual Culture
Author | : María Fernández |
Publsiher | : University of Texas Press |
Total Pages | : 615 |
Release | : 2013-12-15 |
Genre | : Art |
ISBN | : 9780292754454 |
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Since the colonial era, Mexican art has emerged from an ongoing process of negotiation between the local and the global, which frequently involves invention, synthesis, and transformation of diverse discursive and artistic traditions. In this pathfinding book, María Fernández uses the concept of cosmopolitanism to explore this important aspect of Mexican art, in which visual culture and power relations unite the local and the global, the national and the international, the universal and the particular. She argues that in Mexico, as in other colonized regions, colonization constructed power dynamics and forms of violence that persisted in the independent nation-state. Accordingly, Fernández presents not only the visual qualities of objects, but also the discourses, ideas, desires, and practices that are fundamental to the very existence of visual objects. Fernández organizes episodes in the history of Mexican art and architecture, ranging from the seventeenth century to the end of the twentieth century, around the consistent but unacknowledged historical theme of cosmopolitanism, allowing readers to discern relationships among various historical periods and works that are new and yet simultaneously dependent on their predecessors. She uses case studies of art and architecture produced in response to government commissions to demonstrate that established visual forms and meanings in Mexican art reflect and inform desires, expectations, memories, and ways of being in the world—in short, that visual culture and cosmopolitanism are fundamental to processes of subjectification and identity.