Additions To Clay Bodies

Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen reveals a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice.Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world.Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for any artist wishing to expand their practice.

"Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms."--Back cover.

Formulating, mixing, applying and firing clay boolies and glazes.

Master potters John Hesselberth and Ron Roy present this practical guide to making and using cone 6 glazes. Artists will be able to quickly learn the basics of glaze chemistry and firing, and even formulate their own appealing glazes. Mastering Cone 6 Glazes is an invaluable resource for do-it-yourself potters of all ages and experience levels.

Traditionally, potters throughout the world have used local clays dug from a local source and used it relatively unrefined. The modern age now conveniently supplies us with ready mixed clays which are pre-dug and packaged, and in order to maintain consistency, impurities such as organic matter, large granular materials and colourants are often removed. Ironically however, it is often these very impurities that make the clay interesting, and potters and sculptors are now looking to add the interest back into their clay in the form of various additions, as well as introducing new things to create different textures, colour or surfaces. This book looks at the variety of materials being added, from oxides, sands, glass and metals to sawdust, leaves, paper and coal dust. It discusses methods of introducing these materials and the work being produced from these new combinations.

A well illustrated guide to finishing ceramic work without using a glaze.

This open access book presents papers displayed in the 2nd International Conference on Energy and Sustainable Futures (ICESF 2020), co-organised by the University of Hertfordshire and the University Alliance DTA in Energy. The research included in this book covers a wide range of topics in the areas of energy and sustainability including: • ICT and control of energy;• conventional energy sources;• energy governance;• materials in energy research;• renewable energy; and• energy storage. The book offers a holistic view of topics related to energy and sustainability, making it of interest to experts in the field, from industry and academia.

Building on the success of her previous Ceramics Handbook Paperclay, pioneering artist, researcher and teacher Rosette Gault explains how potters and clay sculptors can make, fire and use paperclay. In addition to the basics, she introduces more advanced techniques for building armatures, sculpting figures and making works for the wall.