Aesthetic Literacies In School And Work

This book argues the importance of aesthetic literacies in learning and teaching in schools for future work. The study of aesthetics is critical in today’s learning, due to the increasingly complex ways in which we communicate meaning, such as through the presentation of texts and objects. The book provides educators, pre-service teachers, and students an in-depth understanding of aesthetic literacies in innovative spaces, including in philosophical literature, environmental spaces, curricula and classrooms. Using various theoretical frames from both the arts and literacy fields, this book shares relevant pedagogies, theorisations and contexts where aesthetic literacies are at the core of learning. It emphasises how improved knowledge of aesthetics and quality experiences in beauty are vital in aiding students and young children develop the necessary resilience and tolerance needed in today’s uncertain world.

This book highlights the unique and co-generative intersections of the arts and literacy that promote critical and socially engaged teaching and learning. Based on a year-long ethnography with two literacy teachers and their students in an arts-based public high school, this volume makes an argument for arts-based education as the cultivation of a critical aesthetic practice in the literacy classroom. Through rich example and analysis, it shows how, over time, this practice alters the in-school learning space in significant ways by making it more constructivist, more critical, and fundamentally more relational.

Ray Misson and Wendy Morgan address the role of aesthetics in an age of postmodern criticism, showing how critical literacy and the aesthetic are reconcilable in literary theory and practice. Why does critical literacy often feel uncomfortable with aesthetic texts like poetry? In this provocative book, Ray Misson and Wendy Morgan, proponents of critical literacy in their home country of Australia, develop an understanding of the aesthetic in current poststructuralist terms and the role that the aesthetic might play in a critical literacy classroom. Throughout the book, their belief remains strong that "poststructuralism provides the best framework we have for understanding texts and their relationship to human society and identity." To demonstrate how the conjunction of critical literacy and the aesthetic can transform English classrooms, the authors draw examples from various genres, media, and countries, including poetry by Donne, Shakespeare, Robert Lowell, and Les Murray; To Kill a Mockingbird; an episode of Friends; and even one chapter using only the example of Huckleberry Finn. The authors reconfigure critical literacy so that it can give proper consideration to the aesthetic, which involves paying attention to such things as individual identity, human emotion, creativity, and the value and productivity of texts. Acknowledging these things within critical literacy is vital. As Misson and Morgan emphasize, "it is one of the greatest pleasures and responsibilities of being an English teacher that we work, critically and creatively, with the aesthetic and its rich sense of human possibility."

Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.

Civics and citizenship focus on providing students with the disposition and tools to effectively engage with their government. Critical literacy is necessary for responsible citizenship in a world where the quantity of information overwhelms quality information and misinformation is prevalent. Critical Literacy Initiatives for Civic Engagement is an essential reference source that discusses the intersection of critical literacy and citizenship and provides practical ways for educators to encourage responsible citizenship in their classrooms. Featuring research on topics such as language learning, school governance, and digital platforms, this book is ideally designed for professionals, teachers, administrators, academicians, and researchers.

This book has received the AESA (American Educational Studies Association) Critics Choice Award 2012. This book introduces a progressive type of education called Critical Aesthetic Pedagogy. This pedagogy utilizes the arts to promote critical learning, and incorporates particular types of aesthetic experiences into pedagogical practices to increase students' social empowerment and commitment to social justice. The first coherent body of work that marries critical pedagogy and aesthetics, the book guides theory and practice for teacher educators interested in infusing their critical pedagogical practices with the arts. It also proposes tangible reforms in the public school system that will enable a critical aesthetic process to take root and thrive. Critical Aesthetic Pedagogy can be used in upper-level undergraduate and graduate teacher education and art education courses. It can also help P-12 teachers and art organizations to successfully develop and carry out critical aesthetic practices at all levels. In addition, it provides a rationale for school administrators, community leaders, and educational policymakers for embracing critical aesthetic practices as a way to improve the education of all children.

Algorithmic and Aesthetic Literacy is a selection of texts aiming to extend current understandings of algorithmic and aesthetic literacy. The volume presents a wide array of transdisciplinary perspectives on computational and aesthetic practices and thinking. Drawing on computer and educational science, artistic research, designing and crafting, this collection delves deeply into societal and educational challenges in the wake of the digital transformation. The volume brings together diverse approaches and viewpoints to stimulate dialogue and awareness of the manifold ways in which algorithmic processes have become part of our lives. By extending our ability to respond to a data-driven world in creative and non-habitual ways, we will be better equipped to re-imagine and shape our collective future as meaningful and fulfilling.

This book reveals the nature, possibilities, and power of aesthetic play in teaching, learning, and researching at a middle school (Creative Arts Centre, Milton Williams School, Calgary, Alberta, Canada), which chooses to value the creating process across the entire school curriculum. Questions surface recursively throughout the book: What does it mean for teachers and students to experience and learn aesthetically? How is the aesthetic embodied in teachers' discourses and discursive patterns as well as in students' approaches to learning and in their work? What are the effects of learning through integration of the aesthetic into the school curriculum as a whole? The artistic form of collage acts as a literary device to address these questions from multiple perspectives.