African American And European Trajectories Of Modernity

"African, American and European Trajectories of Modernity asks why, from some moment onwards, 'Europe' and 'the rest of the world' entered into a particular relationship: one of domination, conceived as a kind of superiority and as an 'advance'." -- OCLC.

In many ways, United States was the perfect realization of the historical experience of modernity in the twentieth-century. In this instance, perfection means the most complex, the most complicated, and the most enabling yet at the same time the most disabling. African Americans have been the subjects and the victims of the most contradictory and violent historical forces in the formation of modernity in the American context. The specificity of the violent vortex of American modernity has situated AfricanAmericans in an avant-garde position in regard to other black people in the world.In founding the New Negro Movement in the late nineteenth-century to construct a New Negro modernity, African Americans were defining and articulating their singularity within American modernity. The construction of New Negro modernistic sensibilities was present across various disciplines, art forms and systems such as religion, literature, music, philosophy, performance, preaching and ideologies.Concerning cultural and national self-definition, like the African Americans who had designated themselves as "New Negroes" in modernity in contrast to the "Old Negro" of slavery times, Africans gave meaning to themselves as "New Africans" of modern societies in contradistinction to their former selves as "Old Africans" constituted intraditional societies. Across the first half of the twentieth-century, through cultural practices, political interventions and philosophical formulations, the New Africans of the New African Movement forged the historical principles of New African modernity in emulation of the New Negro modernity of the New Negro Movement.This book assembles together scholarly reflections and poems by leading African American and South African intellectuals, writers and artists regarding the historical nature of this interaction between New African modernity and New Negro modernity within the purview of the defeat of apartheid in South Africa in 1994.

Nu s-au introdus date

Western political thought has long maintained that democracy, once achieved, is here to stay. This view appears to be supported by successive 'waves of democratisation' across the world but, in truth, the political situation of our time is much more ambiguous. On the one hand, the commitment to democracy seems to be more widely shared than ever; on the other, popular will has ever less impact on political decisions because of alleged constraints in an era of 'globalisation'. Existing democracies suffer from a combination of technocratic governance and populist reactions. Global political communication has foundered with addressing urgent problems such as climate change, global social justice and economic-financial crises. By placing political condition of our time in its long-term historical context, this book radically reconsiders key issues of political thought and gives you a comparative exploration of the current experiences of democracy in several world-regions.

It is often taken for granted that modernity emerged in Europe and diffused from there across the world. This book questions that assumption and re-examines the question of European modernity in the light of world history. Bo Stråth and Peter Wagner re-position Europe in the global context of the 19th and 20th centuries. They show that Europe is less modern than has been assumed, and modernity less European and thus decentre Europe in a way that makes room for a wider historical perspective. Adopting a thematic structure, the authors reconceive the idea of European modernity in relation to key topics such as democracy, capitalism and market society, individual autonomy, religion and politics. European Modernity is an important addition to the literature that will be of interest to all students and scholars of modern European history.

This book presents a historical and political sociology of European history and society. It offers a critical interpretation of the course of European history looking at the emergence of the idea of Europe and the formation of modernity. Now fully updated, Delanty's second edition features commentary on Brexit, populism, the refugee crisis, and secessionism, as well as additional coverage of colonialism and the wider global context. The book will be in an invaluable resource for advanced undergraduates and postgraduate students of historical sociology, the history of Europe, nations and modernity, political sociology, and political and social theory.

The idea of progress guided human expectations and actions for over two centuries. From the Enlightenment onwards, it was widely believed that the condition of humankind could be radically improved. History had embarked on an unstoppable forward trajectory, realizing the promise of freedom and reason. The scientific revolution, the industrial revolution, and the French Revolution, in some views also the socialist revolution, were milestones on this march of progress. But since the late twentieth century the idea of progress has largely disappeared from public debate. Sometimes it has been explicitly declared dead. The wide horizon of future possibilities has closed. The best we can hope for, some say, is to avoid regress. What happened to progress? Why did we stop believing in it, if indeed we did? This book offers answers to these questions. It reviews both the conceptual history of progress and the social and political experiences with progress over the past two centuries, and it comes to a surprising conclusion: The idea of progress was misconceived from its beginnings, and the failure of progress in practice was a result of this flawed conception. The experiences of the past half century, in turn, has allowed us to rethink progress in a more adequate way. Rather than the end of progress, they may herald the beginning of a new, reconstructed idea of progress.

This book offers a novel sociological examination of the historical trajectories of Burundi and Rwanda. It challenges both the Eurocentric assumptions which have underpinned many sociological theorisations of modernity, and the notion that the processes of modernisation move gradually, if precariously, towards more peaceable forms of cohabitation within and between societies. Addressing these themes at critical historical junctures – precolonial, colonial and postcolonial – the book argues that the recent experiences of extremely violent social conflict in Burundi and Rwanda cannot be seen as an ‘object apart’ from the concerns of sociologists, as it is commonly presented. Instead, these experiences are situated within a specific route to and through modernity, one ‘entangled’ with Western modernity. A contribution to an emerging global historical sociology, Entanglements of Modernity, Colonialism and Genocide will appeal to scholars of sociology and social theory with interests in postcolonialism, historical sociology, multiple modernities and genocide.