African American Entertainers In Australia And New Zealand

 Eleven African Americans, including a musician, were among the First Fleet of colonial settlers to Australia. In the 150-plus following years, African Americans visiting the region included jubilee singers, vaudevillians, sports stars and general entertainers. This book provides the only comprehensive history of more than 350 African American entertainers in Australia and New Zealand between European settlement in Australia in 1788 and the entry of the United States into World War II in 1941. Famous names covered include boxer Jack Johnson, film star Nina Mae McKinney and jazz singer Eva Taylor. Background stories provide a multidimensional view of the entertainers' time in a place very far from home.

 Eleven African Americans, including a musician, were among the First Fleet of colonial settlers to Australia. In the 150-plus following years, African Americans visiting the region included jubilee singers, vaudevillians, sports stars and general entertainers. This book provides the only comprehensive history of more than 350 African American entertainers in Australia and New Zealand between European settlement in Australia in 1788 and the entry of the United States into World War II in 1941. Famous names covered include boxer Jack Johnson, film star Nina Mae McKinney and jazz singer Eva Taylor. Background stories provide a multidimensional view of the entertainers' time in a place very far from home.

This book examines the emotional engagements of both Indigenous and Non-Indigenous people with Indigenous history. The contributors are a mix of Indigenous and Non-Indigenous scholars, who in different ways examine how the past lives on in the present, as myth, memory, and history. Each chapter throws fresh light on an aspect of history-making by or about Indigenous people, such as the extent of massacres on the frontier, the myth of Aboriginal male idleness, the controversy over Flynn of the Inland, the meaning of the Referendum of 1967, and the policyand practice of Indigenous child removal.

This directory includes over 500 African American performers and theater people who have made a significant contribution to the American stage from the early 19th century to the beginning of the civil rights movement of the 1960s. Entries provide succinct biographical and theatrical information gathered from a variety of sources including library theater and drama collections, dissertations and theses, newspaper and magazine reviews and criticism, theater programs, theatrical memoirs, and earlier performing arts directories. Among the professional artists included in this volume are performers, librettists, lyricists, directors, producers, choreographers, stage managers, and musicians. The individuals profiled represent almost every major category and genre of the professional, semiprofessional, regional, and academic stage including minstrelsy, vaudeville, musical theater, and drama. Persons of historical significance are included as well as those stars and theatrical personalities that were well known during their time but who are relatively forgotten today. This comprehensive volume will appeal to theater and musical theater, Black studies, and American studies scholars. Cross-referenced throughout, this reference also includes an extensive bibliography and appendices of other theater personalities excluded from the main text. Separate indexes list the personalities, teams and partnerships, and performing groups, organizations, and companies.

Marian Roberts, Roland Hayes, and Paul Robeson were among the most visible early African American concert singers, but they were not the only ones. Many others were involved in the arts as concert singers and, given the times in which they lived, achieved tremendous results in the face of great adversity and helped pave the way for the post-1950 African American vocal artist. Drawn from articles, reviews, programs, biographical sources, and interviews, this work is a survey of the unknown early African American concert singers. Much of the information from periodicals was taken from The New York Amsterdam News, The Chicago Defender, and The New York Age. The book covers the African Americans who came before Roberts, Hayes, and Robeson, and details the opportunities available in Europe for black concert singers.

"The stimulus this handsomely produced volume will provide to research and teaching may well surpass that offered by Dr. Southern's earlier studies. This major accomplishment belongs in the libraries of all individuals and institutions interested in any aspect of American music." Ethnomusiciology

Collection of essays concerning how African-American musical idioms were spread across Europe by African-American musicians

Some Hustling This!:Taking Jazz to the World, 1914-1929 is a narrative of first encounters, notable events, and significant figures in the internationalization of jazz. The narrative is framed by Louis Mitchell’s career abroad, beginning with his first trip as a drummer with the Southern Symphony Quintette to London in 1914 and concluding with his final attempt as an entrepreneur to operate a nightclub in Paris in 1929. The 15 years of Mitchell’s European sojourn encompassed the Jazz Age, which has been dated from around the time of the end of the First World War in November 1918 to the New York stock market crash of October 1929. Some Hustling This! is the story of the young men and women who took jazz in its formative stages to the world— a story of hope, escape, and wanderlust, success, infamy, and tragedy.