African Americans Of Portland

The prolific journey of African Americans in Portland is rooted in the courageous determination of black pioneers to begin anew in an unfamiliar and often hostile territory. By 1890, the majority of Oregon's black population resided in Multnomah County, and Portland became the center of a thriving black middle-class community.

Portland, Oregon, though widely regarded as a liberal bastion, also has struggled historically with ethnic diversity; indeed, the 2010 census found it to be “America’s whitest major city.” In early recognition of such disparate realities, a group of African American activists in the 1960s formed a local branch of the Black Panther Party in the city’s Albina District to rally their community and be heard by city leaders. And as Lucas Burke and Judson Jeffries reveal, the Portland branch was quite different from the more famous—and infamous—Oakland headquarters. Instead of parading through the streets wearing black berets and ammunition belts, Portland’s Panthers were more concerned with opening a health clinic and starting free breakfast programs for neighborhood kids. Though the group had been squeezed out of local politics by the early 1980s, its legacy lives on through the various activist groups in Portland that are still fighting many of the same battles. Combining histories of the city and its African American community with interviews with former Portland Panthers and other key players, this long-overdue account adds complexity to our understanding of the protracted civil rights movement throughout the Pacific Northwest.

An investigation into gentrification and displacement, focusing on the case of Portland, Oregon's systematic dispersal of black residents from its Albina neighborhood. Portland, Oregon, is one of the most beautiful, livable cities in the United States. It has walkable neighborhoods, bike lanes, low-density housing, public transportation, and significant green space—not to mention craft-beer bars and locavore food trucks. But liberal Portland is also the whitest city in the country. This is not circumstance; the city has a long history of officially sanctioned racialized displacement that continues today. Over the last two and half decades, Albina—the one major Black neighborhood in Portland—has been systematically uprooted by market-driven gentrification and city-renewal policies. African Americans in Portland were first pushed into Albina and then contained there through exclusionary zoning, predatory lending, and racist real estate practices. Since the 1990s, they've been aggressively displaced—by rising housing costs, developers eager to get rid of low-income residents, and overt city policies of gentrification. Displacement and dispossessions are convulsing cities across the globe, becoming the dominant urban narratives of our time. In What a City Is For, Matt Hern uses the case of Albina, as well as similar instances in New Orleans and Vancouver, to investigate gentrification in the twenty-first century. In an engaging narrative, effortlessly mixing anecdote and theory, Hern questions the notions of development, private property, and ownership. Arguing that home ownership drives inequality, he wants us to disown ownership. How can we reimagine the city as a post-ownership, post-sovereign space? Drawing on solidarity economics, cooperative movements, community land trusts, indigenous conceptions of alternative sovereignty, the global commons movement, and much else, Hern suggests repudiating development in favor of an incrementalist, non-market-driven unfolding of the city.

MAINE'S VISIBLE BLACK HISTORY, by H. H. Price and Gerald Talbot, explores how Black men and women have been integral parts of Maine culture and society since the beginning of the colonial era. Indeed, Mainers of African descent served in every American conflict from the King Philip's War to the present. However, the many contributions of blacks in shaping Maine and the nation have, for a number of reasons, gone largely unacknowledged. Maine's Visible Black History now uncovers and reveals a rich and long--neglected strata of state history and proves a very real connection to regional and national events.

From the beginning, even before the wagon trains, African Americans have played an essential part in building Oregon. In Marion and Polk counties, they overcame the obstacles of wilderness, prejudice, and isolation, helping to create a vibrant community. They have often been left out of the paintings and statues, but Perseverance brings you many of their names and describes the ways they have made history, taking their rightful place among pioneers past and present in the Willamette Valley. Oregon history is the richer for Perseverance. Thanks to the Oregon Northwest Black Pioneers for documenting the history and character of Oregon 's African Americans. We can now fully embrace the African American community 's perseverance and hardships and triumphs and rejoice in their innumerable contributions to our state. This book shines a spotlight on some important Oregonians you ve probably never heard of, and fills large gaps in our state 's history. Mary Oberst, First Lady of Oregon, 2003 11 This carefully researched document brings the story of Oregon 's African Americans to life. Perseverance is a must read for those who love history and, even more, tales of the people who made Oregon. Victor Atiyeh, Governor of Oregon, 1979 87 This book fills a big gap in the history of African Americans in Oregon. I encourage history lovers to read it and learn more about an important aspect of Northwest history. George L. Vogt, Executive Director, Oregon Historical Society Perseverance offers an extremely insightful picture of Oregon history, providing a glimpse into the true diversity of Oregon society by giving voice to those who have previously been ignored. Readers will learn about the heritage of the African American community in western Oregon as well as the complexities and challenges they faced. Peter MacMillan Booth, PhD, Willamette Heritage Center at The Mill

What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti--Backcover.

This new collection of essays, contributed by scholars and former Panthers, is a ground-breaking work that offers thought-provoking and pertinent observations about the many facets of the Party. By placing the perspectives of participants and scholars side by side, Dr. Jones presents an insider view and initiates a vital dialogue that is absent from most historical studies.

Remembering the Power of Wordsrecounts the personal and professional journey of Avel Gordly, the first African-American woman elected to the Oregon State Senate. The book is a brave and honest telling of Gordly's life. She shares the challenges and struggles she faced growing up black in Portland in the 1950s and 1960s, as well as her determination to attend college, the dedication to activism that took her from Portland to Africa, and her eventual decision to run for a seat in the state legislature. That words have power is a constant undercurrent in Gordly's account and a truth she learned early in life. "Growing up, finding my own voice," she writes, "was tied up with denying my voice or having it forcefully rejected and in all of that the memory of my father is very strong. To this day--and I am today a very experienced public speaker--preparation to speak takes a great deal of energy." That this memoir has its origins as an oral history is fitting since Gordly has used her voice, out loud, to teach and inspire others for so many years. Important as a biographical account of one significant Oregonian's story, the book also contributes "broader narratives touching on Black history (and Oregon's place within it), and most particularly the politics associated with being an African American woman," according to series editor Melody Rose. The inaugural volume in the Women and Politics in the Pacific Northwest Series (series editor, Melody Rose)