African Style

"Today more and more of us are striving to bring personal meaning and beauty into our lives and homes. African style is the perfect way to express that joy in living, whether your look is formal, traditional, minimal, casual country, or eclectic," writes Sharne Algotsson in her stunning new book, African Style: Down to the Details. Following on the success of her first book, The Spirit of African Design, written with Denys Davis, Sharne now offers a gorgeous, hands-on guide to decorating any home with the richness of Africa. Bursting with hundreds of full-color photographs, African Style: Down to the Details looks at a full range of home decorating options, with chapters on Color, Paint, and Pattern; Textiles; Furniture; Accessories and Display; and The Mix, which reveals how to coordinate all the elements to create a harmonious whole. Sharne offers a number of simple, inexpensive but exciting how-to projects that can revitalize a room, such as an African-Style Padded Window Cornice, as well as dramatic before-and-after photographs of quick makeovers for chairs, tables, mantels, and more. Written by the leading expert in the field, this book is a treasure trove of practical advice, decorating tips, and insider shortcuts for incorporating the vibrant beauty of Africa into any home, on any budget. In addition, an extensive resources section makes it easy for readers to locate hard-to-find specialty stores and suppliers of textiles, furniture, and accessories. Whether you want to redecorate your entire home or simply add a few fresh accents, African Style: Down to the Details is a dazzling celebration of the continent's unparalleled aesthetic.

African Fashion, Global Style provides a lively look at fashion, international networks of style, material culture, and the world of African aesthetic expression. Victoria L. Rovine introduces fashion designers whose work reflects African histories and cultures both conceptually and stylistically, and demonstrates that dress styles associated with indigenous cultures may have all the hallmarks of high fashion. Taking readers into the complexities of influence and inspiration manifested through fashion, this book highlights the visually appealing, widely accessible, and highly adaptable styles of African dress that flourish on the global fashion market.

It's a special day in Macy's classroom as all the children come in dressed up in their most stylish African clothing! Zahra's Ethiopian dress is covered in beads, while Malika's Namibian outfit is bursting with colours. And who is hiding behind that elephant mask from Cameroon? No two outfits are the same, in this beautiful and varied parade of clothing from across Africa!

Stunning photographic volume showcasing the stylistic diversity of Africa's foremost luxury and eco-safari lodges Safari Style unveils Africa's new generation of camps and lodges in a lavish volume of spectacular photographs. The book captures the astonishing settings and design ingenuity of the 21st-century safari destination--from the classic lodges of Kenya to the indulgent resorts of South Africa and the inspired eco-designed camps of Rwanda. Handpicked for their outstanding locations in wildlife enclaves, and for their distinctly regional architecture and interiors, these special properties represent the ultimate African encounter. Drawing on the early 20th-century tradition of the safari, they have reinvigorated the experience with access to parts of Africa previously out of bounds, notably Rwanda, Namibia, and Zimbabwe. These new camps and lodges reinvent the safari and represent a fresh approach to wildlife conservation involving local population -Bound in metallic cloth with velvet flocking

In this detailed history of domestic architecture in West Africa, Peter Mark shows how building styles are closely associated with social status and ethnic identity. Mark documents the ways in which local architecture was transformed by long-distance trade and complex social and cultural interactions between local Africans, African traders from the interior, and the Portuguese explorers and traders who settled in the Senegambia region. What came to be known as "Portuguese" style symbolized the wealth and power of Luso-Africans, who identified themselves as "Portuguese" so they could be distinguished from their African neighbors. They were traders, spoke Creole, and practiced Christianity. But what did this mean? Drawing from travelers' accounts, maps, engravings, paintings, and photographs, Mark argues that both the style of "Portuguese" houses and the identity of those who lived in them were extremely fluid. "Portuguese" Style and Luso-African Identity sheds light on the dynamic relationship between identity formation, social change, and material culture in West Africa.

This study deals with a particular kind of short story in South African English literature - a kind of story variously called the fireside tale, tall tale, skaz narrative or (the term used here) the 'oral-style' story. Most famously exemplified in the Oom Schalk Lourens narratives of Herman Charles Bosman, the oral-style story has its roots in the hunting tale and camp-fire yarn of the nineteenth century and has dozens of exponents in South African literature, most of them long forgotten. Here this neglect has been addressed. A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre. In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story. The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele.

African fashion is as diverse and dynamic as the continent and the people who live there. This book puts Africa at the intersection of world cultures and globalized identities, displaying the powerful creative force and impact of newly emerging styles. Richly illustrated with color photographs, this book showcases haute couture for the African continent.--[book cover].

This book investigates the ways in which soft power is used by African countries to help drive global influence. Selecting four of the countries most associated with soft power across the continent, this book delves into the currencies of soft power across the region: from South Africa’s progressive constitution and expanding multinational corporations, to Nigeria’s Nollywood film industry and Technical Aid Corps (TAC) scheme, Kenya’s sport diplomacy, fashion and tourism industries, and finally Egypt’s Pan-Arabism and its reputation as the cradle of civilisation. The book asks how soft power is wielded by these countries and what constraints and contradictions they encounter. Understandings of soft power have typically been driven by Western scholars, but throughout this book, Oluwaseun Tella aims to Africanise our understanding of soft power, drawing on prominent African philosophies, including Nigeria’s Omolúwàbí, South Africa’s Ubuntu, Kenya’s Harambee, and Egypt’s Pharaonism. This book will be of interest to researchers from across political science, international relations, cultural studies, foreign policy and African Studies. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/ 9781003176022, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license