Afro Argentine Discourse

In Afro-Argentine Discourse, Marvin A. Lewis attempts to write blacks back into the literary history of Argentina by treating in depth, for the first time, the written expression of Argentines of African descent during the late nineteenth and early twentieth centuries. Because their contributions are overlooked or minimized in most literary histories, it is often assumed that blacks had little or no part in the development of Argentine literature. Through original archival research, Lewis corrects this erroneous assumption by examining texts never before made available to the academic community. Afro-Argentine Discourse investigates a new dimension of the black experience in the Americas and will stir much interest and debate regarding the black presence in Argentina.

The influence of the Afro-Argentine on Argentine culture is examined in this study, with chapters devoted to the evolution of Argentine demographic policy, the historical context for the role of the Afro-Argentine, the various views different parts of society had of the Afro-Argentines, and their place in Argentine popular creole culture. Castro teaches history at California State U. in Dominguez Hills. c. Book News Inc.

The gripping story of Afro-Argentine celebrity Raúl Grigera that also tells the untold history of Black Argentina.

Racism and Discourse in Latin America investigates how public discourse is involved in the daily reproduction of racism in Latin America. The essays examine political discourse, mass media discourse, textbooks and other forms of text, and talk by the white symbolic elites, looking at the ways these discourses express and confirm prejudices against indigenous people and against people from African descent. The essays show that ethnic and racial inequality in Latin America continue to exacerbate the chasm between the rich and the poor, despite formal progress in the rights of minorities during the last decades. Teun A. van Dijk brings together a multidisciplinary team of linguists and social scientists from eight Latin American countries (Mexico, Guatemala, Colombia, Venezuela, Brazil, Argentina, Chile, and Peru), creating the first work in English that provides comprehensive insight into discursive racism across Latin America.

At the turn of the twenty-first century, Argentina was in the midst of its worst economic crisis in decades, the result of years of drastic neoliberal reforms. This book looks at the way ideas about race and nationhood were conveyed during this period of financial meltdown and national emergency, examining in particular how the neoliberal crisis led to the critical self-questioning of the dominant imaginary of Argentina as homogeneously white – allegedly the result of European immigration and the extinction of most indigenous and black people in the nation-building age. The Darkening Nation focuses on how the self-examination of racial and national identity triggered by this crisis was expressed in culture, through the analysis of literary texts, films, artworks and music styles. By considering a wide range of artistic and cultural products, and different forms of racial identity and difference (white, indigenous, Afro-descendant, immigrant and negro as it is understood in local contexts), this study constitutes a timely addition from a literary and cultural studies perspective to recent academic enquiry into race and nation in Argentina.

This is a continuing process to which the written record holds the key. It has been common knowledge among literary historians that Afro-Uruguayans published a number of periodicals beginning as early as 1872. It is only now, however, with recent discoveries in the National Library in Montevideo that the extent of this production has become evident. It is primarily through these periodicals, the focus here, that much of the cultural legacy of Afro-Uruguayans can be reconstructed."--BOOK JACKET.