After Death Comes Water

'Allow yourself to be outraged and furious, allow yourself to be swept into Joy Goswami's intimate world of passion. His poems are breathtaking. They will momentarily remind you of the time you were resting your head on the chest of a lover, and by the turn of a page remind you of the bloodbath which exists in the world outside. Sampurna Chattarji's translations breathes life and fire into his words.' -- Meena Kandasamy. An essential collection of prose poetry from Joy Goswami, the most important poet writing in Bengali since Jibanananda Das. Selected and translated by Sampurna Chattarji, this book showcases the extraordinary range of the writer's genius and inventiveness.

In the aftermath of the Mexican-American War, two French Jesuit priests travel to the American Southwest to establish a new Roman Catholic diocese. The novel follows the priests’ adventures, friendship, and spiritual journey.

Murder makes a debut on the London social scene in this Regency-era mystery by the author of Death Comes to the Village. With the reluctant blessings of their father, the rector of Kurland St. Mary, Lucy Harrington and her sister Anna leave home for a social season in London. At the same time, Lucy’s special friend Major Robert Kurland is summoned to the city to accept a baronetcy for his wartime heroism. Amidst the dizzying whirl of balls and formal dinners, the focus shifts from mixing and matchmaking to murder when the dowager Countess of Broughton, the mother of an old army friend of Robert, drops dead. When it's revealed she's been poisoned, Robert’s former betrothed, Miss Chingford, is accused, and she in turn points a finger at Anna. To protect her sister, Lucy enlists Robert's aid in drawing out the true culprit. But with suspects ranging from resentful rivals and embittered family members to the toast of the ton, it will take all their sleuthing skills to unmask the poisoner before more trouble is stirred up… Praise for Death Comes to London “Lucy’s second case…is a pleasant combination of Regency romance and mystery that evokes fond memories of Georgette Heyer.”—Kirkus Reviews “Fans of mysteries and intelligent Regencies will like this book, and should read the first one, too.”—Historical Novel Society

The Collected Works of C. G. Jung is a multi-volume work containing the writings of psychiatrist Carl Jung. Contains revised versions of works previously published, works not previously translated, and new translations of virtually all of Jung's writings. Prior to his death he supervised the textual revision. Several of the volumes are extensively illustrated; each contains an index and most a bibliography.

A complete revision of Psychology of the Unconscious (orig. 1911-12), Jung's first important statement of his independent position.

For the first time, The Collected Works of C. G. Jung is now available in a complete digital edition that is full-text searchable. The Complete Digital Edition includes Vols. 1–18 and Vol. 19, the General Bibliography of C. G. Jung's Writings. (Vol. 20, the General Index to the Collected Works, is not included.) Volumes 1–18 of The Collected Works are available for individual purchase and are also full-text searchable at http://press.princeton.edu/catalogs/series/bscwj.html [The Collected Works of C.G. Jung]. The Collected Works of C. G. Jung forms one of the basic texts of twentieth-century thought: at once foundational for depth psychology and pivotal for intellectual, cultural, and religious history. The writings presented here, spanning five decades, embody Jung's attempt to establish an interdisciplinary science of analytical psychology, and apply its insights to the fields of psychiatry, criminology, psychotherapy, psychoanalysis, personality psychology, anthropology, physics, biology, education, the arts and literature, the history of the mind and its symbols, comparative religion, alchemy, and contemporary culture and politics, among others: each in turn has been decisively marked by his thought. Of timely and ongoing relevance to the understanding of these fields, Jung's writings are at the same time essential reading for any understanding of the making of the modern mind.

A rare meeting of literary genius: P. D. James, long among the most admired mystery writers of our time, draws the characters of Jane Austen’s beloved novel Pride and Prejudice into a tale of murder and emotional mayhem. It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball. Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery. Inspired by a lifelong passion for Austen, P. D. James masterfully re-creates the world of Pride and Prejudice, electrifying it with the excitement and suspense of a brilliantly crafted crime story, as only she can write it.

C. G. Jung and the Dead: Visions, Active Imagination and the Unconscious Terrain offers an in-depth look at Jung’s encounters with the dead, moving beyond a symbolic understanding to consider these figures a literal presence in the psyche. Stephani L. Stephens explores Jung’s personal experiences, demonstrating his skill at visioning in all its forms as well as detailing the nature of the dead. This unique study is the first to follow the narrative thread of the dead from Memories, Dreams, Reflections into The Red Book, assessing Jung’s thoughts on their presence, his obligations to them, and their role in his psychological model. It offers the opportunity to examine this previously neglected theme unfolding during Jung’s period of intense confrontation with the unconscious, and to understand active imagination as Jung’s principle method of managing that unconscious content. As well as detailed analysis of Jung’s own work, the book includes a timeline of key events and case material. C. G. Jung and the Dead will offer academics and students of Jungian and post-Jungian studies, the history of psychology, Western esoteric history and gnostic and visionary traditions a new perspective on Jung’s work. It will also be of great interest to Jungian analysts and psychotherapists, analytical psychologists and practitioners of other psychological disciplines interested in Jungian ideas.