After Iraq

More than a decade after the U.S.-led invasion of Iraq, most studies of the Iraq conflict focus on the twin questions of whether the United States should have entered Iraq in 2003 and whether it should have exited in 2011, but few have examined the new Iraqi state and society on its own merits. Iraq after America examines the government and the sectarian and secular factions that have emerged in Iraq since the U.S. invasion of 2003, presenting the interrelations among the various elements in the Iraqi political scene. The book traces the origins of key trends in recent Iraqi history to explain the political and social forces that produced them, particularly during the intense period of civil war between 2003 and 2009. Along the way, the author looks at some of the most significant players in the new Iraq, explaining how they have risen to prominence and what their aims are. The author identifies the three trends that dominate Iraq's post-U.S. political order: authoritarianism, sectarianism, and Islamist resistance, tracing their origins and showing how they have created a toxic political and social brew, preventing Iraq's political elite from resolving the fundamental roots of conflict that have wracked that country since 2003 and before. He concludes by examining some aspects of the U.S. legacy in Iraq, analyzing what it means for the United States and others that, after more than a decade of conflict, Iraq's communities—and its political class in particular—have not yet found a way to live together in peace.

Many on the left lament an apathy or amnesia toward recent acts of war. Particularly during the George W. Bush administration's invasion of Iraq, opposition to war seemed to lack the heat and potency of the 1960s and 1970s, giving the impression that passionate dissent was all but dead. Through an analysis of three politically engaged works of art, Rosalyn Deutsche argues against this melancholic attitude, confirming the power of contemporary art to criticize subjectivity as well as war. Deutsche selects three videos centered on the deployment of the atomic bomb: Krzysztof Wodiczko's Hiroshima Projection (1999), made after the first Gulf War; Silvia Kolbowski's After Hiroshima mon amour (2005-2008); and Leslie Thornton's Let Me Count the Ways (2004-2008), which followed the U.S. invasion of Iraq. Each of these works confronts the ethical task of addressing historical disaster, and each explores the intersection of past and present wars. These artworks profoundly contribute to the discourse of war resistance, illuminating the complex dynamics of viewing and interpretation. Deutsche employs feminist and psychoanalytic approaches in her study, questioning both the role of totalizing images in the production of warlike subjects and the fantasies that perpetuate, especially among the left, traditional notions of political dissent. She ultimately reveals the passive collusion between leftist critique and dominant discourse in which personal dimensions of war are denied.

A female marine’s “absorbing memoir” recounting her work with the remains and personal effects of fallen soldiers and her battle with PTSD (Publishers Weekly). In 2008, CBS chief foreign correspondent Lara Logan candidly speculated about the human side of the war in Iraq: “Tell me the last time you saw the body of a dead American soldier. What does that look like? Who in America knows what that looks like? Because I know what that looks like, and I feel responsible for the fact that no one else does . . .” Logan’s query raised some important yet ignored questions: How did the remains of American service men and women get from the dusty roads of Fallujah to the flag-covered coffins at Dover Air Force Base? And what does the gathering of those remains tell us about the nature of modern warfare and about ourselves? These questions are the focus of Jessica Goodell’s story Shade It Black: Death and After in Iraq. Goodell enlisted in the Marines immediately after graduating from high school in 2001, and in 2004 she volunteered to serve in the Marine Corps’ first officially declared Mortuary Affairs unit in Iraq. Her platoon was tasked with recovering and processing the remains of fallen soldiers. With sensitivity and insight, Goodell describes her job retrieving and examining the remains of fellow soldiers lost in combat in Iraq, and the psychological intricacy of coping with their fates, as well as her own. Death assumed many forms during the war, and the challenge of maintaining one’s own humanity could be difficult. Responsible for diagramming the outlines of the fallen, if a part was missing she was instructed to “shade it black.” This insightful memoir also describes the difficulties faced by these Marines when they transition from a life characterized by self-sacrifice to a civilian existence marked very often by self-absorption. In sharing the story of her own journey, Goodell helps us to better understand how post-traumatic stress disorder affects female veterans. With the assistance of John Hearn, she has written one of the most unique accounts of America’s current wars overseas yet seen.

This book explores the challenges of creating a secure and stable Iraq in the wake of the military campaign against the Islamic State of Iraq and al-Sham (ISIS). Analyzing the impact of the fight against ISIS, the collection provides answers to questions relating to both political and humanitarian considerations in Iraqi post-war recovery. In their analysis, the editors and authors develop policy recommendations for the international and Iraqi political communities. It is essential reading for those interested in politics, international relations, post-war recovery, counter-terrorism, Middle Eastern studies and Iraqi studies scholars.

Regardless of its outcome, the Iraq War has had a transformative effect on the Middle East. To equip U.S. policymakers to better manage the war's long-term consequences, the authors analyzed its effects on the regional balance of power, local perceptions of U.S. credibility, the domestic stability of neighboring states, and trends in terrorism after conducting extensive interviews in the region and drawing from an array of local media sources.

As Iraq descends ever closer to civil war, no one doubts that George W. Bush's Iraq strategy has been an abysmal failure—just as Gwynne Dyer argued it would be in both Ignorant Armies and Future: Tense. The question now is what will happen not just in Iraq but in the whole Middle East region once American troops are withdrawn. In The Mess They Made, Dyer predicts that the Middle East will go through the biggest shake up since the region was conquered and folded into the Ottoman Empire five centuries ago. In his trademark vivid prose, and in arguments as clear as his research is thorough, Dyer brings his considerable knowledge and understanding of the region to bear on the issue of how widespread the meltdown in the Middle East will likely be. In five chapters, Dyer points the way from present policies and events to likely future developments in Iraq, Iran, Afghanistan, and in the various other countries of the region, not least of which is nuclear-armed Israel.

This book addresses the complex events and unexpected outcomes of military intervention by the United States and its allies in Iraq in 2003. Considering the long-term outcomes of the intervention, this volume examines economic collapse, societal disorder, and increased regional conflict in Iraq. The book assesses the means by which American strategists imposed a new political order, generalising corruption, sectarian preference, and ethnic cleansing, and stimulating mass population movements in and from Iraq. Mobilising a multidisciplinary perspective, the book explores the rise and fall of Iraq’s confessional leaders, the emergence of a popular movement for reform, and the demands of young radicals focused upon revolutionary change. The product of years of intensive research by Iraqis and international scholars, Iraq since the Invasion considers how an initiative designed to produce “regime change” favourable to the United States and its allies brought unprecedented influence for Iran—both in Iraq and the wider Gulf region. It analyses events in Kurdistan and the impacts of change on relations between Iraq and its neighbours. The book includes a wealth of detail on political, social, and cultural change, and on the experiences of Iraqis during long years of upheaval. It will be of value to researchers and students interested in international relations, development studies, and Middle East politics.

We feel for the men and women who are risking their lives at war, but what of the families they’ve left behind? In gorgeous prose, a military wife describes a year in her family’s life—a year in which her husband leaves for war and returns, and prepares again to leave. Melissa Seligman’s son is a newborn, and her daughter, a toddler, when her husband ships out to Iraq. Starting with that day, and focusing on the months that follow, she movingly describes the balancing act her life has become: being a loving mother to her young children, with the haunting knowledge that her husband, their father, could be killed at any time. Seligman doesn’t hesitate to express her inner pain. She watches her daughter acting out in fury. Then there’s her own anger. Ultimately, though, she comes to accept her life and appreciate the strength and determination of her loving children and husband. It’s a book to read in one sitting, and to think about for years.