After Representation

After Representation? explores one of the major issues in Holocaust studiesùthe intersection of memory and ethics in artistic expression, particularly within literature. As experts in the study of literature and culture, the scholars in this collection examine the shifting cultural contexts for Holocaust representation and reveal how writersùwhether they write as witnesses to the Holocaust or at an imaginative distance from the Nazi genocideùarticulate the shadowy borderline between fact and fiction, between event and expression, and between the condition of life endured in atrocity and the hope of a meaningful existence. What imaginative literature brings to the study of the Holocaust is an ability to test the limits of language and its conventions. After Representation? moves beyond the suspicion of representation and explores the changing meaning of the Holocaust for different generations, audiences, and contexts.

"The waning of the century-old modernist movement in the arts has called forth an astonishing array of artistic and critical responses. The twenty-five essays in Art After Modernism provide a comprehensive survey of the most provocative directions taken by recent art and criticism, exploring such topics as the decline of the ideology of modernism in the arts and the emergence of a wide range of postmodern practices; recent directions in painting, film, video, and imagery; and the dynamics of the social network in which art is produced and disseminated. This major collection is an indispensable guide to the ideas and issues animating this decade's art--the far-reaching cultural reorientation known as postmodernism"--Back cover

Instead of asking questions about the symbolic meaning or underlying "truth" of a work of art, renée c. hoogland is concerned with the actual "work" that it does in the world (whether intentionally or not). Why do we find ourselves in tears in front of an abstract painting? Why do some cartoons of the prophet Muhammad generate worldwide political outrage? What, in other words, is the compelling force of visual images, even—or especially—if they are nonfigurative, repulsive, or downright "ugly"? Rather than describing, analyzing, and interpreting artworks, hoogland approaches art as an event that obtains on the level of actualization, presenting "retellings" of specific artistic events in the light of recent interventions in aesthetic theory, and proposing to conceive of the aesthetic encounter as a potentially disruptive, if not violent, force field with material, political, and practical consequences.

This text covers a variety of topics in representation theory and is intended for graduate students and more advanced researchers who are interested in the field. The book begins with classical representation theory of finite groups over complex numbers and ends with results on representation theory of quivers. The text includes in particular infinite-dimensional unitary representations for abelian groups, Heisenberg groups and SL(2), and representation theory of finite-dimensional algebras. The last chapter is devoted to some applications of quivers, including Harish-Chandra modules for SL(2). Ample examples are provided and some are revisited with a different approach when new methods are introduced, leading to deeper results. Exercises are spread throughout each chapter. Prerequisites include an advanced course in linear algebra that covers Jordan normal forms and tensor products as well as basic results on groups and rings.

In Framing Muslims: Stereotyping and Representation after 9/11, Peter Morey and Amina Yaqin dissect how stereotypes that depict Muslims as an inherently problematic presence in the West are constructed, deployed, and circulated in the public imagination, producing an immense gulf between representation and a considerably more complex reality.

Representation theory investigates the different ways in which a given algebraic object--such as a group or a Lie algebra--can act on a vector space. Besides being a subject of great intrinsic beauty, the theory enjoys the additional benefit of having applications in myriad contexts outside pure mathematics, including quantum field theory and the study of molecules in chemistry. Adopting a panoramic viewpoint, this book offers an introduction to four different flavors of representation theory: representations of algebras, groups, Lie algebras, and Hopf algebras. A separate part of the book is devoted to each of these areas and they are all treated in sufficient depth to enable and hopefully entice the reader to pursue research in representation theory. The book is intended as a textbook for a course on representation theory, which could immediately follow the standard graduate abstract algebra course, and for subsequent more advanced reading courses. Therefore, more than 350 exercises at various levels of difficulty are included. The broad range of topics covered will also make the text a valuable reference for researchers in algebra and related areas and a source for graduate and postgraduate students wishing to learn more about representation theory by self-study.

Strategy Representation: An Analysis of Planning Knowledge describes an innovative methodology for investigating the conceptual structures that underlie human reasoning. This work explores the nature of planning strategies--the abstract patterns of planning behavior that people recognize across a broad range of real world situations. With a sense of scale that is rarely seen in the cognitive sciences, this book catalogs 372 strategies across 10 different planning domains: business practices, education, object counting, Machiavellian politics, warfare, scientific discovery, personal relationships, musical performance, and the anthropomorphic strategies of animal behavior and cellular immunology. Noting that strategies often serve as the basis for analogies that people draw across planning situations, this work attempts to explain these analogies by defining the fundamental concepts that are common across all instances of each strategy. By aggregating evidence from each of the strategy definitions provided, the representational requirements of strategic planning are identified. The important finding is that the concepts that underlie strategic reasoning are of incredibly broad scope. Nearly 1,000 fundamental concepts are identified, covering every existing area of knowledge representation research and many areas that have not yet been adequately formalized, particularly those related to common sense understanding of mental states and processes. An organization of these concepts into 48 fundamental areas of knowledge and representation is provided, offering an invaluable roadmap for progress within the field.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.