After The Winter

Claudio’s apartment faces a wall. Rising from bed, he sets his feet on the floor at the same time, to ground himself. Cecilia sits at her window, contemplating a cemetery, the radio her best companion. In parallel and entwining stories that move from Havana to Paris to New York City, no routine, no argument for the pleasures of solitude, can withstand our most human drive to find ourselves in another, and fall in love. And no depth of emotion can protect us from love’s inevitable loss.

A sequel to the award-winning Buffalo Dance offers a dramatic and poetic reimagining of the Lewis and Clark expedition into the unexplored wilderness of the American West in a series of poems that share the narrator York's perspectives on the members of the party and the people and places they encounter along the way. Simultaneous.

McKay's 1922 poetry collection, Harlem Shadows, was among the first books published during the Harlem Renaissance and his novel Home To Harlem was a watershed contribution to its fiction. Festus Claudius "Claude" McKay OJ was a Jamaican-American writer and poet. He was a central figure in the Harlem Renaissance.

From the authors of The New York Times bestsellers Empty Bottles Full of Stories and Falling Toward the Moon comes a brand-new collection of compelling poetry and prose. There's a harshness in the air; the season is changing its colors. The rain is chilled, icy to the touch, and the sky, filled with melancholy. Your search for warmth has brought you here; you starve for something profound. You require something that will resonate with your soul. Despite how cold, you're determined to grow. And with these words, you bloom, a winter rose.

The dazzling new collection from the winner of the 2020 Nobel Prize in Literature. Louise Glück's work consistently draws on her own experience, looking for the common threads in it that render it universal. Her poems are not confessional, they are mythic. In Winter Recipes from the Collective, she starts with the dying and death of a near relation to create an indelible group of characters who act in poems that touch on the family romance, loss, art, and immortality. Her poems are so powerful because her portrayal of experience reminds us so trenchantly of what we recognize we too have seen and felt.

For more than sixty years, Sterling A. Brown -- poet, folklorist, cultural critic, literary historian, teacher, and raconteur -- profoundly shaped the development of African American literary and cultural studies. A collection of new and exemplary writings, this volume represents an unprecedented effort to recover, reassess, and reassert Brown's enduring significance for contemporary scholars, students, and nonacademic readers. This engaging recuperative project is structured around four distinctive features: new and previously published essays that sum up contemporary approaches to the various genres of Brown's works; interviews with Brown and with his acquaintances and contemporaries; two discographies of source material that innovatively extend the study of Brown's acclaimed poetry; and an updated version of the most comprehensive bibliography of Brown's published writings. "After Winter" aptly demonstrates how Brown, in words from one of his familiar poems, continues to "just get hold of us dataway." -- From publisher's description.

Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism. McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.

Nanabush. A name that has a certain weight on the tongue—a taste. Like lit sage in a windowless room or aluminum foil on a metal filling. Trickster. Storyteller. Shape-shifter. An ancient troublemaker with the power to do great things, only he doesn’t want to put in the work. Since coming home to Spirit Bear Point First Nation, Hazel Ellis has been dreaming of an old crow. He tells her he’s here to help her, save her. From what, exactly? Sure, her dad’s been dead for almost two years and she hasn’t quite reconciled that grief, but is that worth the time of an Algonquin demigod? Soon Hazel learns that there’s more at play than just her own sadness and doubt. The quarry that’s been lying unsullied for over a century on her father’s property is stirring the old magic that crosses the boundaries between this world and the next. With the aid of Nanabush, Hazel must unravel a web of deceit that, if left untouched, could destroy her family and her home on both sides of the Medicine Wheel.