Agnes Warner And The Nursing Sisters Of The Great War

Through ear-splitting, thunderous explosions and fearful eerie flashes in the distance, the nurses of the Canadian Army Nursing Service in World War I waited for the inevitable arrival of wounded soldiers. At the Casualty Clearing Houses, they worked at a feverish pace to give emergency care for bleeding gashes, broken and missing limbs, and the devastating injuries of war. Exploring the many ways in which trained and volunteer nurses gave their time, talents, and even their lives to the First World War effort, Shawna M. Quinn considers the experiences of New Brunswick's nursing sisters — the gruelling conditions of work and the brutal realities they faced from possible attacks and bombings. Using letters, diaries, and published accounts, Quinn paints a complete picture of the adventurous young women who witnessed first-hand the horrors of the Great War.

Includes Nursing Sister Agnes Warner's wartime letters which were published under the title "My Beloved Poilus."

Written from the French front by a brave Red Cross nurse, these home letters were hurriedly penned amid the incessant roar of the mighty guns and surrounded by the wounded and the dying. This collection provides a fascinating glimpse into the life of a nurse at war.

In Sister Soldiers of the Great War, award-winning author Cynthia Toman recovers the long-lost history of Canada’s first women soldiers – nursing sisters who enlisted as officers with the Canadian Army Medical Corps. The nursing sisters had a mandate to salvage as many sick and wounded men as possible for return to the front lines. Nothing prepared them, however, for the poor living conditions, the scale of the casualties, or the type of wounds they encountered. But their letters and diaries reveal that they were determined to soldier on under all circumstances while still “living as well as possible.”

In the Preface to his ground-breaking The Great War and Modern Memory (1975), Paul Fussell claimed that “the dynamics and iconography of the Great War have proved crucial political, rhetorical, and artistic determinants on subsequent life.” Forty years after the publication of Fussell’s study, the contributors to this volume reconsider whether the myth generated by World War I is still “part of the fiber of [people’s] lives” in English-speaking countries. What is the place of the First World War in cultural memory today? How have the literary means for remembering the war changed since the war? Can anything new be learned from the effort to re-imagine the First World War after other bloody conflicts of the 20th century? A variety of answers to these questions are provided in Re-Imagining the First World War: New Perspectives in Anglophone Literature and Culture, which explores the Great War in British, Irish, Canadian, Australian, and (post)colonial contexts. The contributors to this collection write about the war from a literary perspective, reinterpreting poetry, fiction, letters, and essays created during or shortly after the war, exploring contemporary discourses of commemoration, and presenting in-depth studies of complex conceptual issues, such as gender and citizenship. Re-Imagining the First World War also includes historical, philosophical and sociological investigations of the first industrialised conflict of the 20th century, which focus on responses to the Great War in political discourse, life writing, music, and film: from the experience of missionaries isolated during the war in the Arctic and Asia, through colonial encounters, exploring the role of Irish, Chinese and Canadian First Nations soldiers during the war, to the representation of war in the world-famous series Downton Abbey and the 2013 album released by contemporary Scottish rock singer Fish. The variety of themes covered by the essays here not only confirms the significance of the First World War in memory today, but also illustrates the necessity of developing new approaches to the first global conflict, and of commemorating “new” victims and agents of war. If modes of remembrance have changed with the postmodern ethical shift in historiography and cultural studies, which encourages the exploration of “other” subjectivities in war, so-far concealed affinities and reverberations are still being discovered, on the macro- and micro-historical levels, the Western and other fronts, the battlefield, and the home front. Although it has been a hundred years since the outbreak of hostilities, there is a need for increased sensitivity to the tension between commemoration and contestation, and to re-member, re-conceptualise and re-imagine the Great War.

Although the United States did not enter the First World War until April 1917, Canada enlisted the moment Great Britain engaged in the conflict in August 1914. The Canadian contribution was great, as more than 600,000 men and women served in the war effort--400,000 of them overseas--out of a population of 8 million. More than 150,000 were wounded and nearly 67,000 gave their lives. The war was a pivotal turning point in the history of the modern world, and its mindless slaughter shattered a generation and destroyed seemingly secure values. The literature that the First World War generated, and continues to generate so many years later, is enormous and addresses a multitude of cultural and social matters in the history of Canada and the war itself. Although many scholars have brilliantly analyzed the literature of the war, little has been done to catalog the writings of ordinary participants: men and women who served in the war and wrote about it but are not included among well-known poets, novelists, and memoirists. Indeed, we don't even know how many titles these people published, nor do we know how many more titles were added later by relatives who considered the recollections or collected letters worthy of publication. Brian Douglas Tennyson's The Canadian Experience of the Great War: A Guide to Memoirs is the first attempt to identify all of the published accounts of First World War experiences by Canadian veterans.

A CHOICE Outstanding Academic Title 2014! 2014 winner of the American Association for the History of Nursing’s Mary M. Roberts Award for Exemplary Historical Research and Writing! The Routledge Handbook on the Global History of Nursing brings together leading scholars and scholarship to capture the state of the art and science of nursing history, as a generation of researchers turn to the history of nursing with new paradigms and methodological tools. Inviting readers to consider new understandings of the historical work and worth of nursing in a larger global context, this ground-breaking volume illuminates how research into the history of nursing moves us away from a reductionist focus on diseases and treatments and towards more inclusive ideas about the experiences of illnesses on individuals, families, communities, voluntary organizations, and states at the bedside and across the globe. An extended introduction by the editors provides an overview and analyzes the key themes involved in the transmission of ideas about the care of the sick. Organized into four parts, and addressing nursing around the globe, it covers: New directions in the history of nursing; New methodological approaches; The politics of nursing knowledge; Nursing and its relationship to social practice. Exploring themes of people, practice, politics and places, this cutting edge volume brings together the best of nursing history scholarship, and is a vital reference for all researchers in the field, and is also relevant to those studying on nursing history and health policy courses.

Caring for the wounded of the First World War was tough and challenging work, demanding extensive knowledge, technical skill, and high levels of commitment. Although allied nurses were admired in their own time for their altruism and courage, their image was distorted by the lens of popular mythology. They came to be seen as self-sacrificing heroines, romantic foils to the male combatant and doctors' handmaidens, rather than being appreciated as trained professionals performing significant work in their own right. Christine Hallett challenges these myths to reveal the true story of allied nursing in the First World War - one which is both more complex and more absorbing. Drawing upon evidence from archives across the world, Veiled Warriors offers a compelling account of nurses' wartime experiences and a clear appraisal of their work and its contribution to the allied cause between 1914 and 1918, on both the Western and the Eastern Fronts. Nurses believed they were involved in a multi-layered battle. Primarily, they were fighting for the lives of their patients on the 'second battlefield' of casualty clearing stations, transports, and military hospitals. Beyond this, they were an integral component of the allied military machine, putting their own lives at risk in field hospitals close to the front lines, on board hospital ships vulnerable to enemy submarine attack, and in base hospitals subject to heavy bombardment. As working women in a sometimes hostile, chauvinistic world, allied nurses were also fighting to gain recognition for their profession and political rights for their sex. For them, military nursing might help to win not only the war itself, but also a more powerful voice for women in the post-war world.